New-to-me movies watched in February and March

Since I never got around to posting February’s movies, you get two months of reviews at once! Yay?

February:
1. Sympathy for Mr. Vengence / Boksuneun naui geot (2002)
2. Oldboy / Oldeuboi (2003)
3. Dallas Buyers Club (2013)
4. A Nightmare on Elm Street (1984)

March:
5. Nebraska (2013)
6. Captain Philips (2013)
7. Her (2013)
8. American Hustle (2013)
9. Gravity (2013)
10. The World’s End (2013)
11 13 Sins (2014)
12. Veronica Mars (2014)

REVIEWS (behind the cut):

Continue reading “New-to-me movies watched in February and March”

Books Read in March

1. 2312, by Kim Stanley Robinson (***1/2)
2. The Swerve: How the World Became Modern by Stephen Greenblatt (DNF)
3. The Yiddish Policemen’s Union (audio book), by Michael Chabon, read by Peter Riegert (*****)
4. The Missing by Sarah Langan (***)
5. When You Reach Me by Rebecca Stead (****)
6. March by Geraldine Brooks (****)
7. Kira-Kira (audiobook) by Cynthia Kadohata (****)
8. The Worm by Elise Gravel (****)
9. Scarecrow Gods by Weston Ochse (*)
10. Colaterales/Collateral by Dianapiera Di Dontao (****)

REVIEWS (behind the cut):

Continue reading “Books Read in March”

A long time ago, we used to be friends…

Both my sister and I were fans of the show and fell in love with it, even though our introduction was the not-great third season. Still, there was something about the witty, smart-ass, I-will-destroy-you-if-you-cross-me petite blonde that filled us both with glee.

Though the third season did kinda suck, we were still sad when the show was canceled (just as we fell in love with it, too). So, imagine our joy when we learned of the Veronica Mars movie.

Anyone else excited for the Veronica Mars movie?

From IMDB: “Years after walking away from her past as a teenage private eye, Veronica Mars gets pulled back to her hometown — just in time for her high school reunion — in order to help her old flame Logan Echolls, who’s embroiled in a murder mystery.”

A simple analysis: if you loved the TV show, then it’s highly likely you will love the movie. If you hated the TV show, then you’ll hate the movie. If you never knew anything about the show, then the experience will be hit or miss, you may hate it or fall in love with Veronica and find yourself obsessively watching all the episodes.

Kickstarter funded, the movie was clearly made for fans, bringing back well-loved characters to show them how they’ve changed in the past nine years and in some cases how they haven’t changed at all. There were hints and reminders of the show, both overt and subtle. One of my favorite such instances appeared near the beginning, when a street performer in the background played the theme song for the show. It was just subtle enough that my sister didn’t even notice until I pointed it out to her and we both giggled in gleeful joy.

I’d say the most awkward part of the movie was the voice over rehashing of information. It fits with the Veronica Mars style, in which she fills viewers in on what’s going on, but it didn’t really work here. It basically gave a general overview of the show, which was meant, I suppose to fill in those who were new to Veronica Mars as to who she is. However, for Veronica fans this was known information and for non-Veronica fans this information wasn’t pertinent to the storyline of the movie (for example, Lily’s murder, though important in the show has no bearing on the movie). I think it probably caused more confusion instead of helping, and it would have been better if, instead of summarizing the TV show, the narration introduced the plot of the movie and maybe provided some info on the past nine years.

As a fan, the movie gave me exactly what I was looking for — a good, solid murder mystery and a revisiting of favorite characters. Veronica was the same queen of sass that she always is and she and Logan continue to smolder. (Their relationship is funny, because they are always drawn together in states of crisis and then fall apart when the reality of being together on a day to day basis comes into play, though maybe since they’ve both (hoefully) grown up some over the past nine years, they’ll work it out this time.) The story maintained the same dark noir and sharply humorous tone of the show. It could almost be called a two hour episode, especially since the ending made it feel like the pilot for a new TV show — and oh, the SQUEE I would have if that were to happen.

Walking out of the theater, I felt the Veronica Mars’ great big tada. My sister and I were both smiling, feeling as though we’d visited an old friend.

Also, one more gif, because I just can’t resist:

Yes, Veronica, even after a tasering, I would still love you.

Five Books or Magazines I Have Read Lately

1. The Yiddish Policemen’s Union by Michael Chabon

The Yiddish Policeman's Union CoverWell, it was more like “listened” since this was the audio book, read by Peter Riegert, who was fantastic. Riegert has the perfect gravelly voice for a hard broiled detective novel and it adds to the mood of the book beautifully.

The Yiddish Policemen’s Union is first a detective novel, playing off the traditional noir genre with sarcastic, mouthy homicide detective Meyer Landsman looking into the shooting of a former chess prodigy and heroine addict. The investigation leads him through the various seedy realms of Yiddish Sitka, Alaska* and it unfolds like a great chess game in which he finds himself “contending with all the powerful forces of faith, obsession, evil, and salvation that are his heritage.” Like most hard broiled detectives, Landsman finds himself seeking his own salvation as he tries to uncover truths.

The book is also a fascinating alternate history, because Yiddish Sitka never existed. Chabon unfolds a fully realized, multi-layered imagining of what this island and its inhabitants would look like if it did, full of worldwide politics and local eccentricities. The details are rich and I could feel both the cold of Alaska and visualize the inner workings of this Jewish community.

On top of a fantastic, complicated plot and an fascinating litany of character, there’s Chabon’s writing style — poetic and rich and beautiful. When he describes a grimy hotel, you can feel the dirt getting underneath your fingernails. When he speaks of breathing in the cold, your teeth ache in sympathy. Chabon is just so, so good.

When the audio book ended and the last word was read, I sat back with a happy sigh and thought to myself, Well. That was just about perfect.

The audio book also includes an interview with Chabon following the book, in which he provides insight into how he came to write the story and how he approached the writing. I love that kind of thing.

*Yay, Alaska! Including Alaska in a story immediately grabs my attention.

2. Goblin Fruit – Winter 2014

I always mean to read more lit journals, both online and in print, but never seem to get around to actually doing so. Managed it this time, and the experience made it clear why I need to do so more often.

Kristina McDonald’s “Dear Prince“, in particular, gave me chills. The poem is from Cinderella’s point of view and I love how the image of the glass slipper is used and where it’s taken. She does a wonderful audio reading of the poem, too.

Each poem in this edition of Goblin Fruit is fascinating and expansive and compelling in its own unique way. This is a must read for poetry lovers. Continue reading “Five Books or Magazines I Have Read Lately”

Movie Review: The World's End

Being a HUGE fan of Shaun of the Dead (the hilarious spoof of the zombie classic Dawn of the Dead), I was über-excited to learn about Edgar Wright and Simon Peg’s most recent foray in to genre, The World’s End. Reality being reality and life being lifelike, I wasn’t able to see The World’s End in theaters and only managed to finally watch it this past weekend.

Short analysis: I loved it.

Longer analysis: This story of five friends meeting up in their hometown to perform the epic pubcrawl they failed to complete as younger men, only to find the town they knew invaded by replicant-style robots, hit all the right notes for me.

Like with Shaun of the Dead, this movie plays manages to lovingly spoof the genre while offering up characters to care about and just a bit of heart. It maybe didn’t pull off the relationships between the characters as well as Shaun of the Dead did, but it was still a fun movie, with lots of action and humor.

Plus booze — there was lots of beer drinking and drunkenness.*

One of the most impressive things, in terms of acting, was how well each of the characters portrayed being drunk. It’s apparently one of the hardest things to do in acting and each of them pulled it off just about perfectly. Watching the characters do the Slow Blink at about level 7 on the drunkeness scale reminded me of my own knights out drinking. I’ve been there.

For those interested, here’s the video of Simon Peg showing Conan O’Brian the twelve stages of drunkenness:

*Actually, I wasn’t clear on how these drunken, untrained gents managed to fight as skillfully as they do in this movie — at some points it was almost too slick — but that didn’t stop from the entertainment value for one second.

Great movie.