Book Review: The Ballad of Black Tom by Victor LaValle

The Ballad of Black Tom is a fitting tribute to H.P. Lovecraft. It’s a novella that draws up the doom-ridden horror of the elder gods, while also addressing the unsettling prejudice of Lovecraft’s writing. “I grew up worshipping the guy so this issue felt quite personal to me,” explained Victor LaValle. “I wanted to write a story set in the Lovecraftian universe that didn’t gloss over the uglier implications of his worldview.”

The story centers around Tommy Tester, a young black man in 1920s Harlem. In order to avoid the hard life his father led as a laborer, Tommy turns to hustling in order to make his living. He has learned to disguise himself, donning a suit, a guitar case, and a shuffling step to mask himself against the watchful eyes white folks and the cops, who might see him as threatening otherwise. He knows how to put on a bit of theater and draw in a certain subset of clientele. But after he delivers an occult tome (with a page conveniently missing) to a reclusive sorceress in Queens, he earns her wrath, which brings destruction down on him and leads him into awakening powers best left sleeping.

Racism serves as an ever present backdrop, a constant shadow laid across the vivid descriptions of Harlem and other regions of New York that make their appearance. This racism takes several forms, both subtle and overt, from the cops who hassle him and steal his money to the patronizing rich white man who promises “salvation” for the downtrodden. Some of these moments are eerily familiar to current events. This is an intricate part of what makes this story so horrifying. If the world is so hateful, then how can ancient, powerful, and indifferent beings be any worse? Thus, Tom’s descent into darkness is frightening, blood soaked, and to a certain extent understandable.

The Ballad of Black Tom is fast read and a brilliant horror story.

New-to-me movies watched in January 2016

1. The Hunger Games: Mockingjay – Part 2 (2015)

The first film I’ve seen in the new year and a good conclusion to the Hunger Games storyline. They handled some of the stranger aspects of the book with aplomb and Jennifer Lawerence continued to bring depth to the character in situations where it could easily be overshadowed by the action.

2. Pontypool (2008)

A three-person team of a small town radio show become more and more horrified as reports come in of what seems to be rioting and death. With its small cast and single location, this movie manages to provide a growing sense of tension. It’s a fantastic take on the zombie apocalypse story with a unique concept for how the infection spreads. Really enjoyable.

3. Blazing Saddles (1974)

A spoof of the western genre. Not as funny as I thought it was going to be based on my experience with other Mel Brookes flicks. While probably “edgy” for the time period, some of the jokes are somewhat cringeworthy in the present day. However, the scenes with Cleavon Little and Gene Wilder are brilliant.

Book Review: The Arrival by Shaun Tan

In a dark city, overshadowed by darkness, a man embraces his wife and daughter and then boards a steamship for another country, where he hopes to create a new life for his family. After going through a long process of immigration, he finds himself in a city he finds himself is bright and beautiful and strange.

Although he doesn’t understand the local language, he fumbles his way into a room for rent and then seeks employment. Along his journey into shaping a new life for himself and his family, he meets other people from other countries who have migrated to this city as well. Each has their own stories, their own reasons for leaving home and making a new life for themselves.

One of the amazing things about this book is how it tells a moving, heartfelt story entirely in images. There are no words, just gorgeous art. The art is softly penciled and sepia toned. It manages to be both realistic and fantastical at the same time, elaborately bringing to life a strange world that also feels familiar.

A beautiful book.

Art from The Arrival by Shaun Tan

Books finished in November and December 2015

1. Attachments (audio book) by Rainbow Rowell
2. Ancillary Sword, by Ann Leckie
3. Uprooted by Naomi Novik
4. My Life Before Me by Norah McClintock
5. The Fifth Season by NK Jemisin
6. Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened by Allie Brosh
7. Rough Magick, edited by Francesca Lia Block and Jessa Marie Mendez
8. Fables: Happily Ever After by Bill Willingham
9. Fables: Farewell by Bill Willingham

REVIEWS

Continue reading “Books finished in November and December 2015”

Book Review: Rough Magick

The short stories and poems in Rough Magick, edited by Francesca Lia Block and Jessa Marie Mendez, explore the darker side of love and sex with a mixture of haunting, romantic, and horrifying tales. The anthology is split into two parts with the first half being lyrical stories based in realism, while the second half presents fantastical tales. This choice to split the collection was my biggest annoyance. I would have preferred to have read alternating tales of realism and fantasy, which would have provided an interesting juxtaposition. On the whole, though, Rough Magick is a strong collection with the majority of the stories being rather good and some being utterly fantastic. Here are a few favorites.

Written out like a series of instructions, “Spell to Mend a Broken Heart” by Amanda Yates Garcia sketches out the pain of heartbreak and charts a path to healing. 

“Paradise” by Ashley Inguanta is a  gorgeous story of burning — California wildfires and dry, dusty air, and the thirst of dried out and ashy hearts.

In “Venus,” Sarah Herrington presents two young girls discovering each other among the Venus fly traps with a beautiful, magical lyricism.

Probably the most disturbing story in the collection is “Rathead” by Laura Lee Bahr. It’s a strange staying which a woman falls for a handsome magician, only to wake up the morning after to discover he has a rat head. She stays with him, both loving and hating him for and despite of his hideous head.

“Persephone + Hades” by Jilly Dreadful and K.T. Ismael envisions the underworld as a sleek and seedy version Los Angeles, with various gods of death commingling and Persephone’s journeys there a kind of rebellion against her mother. The writing in this is rich and playful and gorgeous. For example: “I was taken by the ruin that bloomed there: eyes rotted out of the skull, nose skin shrinking away from its open mouth and maggots feasting away on what was left. Surrendering to the cycle, how death begets life: these were things I would never know as the daughter of Demeter.”

Kira Lees offers a disturbing vision of possessive love in “Strands of Gold.” A young girl discovers a monster, which falls in love with her instead of eating her. She brings him gifts of other children (to consume) and plays other kinds of games with him as she grows older. The ending is wonderfully unsettling.