Science fiction writers have long used visions of animatronic machines and robots to questions the nature of humanity and god and to explore what constitutes a soul. In this beautiful and strange alternate history, N.A. Sulway performs a similar exploration while also taking into consideration how history is shaped and how the creation of history through carefully selected “facts” or stories shapes a society.
Rupetta is an animatronic object, constructed in the 1600s by a young French woman out of brass gears and cogs and leather fittings to resemble a human being. She shares souls and consciousness with the women who wynd her. As Rupetta recounts her own story, in which she witnesses centuries, from her creation to the formation of a new society with her image at its center, she reveals the ways she has been loved, hated, and used by the women she is bound to, as well as the ways she herself has loved.
Alternating with her own story is Henriâ€™s tale, a young woman living in the â€œpresentâ€ day society formed out of the devotion to the Fourfold Rupettan Law â€” â€œLife is Death. The Earth is a Grave. The Body is a Machine for Dying. Knowledge is the Path to Imortality.â€ Henri longs to be a historian of the Penitent order and to give up her human heart for a mechanical one that would extend her life. In her researches on the Salt Lake Witches, she uncovers a hidden secret that could shake the stability of the current societal order.
This was a strange and wonderful read with beautiful language. I loved the varying relationships between each of these women, based on kindness, love, friendship, and trust, as well as pain, betrayal, and anger. At itâ€™s core this is a love story interweaved with the histories that shape society and the intellectual rebellions that threaten to undo it.
The hardback edition is out of print and expensive to purchase, but I recommend picking up a digital copy.
Don’t Forget that I am running a giveaway for The Walls Around Us. Just comment on the post by August 31 to enter.