Hi, lovelies. Here’s my month in books, movies, television, games, and podcasts.
What should be no surprise to anyone who reads my blog at this point is that I love Junji Ito — a writer and artist who continues to prove himself a master of the horror genre with his graphic novel, No Longer Human. The story follows the life of a man who feels disconnected with humanity to the extent that he finds it incredibly anxiety inducing — and at times outright horrifying — to interact with other people My full review is here. (I’ve also borrowed two more Ito books from my brother, so expect more gushing in the near future.)
After watching Hellier, I’ve taken an interest in the idea of synchronicity (or meaningful coincidences), which is often discussed on the show. Carl Jungthe concept in his paper, Synchronicity: An Acausal Connection. The paper presents his theories on synchronicity, which he ties to psychology, psychic phenomena, quantum mechanics, and and the collective unconscious. For Jung, synchronicity was a defining principle of nature as valid as space, time, and causality. It makes for a fascinating read, even if some of the technical aspects of the paper were a bit hard to follow. I found it so interesting that I put together a lengthy post, sharing my thoughts on the book and the idea of synchronicity.
The official launch of my new chapbook is only 14 days away! As I sit here waiting for the exciting day, I decided to make a video showing off my author copies of Twelve: Poems Inspired by the Brothers Grimm Fairy Tale. I also talk a bit about the original “Twelve Dancing Princesses’ story and how it inspired me to start writing these poems.
I continue to be amazed and humbled by the kind things people are saying about Twelve, such as this review on The Biblioshelf:
“In Twelve, Andrea Blythe manages to pull off a modern retelling in spectacular fashion whilst retaining the elements of fairytales and storytelling which all of its fans love. Taking each sister one by one, Blythe dedicates each of the Twelve Princesses with their own unique voice and identity giving fresh substance and purpose to the once subservient, archaic damsels-in-distress in search of their prince.”
Preorders the book are still open at Amazon, B&N, and Indiebound. And, if you’re the giveaway loving sort, then you might like to know that Interstellar Flight Press is currently offering a chance to win copies of Twelve over on Goodreads.
Junji Ito is a master of horror storytelling. His beautifully illustrated comics offer deeply disturbing, strange tales, exploring cosmic and body horror. Fantastic though these stories generally are — in my experience — they tend not to focus on character development, as much as they reveal the bizarre ways the world can be twisted into utterly horrifying experiences.
In this way, No Longer Human is somewhat of a departure from his previous work. While it contains the same level of gorgeous artwork combined with incredibly unsettling horrors, it’s more grounded, focusing on the life and experiences of Yozo Oba.
Rebecca Hart Olander’s poetry has appeared recently in Crab Creek Review, The Massachusetts Review, and Tinderbox Poetry Journal, among others. Collaborative work made with Elizabeth Paul has been published in multiple venues online and in They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing (Black Lawrence Press). Rebecca is a Women’s National Book Association poetry contest winner and a two-time Pushcart Prize nominee. Her chapbook, Dressing the Wounds, was published by dancing girl press in 2019, and her debut full-length collection, Uncertain Acrobats, is forthcoming from CavanKerry Press in 2021. Rebecca teaches writing at Westfield State University and is editor/director of Perugia Press. Find her at rebeccahartolander.com and @rholanderpoet.
Your new collection of poetry is Dressing the Wounds. Tell us about the project and how it came into being.
The new collection is also my first collection, and it came into being in kind of an unusual way, at least for me. In sum, I created it with a specific press in mind, and I didn’t get feedback on the manuscript as a whole before submitting it for consideration. To explain further, in the summer of 2018, I was feeling pretty discouraged by the lack of success I was having placing my full-length manuscript. I had finished my MFA program three years prior, and each year I was having a steady incline in individual subs being accepted, but lots of rejections (and a nice bunch of semi-finalist/finalist nods) for the book. I felt like it was high time I had a book in the world, and it began to seem silly that I hadn’t even had a chapbook out yet. Even students of mine were publishing chaps, and I was feeling like I’d skipped a step trying to go from individual publications to placing a full-length manuscript.
Hi, lovelies. Here’s my month in books, movies, television, and games.
The Good House by Tananarive Due is an utterly fantastic horror novel. Angela Toussant inherited the Good House from her grandmother, a woman well known in the small Sacajawea, Washington, community for her “healing magic.” When Angela returns with her son for summer vacation, she hopes to draw on some of that magic to heal her broken marriage. Instead, a surprising and violent tragedy strikes, driving her into a deep depression. Years later, she returns with the aim of healing her own emotional wounds, only to instead begin to notice a pattern of tragedies that may all be connected to something restless living within her old family property.
The Good House is multi-layered in nearly every aspect of its depictions — from the characters to the world building to the writing style to the cultural context. Although primarily focused on Angela, the story jumps between timelines and perspectives, providing an added nuance to events. And importantly, the horrors are truly terrifying. Due is a masterful writer, and I’ll definitely be reading more of her work in the future.