Hi, lovelies. Here’s my month in books, movies, television, games, and podcasts.
For those interested, here are my favorite books, movies and shows, and games for the last year.
Books
I recently finished Character Development and Storytelling For Games by Lee Sheldon. It was an interesting read and the author draws on his experience in both games and television to discuss ways of approaching character and story development.
Note that what I read was the 1st edition from 2004, so while the book’s talk of characters and story are everlasting, some of the discussions about the future of games felt a little outdated. Apparently, a 2nd edition was published in 2013, which likely provides a more modern perspective
One section in particular presented me with a new way of thinking about story — namely, modular storytelling and how it can help blend gameplay and story into interactive narratives. I wrote a bit about what I learned over here.
I’ve been following Chuck Wendig’s blog for a long while, and I have loved his wild, cuss-heavy way of discussing writing and the writing life. Now, I’ve finally come around to buying and reading one of his actual books — and I can definitely say I’m a fan.
In Nothing But Blackened Teeth by Cassandra Khaw, a group of old thrill-seeking friends decide to host a wedding at haunted Heian-era mansion in Japan. As the night of drinking, food, and old memories and rivalries are consumed, events slowly start to go terribly, terribly wrong. The house is more haunted than they realized, having been built on the bones of a dead bride, who wanders faceless through its halls. KI love the way Khaw draws on historical Japanese folklore to present a wonderfully creepy and unsettling take on the haunted house genre. A great read for horror fans.
A friend loaned me a copy of Madeline Miller’s Circe, offering high praise for the book and its feminist take on the ancient Greek myth. Once I opened the first page, I was immediately immersed in the mythological worlds of Ancient Greek gods and goddesses with all their politics and family drama. Reading this book reminded me of how much I loved learning about these myths when I was in school, and I loved the way Miller portrayed Circe and the other gods, illuminating the a sense of magic and power. Some of the gods feel alien and dangerous in how disconnected they are from mortals, while Circe has an inherent sense of humanity in her longing to feel connected with them. I loved the ways in which Miller weaved various classical stories and tales into the text, and I especially enjoyed her feminist take, which presents a more complex view of a powerful woman.
Another great read this month was The Final Girl Support Group by Grady Hendrix. Inspired by the slasher films of the ’80s, the story takes place years after the women’s confrontations with brutal murderers. These final girls have faced death and fought off their killers, surviving into middle age while carrying ongoing ailments from their injuries and trauma, including anxiety, PTSD, and other issues. Bound by their shared trauma, the women attend support group meetings, a tether that slowly frays as some members attempt to move on. Things get incrementally worse, however, when it appears that someone is out to kill them.
Two of the books I loved this month focus on women finding power through transformation. In Sorrowland by Rivers Solomon, a heavily pregnant Vern escapes from a religious compound into the woods, where she gives birth to twins. For a while she lives wild, raising her children as she pleases, all the while they are being hunted. As time passes, Vern begins to grow in strength, experiencing a physical transformation she doesn’t understand.
The second book was Goddess of Filth by V. Castro, in which a group of friends perform a play seance, laughing and drinking until their friend Fernanda begins chanting in Nahuatl and appearing to be possessed. As time passes, Fernanda continues to act strangely, “smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty.” With her mother in a moral panic over the changes, Fernanda’s friends try to find a way to help her in any way they can.