Description from Goodreads: “Missouri, 1849: Samantha dreams of moving back to New York to be a professional musicianâ€”not an easy thing if youâ€™re a girl, and harder still if youâ€™re Chinese. But a tragic accident dashes any hopes of fulfilling her dream, and instead, leaves her fearing for her life. With the help of a runaway slave named Annamae, Samantha flees town for the unknown frontier. But life on the Oregon Trail is unsafe for two girls, so they disguise themselves as Sammy and Andy, two boys headed for the California gold rush. Sammy and Andy forge a powerful bond as they each search for a link to their past, and struggle to avoid any unwanted attention. But when they cross paths with a band of cowboys, the light-hearted troupe turn out to be unexpected allies. With the law closing in on them and new setbacks coming each day, the girls quickly learn that there are not many places to hide on the open trail.”
I have a secret affinity for Westerns or, more accurately, I love the idea of Westerns â€” although I don’t often read or watch them.
My interest is closely connected with my love for folklore and mythology and the ways modern storytellers break it apart and shape it anew. There is a myth of the American Wild West, often based almost on the image of lonely, noble white cowboys standing up against the dangers of a lawless land. I can understand the appeal of figures like Buffalo Bill Cody and Wild Bill Hickok and the characters portrayed by John Wayne. Although, I’m more partial to the female versions, seen in Calamity Jane and Annie Oakley. I love cowgirls and will be immediately drawn to any story that has women facing the Wild West on their own terms, even not-great movies, like Bad Girls.
I come to this interest in Westerns with the full knowledge that this mythology is deeply problematic, erasing and villainizing the image of POC, particularly Native Americans. It’s a mythology to be tangled with carefully, with room for dismantling, and approached with reservation, oodles of research, and a sense of inclusion.
One of the things that drew me to Under the Painted Sky was not only the diversity of the main characters â€” Sammy is Chinese and Andy is black â€” but the fact that they disguise themselves as boys to make their road safer. I loved both of these girls, how they faced their fears and strove for their own freedom. They both have skills and knowledge of their own and learn a lot from each other. Their bond of friendship is powerful, as strong as sisterhood by the end, and I loved the mutual respect they had for each other.
â€œYou miss being a girl? I ask her.
Not as much as I thought I would. Just feels like when I’m being a boy, I can cut a wider path.â€
The trope Under the Painted Sky most clearly breaks from is the image of the lone noble cowboy image/hero image. Instead of solitude, the story presents the strength of community and the power of being backed by the family you choose. On the road, Sammy and Andy meet three young cowboys â€” two from Texans and one Mexican â€” who join them on their journey to California and teach them some cattle wrangling skills. The interactions between the five characters are often hilarious, and the author does a great job of showing how their friendship blossoms into complete trust.
Under the Painted Sky is sometimes thrilling, sometimes touching, and often funny. It had me staying up way to late so that I could finish it. A fantastic debut and a wonderful read from Stacey Lee. I’ll be looking out for more work by her.