Women in Horror – Short Film: Monster (2005) directed by Jennifer Kent

Monster

Written & Directed By: Jennifer Kent

Length: 10:43 minutes
Genre: Horror

What It’s About: “A single mother battles her son’s fear of a monster in the house, but soon discovers a sinister presence all around her.”

Why I Like It: “Monster” is the short film that was later extended into the feature length Babadook â€” both of which are great. In both, a woman is harangued by her overactive son and his imaginative fears. How this develops into revealing the supernatural force at work is a bit different in each, with the condensed narrative of the short adding to the dark fairy tale tone. It’s able to build a story without needing to explain much — the monster is a monster andcan be defeated. In other words, it’s possible to master one’s fears by giving them a stern talking to. I also admire the beautiful black and white cinematography with its stark shadows.


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Fives Books of Poetry to Check Out for Women in Horror Month

I’ve been a fan of horror as a genre since I was a kid, but only recently became aware of how poetry and horror intersect to provide beautifully dark verses capable of illuminating the shadowy side of the human experience. Over the last couple of years, I’ve noticed an increasing number of horror poetry collections written by women in the world (in part, because I’ve been more actively looking for them). It’s exciting to see this develop. Below are a few of the horror poetry books I’ve read and love, and I hope to discover many more in the future.

I am not your final girl by clair c holland

I am Not Your Final Girl by Claire C. Holland

I Am Not Your Final Girl offers up the female personas of characters of horror cinema — the survivors, victims, villains, and monsters — who prowl through dark worlds, facing oppression, persecution, violence, and death. The women in this collection channel their pain and rage into a galvanizing force. They fight. They claim power over their own bodies. They take their power back. They do not relent. (Full review.)

Southern Cryptozoology by Allie Marini

Southern Cryptozoology: A Field Guide to Beasts of the Southern Wild by Allie Marini

I’ve put Southern Cryptozoology on other favorites lists before and will continue to put it on lists, because this chapbook is one of my favorite poetry reads. This collection presents a bestiary of strange, legendary creatures from the Southern parts of the U.S., examining what it means to be monster or human, beast or woman, myth or flesh.

R E D by Chase Berggrun

R E D by Chase Berggrun

In R E D, Berggrun presents a series of erasures of Bram Stoker’s Dracula. The poems transform the text from a storyline in which women have little to no agency to a stunning exploration of abuse, violence, power dynamics, and femininity.

Basement Gemini by Chelsea Margaret Bodnar

Basement Gemini is a gorgeous chapbook of poetry that draws on horror movie tropes to explore female power and agency. There’s a kaleidoscopic beauty to these untitled lyrical prose poems that feel cohesive a cohesive whole. Chelsea says, “Basement Gemini was kind of born out of that idea — the simultaneous, seemingly-contradictory-but-not-really victimization, vilification, and empowerment of women that’s encountered so often in horror.”

heliophobia by Saba Syed Razvi

Heliophobia by Saba Syed Razvi

Razvi’s collection tangles together darkness and light into a dark tapestry of power poems. As Razvi describes her book, “I suppose these poems are some kind of unholy fusion of museums, goth clubs, meditations, and global diaspora — all rewritten through dream logic, in some kind of ink made of the timeless decay of memory!”

Horror poetry books by women on my TBR:

  • A Collection of Nightmares by Christina Sng
  • Love Lessons from Buffy the Vampire Slayer by Lisa Cheby
  • Love for Slaughter by Sara Tantlinger
  • The Devil’s Dreamland: Poetry Inspired by H.H. Holmes by Sara Tantlinger
  • Final Girl by Daphne Gottlieb
  • Satan Says by Sharon Olds
  • Twisted in Dream: The Collected Weird Poetry of Ann K. Schwader
  • How to Recognize a Demon Has Become Your Friend by Linda Addison
  • Something in the Potato Room by Heather Cousins
  • Satan’s Sweethearts by Marge Simon and Mary A. Turzillo

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Women in Horror – Short Film: Danger Word (2013) directed by Luchina Fisher

Friends, it is February and that means that it is Women in Horror Month. I’ll be participating by consuming books, movies, and short films written and/or directed by women — and highlighting as many as I can here on my website.

Danger Word

Directed By: Luchina Fisher
Written By: Tananarive Due & Steven Barnes

Length: 18:40 minutes
Genre: Horror

What It’s About: A 13-year-old girl and her grandpa struggle to survive in a zombie infested world.

Why I Like It: The zombies are situated into the background, as such the violence and scares are subtle with the relationship between the grandfather and granddaughter being at the forefront. The writing in this regard is excellent with believable dialog and some genuinely moving moments, and Frankie Faison and Saoirse Scott both do a great job of bringing these characters to life. Every scene is well utilized, so that when the truth about the zombies is revealed, the story delivers some chilling realizations.


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Five Writers to Check Out for Women in Horror Month

As a fan of horror (and someone who hopes to write it), I’m stoked that Women in Horror Month exists to promote women in the genre, from filmmakers to artists to novelists. In that vein, here are a five women writers of horror or horror influenced fiction, whose work I’ve loved.

Shirley Jackson

“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within.” – from The Haunting of Hill House

The Haunting of Hill House is one of the best ghost stories I’ve ever read. The way the characters bond together and simultaneously become hostile to one another in the face of the horrors of the house is quite compelling. The story is creepy and weird and nothing is every quite resolved.

She’s also well known for the short story, “The Lottery,” which is often taught in high school English classes and for good reason. It’s frightening in a dystopian sort of way. I need to get around to reading more of her short stories sometime.

Mira Grant

“Our story opens where countless stories have ended in the last twenty-six years: with an idiot — in this case, my brother, Shaun — deciding it would be a good idea to go out and poke a zombie with a stick to see what happens.”— from Feed

Mira Grant is the dark alias of fantasy writer, Seanan McGuire. As Grant, her novels delve into the scientific thrillers with lots of death and mayhem, causing them to overlap with horror.

Her Newsflesh trilogy explores a post-apocalyptic world filled with zombies, in which humanity has clutched a fragile foothold of society. Overlapping the constant threat of being chewed up by or turning into the infected, are dark governmental conspiracies.

I’ve also read Parasite, the start of her Parasitology series, which is thus far proving to be fantastic as well.

Caitlin R. Kiernan

“Hauntings are memes, especially pernicious thought contagions, social contagions that need no viral or bacterial host and are transmitted in a thousand different ways. A book, a poem, a song, a bedtime story, a grandmother’s suicide, the choreography of a dance, a few frames of film, a diagnosis of schizophrenia, a deadly tumble from a horse, a faded photograph, or a story you tell your daughter.” ― from The Drowning Girl

The Drowning Girl tends toward psychological horror, explorations of the psyche more than physical danger. That is certainly the case with The Drowning Girl, in which is told from the point of view of a schizophrenic young woman named India. I almost wouldn’t consider this horror, although there are hauntings and werewolves and mermaids that play their parts and some of the elements are deeply unsettling. The Drowning Girl was a favorite read for me.

Kiernan’s work has been listed on several horror lists and her novels certainly play with the genre.

Gemma Files

“The rustling peaked, became a chitinous clicking, and Morrow fought hard to stay still while the whole wheel-scarred road suddenly swarmed with insects — not locusts, but ants the size of bull-mice, their jaws yawning open. Neatly avoiding both Chess and Rook’s boots, they broke in a denuding wave over the corpses, paring them boneward in a mere matter of moments.” – from A Book of Tongues

I was introduced to Files’ writing with the Hexslinger series, a re-imagining of the Wild West in which a violent and dangerous preacher turned sorcerer and some of his fellow outlaws is drawn into a deadly game with the gods. These novels take you uncomfortable and visceral places. Not just gore (though if you like that, there’s plenty), but also in terms of sex, psychology, and emotion.

Writing this reminds me that I still need to buy and read A Tree of Bones. Also, I was excited to learn that her new short story collection, We Will All Go Down Together, was recently be released in late 2014.

Kelly Link

“You have to salvage what you can, even if you’re the one who buried it in the first place.” – from “The Wrong Grave”

“The Wrong Grave,” featured in Link’s Pretty Monsters: Stories is wonderfully creepy and strange, involving a boy who goes grave robbing in order to recover the drafts of poetry he left in the casket of a friend — only the discover it’s wrong grave and the dead girl inside is rather annoyed to be disturbed.

While many of the stories in Pretty Monsters are more fantasy than horror (and this collection is more YA), she definitely has a knack for darker fantasy as well. Her collection of adult stories, Get in Trouble, is also supposed to have some horror stories.

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Here are a couple more lists that I’ve found:

Who are your favorite female horror writers?

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