It’s been a long while since I’ve read a book on the craft of writing. Although I’ve often found such books valuable, in a way, I had grown out of them, focusing more on the act of writing instead of reading about it. But Wonderbook: The Illustrated Guide to Creating Imaginative Fiction byÂ Jeff VanderMeer was recommended to me recently with such fervor that I immediately picked it up â€” and discovered one of the best books on writing craft that I’ve yet to read.
Wonderbook is aimed at writers of speculative fiction, but is valuable to writers of any genre.Â The main chapters of the book cover the full range of the writing process, includingÂ Inspiration and the Creative Life,Â The Ecosystem of Story (point-of-view, dialog, and other story elements),Â Beginnings and Endings (withÂ VanderMeer’s novel Finch as a main example),Â Narrative Design (plot, structure, etc.),Â Characterization,Â Worldbuilding, andÂ Revision, along with a few interesting appendices. The chapters discuss the theory and practice of writing, while also providing inspiration, prompts, and writing exercises.
I particularly appreciate thatÂ VanderMeer does not prescribe The One Way to Write Them All, but rather cites a multitude of sources and examples to present the many sides of any method and, in fact, many sidebar items either question or direct contradict the view of the main text. In addition, the book offers essays and interviews in which fantasy authors â€” such asÂ Neil Gaiman,Â Catherynne M. Valente,Â George R. R. Martin, andÂ Karen Joy Fowler, among others â€” each with their own viewpoints.Â In this way,Â Wonderbook offers a toolbox of approaches to writing that the writer can pull from in order to discover what works best for them.
The illustrations, maps, charts, and artwork throughout Wonderbook, provided by a number of artists but primarilyÂ Jeremy Zerfoss, are a key way that itÂ guides its readers through the murky waters of writing terminology, methods, and advice. They provide playful visual diagrams or inspirational asides that are valuable in and of themselves, making specific Â aspects of the writing process more memorable.
I was hoping to narrow in on a chapter and provide a more detailed look some ofÂ Wonderbook’s great adviceÂ â€” but I’ve run out of time, as the library is demanding its copy of the book back. But I just preordered the revised and expanded edition, so I’ll soon have my own copy to peruse at my leisure.
I will point out, however, thatÂ Wonderbook had an immediate practical effect on my writing life.Â While in the middle the section on Revision, I read a bit noting that one of the ways people get stuck is forcing themselves to write the story chronologically â€” even though it’s just as viable to start at the end or jump around while putting together a draft. I knew this already, though perhaps in more of a theoretical sense. I can’t immediately think of a time when I have applied this to writing my own fiction (essays, yes, fiction, no).Â But being reminded of this option to jump around in a text launched me into action.
I have a novel that I have been sitting on, after burning out on it a while back. At the time, I had given myself permission at the time to take a break and then come back to it later (that the “later” had turned into over four years is another story). All this time, I have been waiting for the right time to come back to the text, figuring I would need to do a major overhaul of the beginning in order to work through to the end â€” an expectation that kept me stymied.
While readingÂ Wonderbook, I became so inspired by the idea of writing out of order that I jumped up and began writing down the climatic scene of the novel â€” a scene that has been playing in my head over and over again for ages. Those thousand words have put me back on the footing of maybe finally getting the novel done. (“Done.” Hah. We’ll see.)
To sum up I’ll say, this excellent and would be a welcome addition to almost any writer’s shelf.