Immortality, the 1960s, and the Power of Women’s Voices

Set in Haight-Ashbury during the Summer of Love, Gwendolyn Kiste’s Reluctant Immortals, gives voice to two often forgotten women of literature — Lucy Westenra from Dracula and Bertha Mason from Jane Eyre. Having both been turned immortal against their will, the two women band together in the face of an eternity in which they must continually fight off the control of the men who changed them. When Dracula and Rochester make a sudden return, the two women draw on the strength of their sisterhood to make a stand and claim their own power and space in the world.

I recently spoke with Kist about her novel and the writing life in an interview published on Interstellar Flight Magazine. In the interview, she notes:

“Women’s voices have so often been silenced. That’s true of real-life women as well as female characters. We tend to be seen as being less important to the world and less important to storytelling. You can see this throughout literature, and while it’s been getting better over the last few years, we still have a long way to go.”

Fantastical and Frightening Books About Women Reclaiming Their own Power

Recently, I put together a list of “the best fantastical and frightening books about women reclaiming their own power” for the Shepherd website, which aims to help folks discover new books. Generally, I balk at using the phrase “the best,” since there are so many more amazing books in the world that I had yet to read. However, this is the format the website uses.

As per the request of the editors, I specifically picked books that felt connected to my collection of prose poetry, Twelve.  This means that I wanted to include a mixture of prose and poetry books, as well as focusing on books that are connected to fairy tales and/or folklore. And truthfully, I love each and every one of these books and I hope many other folks come to love them, too.

If I were allowed to expand my list to beyond the five I listed, I would also included any or all of the following (to name a few):

  • Slewfoot: A Tale of Bewitchery by Brom (which I just completed at the end of December)
  • Goddess of Filth by V. Castro
  • Sorrowland by Rivers Solomon
  • The Broken Earth Trilogy by N.K. Jemisin
  • Circe by Madeline Miller
  • Paladin of Souls by Lois McMaster Bujold
  • Transformations, poems by Anne Sexton
  • Drink, poems by Laura Madeline Wiseman
  • The Moment of Change (a collection of feminist fantasy poetry), edited by R.B. Lemburg

And I’m sure I will discover many more such books of fantastical and frightening female empowerment in the future.

Books I Loved Reading in 2022

It’s been a pretty great reading year for me. I might have not have hit as many books as in years past, but the quality of books that I’ve read this year have been stellar (and I have a few more great books in the stack that I’ll likely finish by year’s end).

Fiction

Siren Queen by Nghi Vo

Maw, written by Jude Ellison S. Doyle with art by A.L. Kaplan and Fabiana Mascolo

Nghi Vo’s Siren Queen unfolds the story of Luli Wei, a talented and beautiful Chinese American woman, who is desperate to become a star in pre-code Hollywood. In order to do so, she navigate the fair-like realm of the Hollywood system, which exacts a sharp (and sometimes deadly) price on those who long for fame. The magic here is at once beautiful, wicked, and mundane.

Vo’s prose is rich and lyrical, evoking a sense of magic, menace, and desire on nearly every page. Siren Queen is a work of art; it is powerful and evocative — a book that I plan to read again and again.

The City We Became by N.K. Jemisin

The City We Became is another masterpiece from N.K. Jemisin. It presents a vision of New York City as a living creature about to be born with a human avatar — except a dark presence nearly aborts the process and the avatars of various boroughs (Manhattan, Queens, Brooklyn, the Bronx, and Staten Island) are awakened to hold back the tide of darkness.

Jemisin is a phenomenal writer, and the story she unfolded in this book made me fall in love with a place I have never been. I cannot wait for a sequel.

Continue reading “Books I Loved Reading in 2022”

Culture Consumption: November 2022

Hi, lovelies. Here’s my month in books, movies, television, and games.

Books

The opening of Kealan Patrick Burke’s Sour Candy happened in a supermarket. Our main character, Phil Pendleton, goes to the supermarket and witnesses a bizarre and unsettling event involving a women and her child — one of the most uncomfortable scenes that I’ve ever had the pleasure to read. When he leaves this moment behind, Phil finds his entire world has shifted sideways, reality rewritten. The horror that follows grows increasingly terrible in the best of ways. As a novella, this is a short, quick read, but it’s one that leaves a satisfying punch.  Continue reading “Culture Consumption: November 2022”

Culture Consumption: July 2022

Hi, lovelies. Here’s my month in books, movies, television, and games.

Books

If you’re not into horror, or specifically slashers, then this book is not for you. Stephen Graham Jones’ My Heart Is a Chainsaw is a love song to slasher films, with its main character Jude being entirely enamored with them. Slasher films, for her, were an escape from her sh*thole of a life, and there is a part of her that longs for a slasher event to occur, so that the people of her community can get their comeuppance.

When a young woman moves to town — beautiful, smart, and charming — Jude thinks that this young woman is the type who would be become a Final Girl. After Jude start seeing a number of signs that a series of killing is soon to occur (according to the rules of the movies she watches), she tries to convince the new girl of her destiny.

Jude is angry and acidic and all sharp edges — and I love her so much, because she is also vulnerable, lonely, and (deep down) caring. Her passion for slasher films swims off the page, as does her underlying desire for companionship. Her journey in this book is brutal and terrifying and somehow, in the end, manages to find a sense of hope. And it’s beautiful.

Odessa by Jonathan Hill is a graphic novel about an apocalyptic future following an earthquake that tore apart most of civilization. The Crane family scratches by through scavenging and other odd tasks, which the barter for their food and needs. When Virginia Crane suddenly receives a letter and gift from her mother (whom the family has long assumed was dead), she begins a journey traveling across the Western U.S. looking for her — along with her two younger brothers. The siblings face violence, but also find support and kindness — and they face the dangers of the world together. It’s a beautiful story with gorgeous two-tone artwork. I’m definitely going to be continuing the series.

Continue reading “Culture Consumption: July 2022”