A couple of weeks ago, I escaped from the routines of my everyday life and disappeared into the woods for four days. As the video above explains, the intention of the trip was to shape a small writing retreat for myself. I packed up some pens, notebooks, my laptop, and printouts of a poetry project (along with some books and art and mediation supplies).
The goals of the retreat were low-key:
Disconnect from social media, the internet, and other distractions that fill my time with mental clutter.
Rest, relax, and rejuvenate through reading, walking among the trees, and meditation.
A Camera Obscura is a lyrical exploration of external and internal worlds. The heavens described in these poems could be the stars glittering above our heads, the pathways of faith, or the connection between human beings. Playing with scientific understandings of the world, along with the linguistic conventions of the poetic form, A Camera Obscura is a compelling journey that simultaneously drifts through the cosmos while being rooted to the ground beneath our feet.
“When the sun rose it was smaller
than in my dream. I had been asleep
for what felt a long time, and woke
confused and claustrophobic.
The texture of the sky still magnetized me,
a desert bright day. But the light is streaked
like too much everything pulled to the edges
of a window in storm.”
— from “A Science Fiction”
You can listen to the interview here or on the podcast app of your choice.
Hi, lovelies. Here’s my month in books, movies, and podcasts.
Sooooo many good books this month.
Let’s kick things off with Waking the Witch: Reflections on Women, Magic, and Power by Pam Grossman. Part memoir, part historical and cultural analysis, Waking the Witch examines the concept of witches and witchcraft throughout the ages, from inquisitors hunting down supposed witching across Europe to how witches are portrayed in media, to the witchy ways in which some artists engage with their work. It’s a fascinating exploration — one that makes me want to dive deeper into some of the art, history, and cultural subjects that Grossman discusses.
I read two amazing collections of poetry this month — No Matter the Wreckage by Sarah Kay and A Camera Obscura by Carl Marcum. I spoke in detail about how much I loved Kay’s work in a previous post. So, allow me to talk briefly about A Camera Obscura. Marcum’s book is a lyrical exploration of external and internal worlds. The heavens described in these poems could be the stars glittering above our heads, the pathways of faith, or the connection between human beings. Playing with scientific understandings of the world, along with the linguistic conventions of the poetic form, A Camera Obscura is a compelling journey that simultaneously drifts through the cosmos while being rooted to the ground beneath our feet. I was fortunately to have interviewed Marcum for the New Books in Poetry podcast, the episode for which will be coming out soon.
“You may not even crack the spine.
You may place this on the bookshelf,
or worse, under a stack of papers.
You may forget it and regift it later
to someone as a Secret Santa.
I will never know.”
— from “The First Poem in the Imaginary Book”
I’ll admit that Sarah Kay‘s No Matter the Wreckage has indeed been a resident of my bookshelf for too long — though it was never forgotten. Every time I perused the shelves, I would notice it sitting there and remember, Oh, yes, I need to read that. Then I would place it somewhere nearby with the intention cracking open and turning its pages, only to have it slip out of sight as my busy days shifted my attention.
In a way, though, the delay was a blessing, as the beautiful words on these pages feel like they have come to me at the perfect time.
I’m perfectly chuffed to announce that my book Twelve, published by Interstellar Flight Press, has received two award nominations from members of the Science Fiction and Fantasy Poetry Association (SFPA).
Within Twelve, my poem “The Third Sister” has been nominated for a Rhysling award in the Long Poem category.
In addition, Twelve as a whole has been nominated for the Elgin award in the chapbook category.
It is genuinely such an honor to have my work listed among so many amazing poets, whose work I admire.