Hi, lovelies. Here’s my month in books, movies, games, and podcasts.
I loved The Strange Case of the Alchemist’s Daughter by Theodora Goss. The story is about Mary Jekyll, left alone and penniless following her mother’s death. Curious about the secrets of her father’s mysterious past, she discovers that Edward Hyde, her father’s former friend and a murderer, may be still be alive. With the hope of a reward to solve her financial challenges, she pursues what little clues she has — only to discover Diana, Hyde’s daughter instead. As the mystery thickens, Mary learns of more women who have been experimented upon by their fathers — Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein. Together, the women begin to uncover a secret society of scientist attempting to transmute the human body in order to unleash it’s potential.
A lot of novels, short stories, comics, and movies have taken on the task of presenting new versions of classic horror and scifi — this was the kind of retelling I didn’t know I was longing for. Reading the Alchemist’s Daughter was a delight, presenting a litany of clever, intelligent, strong women who find companionship and support in each other through their trials, while stuggling against cultural norms. The style of storytelling is also witty and fun — with the girls interjecting into the record with their own commentary and arguments. I love all of these women and I can’t wait to read about more of their adventures in the next volume. Continue reading “Culture Consumption: June 2019”
It’s been a long while since I’ve read a book on the craft of writing. Although I’ve often found such books valuable, in a way, I had grown out of them, focusing more on the act of writing instead of reading about it. But Wonderbook: The Illustrated Guide to Creating Imaginative Fiction by Jeff VanderMeer was recommended to me recently with such fervor that I immediately picked it up — and discovered one of the best books on writing craft that I’ve yet to read.
Wonderbook is aimed at writers of speculative fiction, but is valuable to writers of any genre. The main chapters of the book cover the full range of the writing process, including Inspiration and the Creative Life, The Ecosystem of Story (point-of-view, dialog, and other story elements), Beginnings and Endings (with VanderMeer’s novel Finch as a main example), Narrative Design (plot, structure, etc.), Characterization, Worldbuilding, and Revision, along with a few interesting appendices. The chapters discuss the theory and practice of writing, while also providing inspiration, prompts, and writing exercises.
I particularly appreciate that VanderMeer does not prescribe The One Way to Write Them All, but rather cites a multitude of sources and examples to present the many sides of any method and, in fact, many sidebar items either question or direct contradict the view of the main text. In addition, the book offers essays and interviews in which fantasy authors — such as Neil Gaiman, Catherynne M. Valente, George R. R. Martin, and Karen Joy Fowler, among others — each with their own viewpoints. In this way, Wonderbook offers a toolbox of approaches to writing that the writer can pull from in order to discover what works best for them.
The illustrations, maps, charts, and artwork throughout Wonderbook, provided by a number of artists but primarily Jeremy Zerfoss, are a key way that it guides its readers through the murky waters of writing terminology, methods, and advice. They provide playful visual diagrams or inspirational asides that are valuable in and of themselves, making specific aspects of the writing process more memorable.
I was hoping to narrow in on a chapter and provide a more detailed look some of Wonderbook’s great advice — but I’ve run out of time, as the library is demanding its copy of the book back. But I just preordered the revised and expanded edition, so I’ll soon have my own copy to peruse at my leisure.
I will point out, however, that Wonderbook had an immediate practical effect on my writing life. While in the middle the section on Revision, I read a bit noting that one of the ways people get stuck is forcing themselves to write the story chronologically — even though it’s just as viable to start at the end or jump around while putting together a draft. I knew this already, though perhaps in more of a theoretical sense. I can’t immediately think of a time when I have applied this to writing my own fiction (essays, yes, fiction, no). But being reminded of this option to jump around in a text launched me into action.
I have a novel that I have been sitting on, after burning out on it a while back. At the time, I had given myself permission at the time to take a break and then come back to it later (that the “later” had turned into over four years is another story). All this time, I have been waiting for the right time to come back to the text, figuring I would need to do a major overhaul of the beginning in order to work through to the end — an expectation that kept me stymied.
While reading Wonderbook, I became so inspired by the idea of writing out of order that I jumped up and began writing down the climatic scene of the novel — a scene that has been playing in my head over and over again for ages. Those thousand words have put me back on the footing of maybe finally getting the novel done. (“Done.” Hah. We’ll see.)
To sum up I’ll say, this excellent and would be a welcome addition to almost any writer’s shelf.
Hi, lovelies. Here’s my month in books, movies, television, and games.
It’s been a fantastic reading month for me — both in terms of sheer numbers as well as a multitude of books that I loved. Most notably was my delve into the works of manga artist and writer Junji Ito, including Uzumaki, Gyo, and the Shiver collection of short stories. As I mentioned in a previous post, Ito is a master of weird, cosmic, and body horror (sometimes all at once). It’s beautiful, disturbing, wonderful work.
I was also delighted by The Beautiful Ones by Silvia Moreno-Garcia. Love, deception, and etiquette are a the center of this story in which a young women travels to the city of Loisail for her first Grand Season. The aim of her trip is to mingle with the Beautiful Ones who make up the wealthy high society in the city in the hopes that she’ll find a suitable husband. Unfortunately, her manner and her telekinetic abilities make her a target for gossip. When she meets telekinetic performer Hector Auvray, she thinks she’s found the kind of love one reads about in books — but learns that no one is what the seem in Loisail.
This is a charming fantasy of manners, full of polite but cruel society and wonderful explorations of the people who live in it. I have so far bought and read three of Moreno-Garcia’s books and I have loved all three of them. The Beautiful Ones was no exception, and I can’t wait to see what she does next.