I took part in the Great Poet Bloggers Revival, launched by Donna Vorreyer and Kelli Russell Agodon, which challenged poets to publish one new blog post per week in order to help everyone feel more engaged in the community.
This year, I managed to put together 63 blog posts — not all of these were put out weekly as intended and not all focused on poetry. But I’m feeling happy and confident about the amount of blogging I managed to do in 2018.
Out of all the blogging I’ve done in the past year, I am most proud of the eight poet spotlight interviews I’ve conducted. It’s such a pleasure to be a part of and learn from the poetry community — and since I’ve been lax on participating or attending readings and open mics, being able to still feel connected through these interviews has been wonderful. Links to the eight interviews are presented below.
Sarah Blake on leaving earth and finding home in poetry:
“It’s hard to describe why I write poetry because it feels somewhat out of my control, but I know I need poetry to move through the world and my life, and I’m extremely grateful that poetry is the form that feels like home to me — even if it’s a scary home that I find riveting and that I feel extremely vulnerable in.”
Chelsea Margaret Bodnar on horror and the dilemma of female power:
“I was a total tomboy and actively discouraged being perceived as feminine, but lots of horror movies (think The Ring, Carrie, and even Psycho, in a deferred kind of way) reinforce that femininity can be dangerous, which is problematic, obviously, but also weirdly empowering. Basement Gemini was kind of born out of that idea — the simultaneous, seemingly-contradictory-but-not-really victimization, vilification, and empowerment of women that’s encountered so often in horror.”
Joanna C. Valente on spirituality and the drive to communicate:
“I largely consider myself a witch with a mashup of Eastern Orthodox/Jewish beliefs, which is because of my relationships and upbringing and interest in largely just being authentic and true to myself. So this book is largely an exploration of that as a queer person, using the first part to explore gender and sexuality and dysfunction in the tradition family setting, while the other parts explore this within the technological realm.”
Anthony Frame on the environmental impact of people and making poetry dance:
“I’m not someone who sits before the page every day; I do a lot more daily internal work and note taking, which leads me, eventually to the page — but after a while (maybe a year or eighteen months) I had a decent stack of poems. So, I did what I normally do — I looked through them to figure out my obsessions to help guide me towards a new manuscript.”
Stephanie M. Wytovich on staring down your demons:
“To me, the horror genre is all about survival and strength, which is why I feel drawn to it. I enjoy writing in a genre that doesn’t sugarcoat the fact that monsters (both real and imagined) exist, and I like to take the opportunity to teach my readers (sometimes through personal example) how to face down their demons and win.”
Marisa Crawford on pop culture, feminism, and the value of emotional knowledge:
“There’s a long history of literary critics and gatekeepers insisting that poems that reference pop culture or contemporary culture are necessarily not serious works of art, and that great literature must be timeless. I reject this idea — I think it’s dumb to try to divorce art from your lived experiences and the culture it comes out of, and that trying to ties into this false notion that literature can or should be “universal,†which historically has really just meant writing that appeals to straight white men.”
Holly Lyn Walrath on hybrid writing and the idea of femininity:
“Weird writing inhabits a liminal place between genres. It’s the stuff of the strange and not-quite-definable, a hybrid kind of writing that sings its own song and creates the instruments as it goes. Basically, it’s anything that doesn’t fit the mold. I think this approach excites me because I don’t really think or dream in the ways that are expected.”
Saba Syed Razvi on the interplay between dark and light:
“There is a different kind of knowledge that emerges in the obscured spaces, those shaped by the shadows of what is in the way of our easy reach. The allure of the uncertain, the risk, the hidden, and the dangerous orbit around the notion that risk brings relief, brings possibilities beyond what is easily inspected. Just as we are so accustomed to the image, we tend to crave the comfort of texture or touch, the scent of the unfamiliar as much as the sensation that invites us into staying in the revelry of the uncertain. In this space of darkness, what we see is never really certain, and the secret parts of the psyche find opportunities to come out and play.”
Other than the poetry spotlights highlighted above, I also blogged about my culture consumption (books, movies, TV, games, etc.) throughout the year, shared news about my writing and travels, and hosted a couple of giveaways. Among these, the five that I’m most pleased with are:
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- As a Single Lady Alone on Valentines Day
- The Beautiful Horrors of Junji Ito
- Six Things I Loved About Egypt
- Jeff VanderMeer’s Wonderbook is a fantastic toolbox for fiction writers
- Wizard and Glass – Returning to The Dark Tower, Part IV
All in all, I think it’s been a pretty good blogging year for me. Thank you to everyone who’s been with me on this journey. I hope you’ll stick around and continue reading in the new year.
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I loved reading your new chapbook 
