The short stories and poems in Rough Magick, edited by Francesca Lia Block and Jessa Marie Mendez, explore the darker side of love and sex with a mixture of haunting, romantic, and horrifying tales. The anthology is split into two parts with the first half being lyrical stories based in realism, while the second half presents fantastical tales. This choice to split the collection was my biggest annoyance. I would have preferred to have read alternating tales of realism and fantasy, which would have provided an interesting juxtaposition. On the whole, though, Rough Magick is a strong collection with the majority of the stories being rather good and some being utterly fantastic. Here are a few favorites.
Written out like a series of instructions, “Spell to Mend a Broken Heart” by Amanda Yates Garcia sketches out the pain of heartbreak and charts a path to healing.
“Paradise” by Ashley Inguanta is a gorgeous story of burning — California wildfires and dry, dusty air, and the thirst of dried out and ashy hearts.
In “Venus,” Sarah Herrington presents two young girls discovering each other among the Venus fly traps with a beautiful, magical lyricism.
Probably the most disturbing story in the collection is “Rathead” by Laura Lee Bahr. It’s a strange staying which a woman falls for a handsome magician, only to wake up the morning after to discover he has a rat head. She stays with him, both loving and hating him for and despite of his hideous head.
“Persephone + Hades” by Jilly Dreadful and K.T. Ismael envisions the underworld as a sleek and seedy version Los Angeles, with various gods of death commingling and Persephone’s journeys there a kind of rebellion against her mother. The writing in this is rich and playful and gorgeous. For example: “I was taken by the ruin that bloomed there: eyes rotted out of the skull, nose skin shrinking away from its open mouth and maggots feasting away on what was left. Surrendering to the cycle, how death begets life: these were things I would never know as the daughter of Demeter.”
Kira Lees offers a disturbing vision of possessive love in “Strands of Gold.” A young girl discovers a monster, which falls in love with her instead of eating her. She brings him gifts of other children (to consume) and plays other kinds of games with him as she grows older. The ending is wonderfully unsettling.