Directed by Ava DuVernay
Description (from Letterboxd):
Martin Luther King, Lyndon Baines Johnson and the civil rights marches that changed America.
“Selma,” as in Alabama, the place where segregation in the South was at its worst, leading to a march that ended in violence, forcing a famous statement by President Lyndon B. Johnson that ultimately led to the signing of the Civil Rights Act.
It astounds me that Selma was not nominated for more than two Oscars. Ava DuVernay has put together an excellent biopic, subtly fitting in many layers of history, including disagreements between different aspects of the civil rights movement (such as the SNCC) and the planning and focus required to steer events to a particular outcome. It was a smart move for the movie to focus on a single issue of the movement — the work to secure voting rights — as it give the audience a clear sense of the conflict at hand and something to rally for. I also liked the decision to overlay events with typewritten messages from the FBI’s monitoring of King and the movement, which was an unsettling and brilliant addition to the film.
David Oyelowo is fantastic as Dr. Martin Luther King Jr., revealing his uncertainties in facing the enormity of the task before him. He really embodies the man and brings humanity to the character, even as he gives iconic speeches.
If there is one thing that bothered me, it was that sometimes it was hard to keep track of timelines. I’m not really clear on how much time passed, from when King first appeared in Selma to the final march from Selma to Montgomery. I’m assuming months, or at least weeks, but I’m not sure. It was a minor problem anyway, as I enjoyed and was moved by the movie.
My sister and I had a great conversation following the movie, talking about the history of racism and how it applies to today’s current events. Isn’t generating discussion what a movie like this is for?