Fives Books of Poetry to Check Out for Women in Horror Month

I’ve been a fan of horror as a genre since I was a kid, but only recently became aware of how poetry and horror intersect to provide beautifully dark verses capable of illuminating the shadowy side of the human experience. Over the last couple of years, I’ve noticed an increasing number of horror poetry collections written by women in the world (in part, because I’ve been more actively looking for them). It’s exciting to see this develop. Below are a few of the horror poetry books I’ve read and love, and I hope to discover many more in the future.

I am not your final girl by clair c holland

I am Not Your Final Girl by Claire C. Holland

I Am Not Your Final Girl offers up the female personas of characters of horror cinema — the survivors, victims, villains, and monsters — who prowl through dark worlds, facing oppression, persecution, violence, and death. The women in this collection channel their pain and rage into a galvanizing force. They fight. They claim power over their own bodies. They take their power back. They do not relent. (Full review.)

Southern Cryptozoology by Allie Marini

Southern Cryptozoology: A Field Guide to Beasts of the Southern Wild by Allie Marini

I’ve put Southern Cryptozoology on other favorites lists before and will continue to put it on lists, because this chapbook is one of my favorite poetry reads. This collection presents a bestiary of strange, legendary creatures from the Southern parts of the U.S., examining what it means to be monster or human, beast or woman, myth or flesh.

R E D by Chase Berggrun

R E D by Chase Berggrun

In R E D, Berggrun presents a series of erasures of Bram Stoker’s Dracula. The poems transform the text from a storyline in which women have little to no agency to a stunning exploration of abuse, violence, power dynamics, and femininity.

Basement Gemini by Chelsea Margaret Bodnar

Basement Gemini is a gorgeous chapbook of poetry that draws on horror movie tropes to explore female power and agency. There’s a kaleidoscopic beauty to these untitled lyrical prose poems that feel cohesive a cohesive whole. Chelsea says, “Basement Gemini was kind of born out of that idea — the simultaneous, seemingly-contradictory-but-not-really victimization, vilification, and empowerment of women that’s encountered so often in horror.”

heliophobia by Saba Syed Razvi

Heliophobia by Saba Syed Razvi

Razvi’s collection tangles together darkness and light into a dark tapestry of power poems. As Razvi describes her book, “I suppose these poems are some kind of unholy fusion of museums, goth clubs, meditations, and global diaspora — all rewritten through dream logic, in some kind of ink made of the timeless decay of memory!”

Horror poetry books by women on my TBR:

  • A Collection of Nightmares by Christina Sng
  • Love Lessons from Buffy the Vampire Slayer by Lisa Cheby
  • Love for Slaughter by Sara Tantlinger
  • The Devil’s Dreamland: Poetry Inspired by H.H. Holmes by Sara Tantlinger
  • Final Girl by Daphne Gottlieb
  • Satan Says by Sharon Olds
  • Twisted in Dream: The Collected Weird Poetry of Ann K. Schwader
  • How to Recognize a Demon Has Become Your Friend by Linda Addison
  • Something in the Potato Room by Heather Cousins
  • Satan’s Sweethearts by Marge Simon and Mary A. Turzillo

Newsletter | Twitter | Instagram

Book Love: I Am Not Your Final Girl by Claire C. Holland

I am not your final girl by clair c holland

Just in time for the Halloween season. I Am Not Your Final Girl is a collection of horror-themed poetry draws on the female characters of horror cinema — the survivors, victims, villains, and monsters — who prowl through dark worlds, facing oppression, persecution, violence, and death. In her introduction, Claire C. Holland notes, “I draw strength from the many strong women around me, both real and fictional.” The women in this collection channel their pain and rage into a galvanizing force. They fight. They claim power over their own bodies. They take their power back. They do not relent.

“I have known monsters and I have known men.
I have stood in their long shadows, propped
them up with my own two hands, reached
for their inscrutable faces in the dark. They
are harder to set apart than you know.
— “Clarice,” The Silence of the Lambs (1991)

As a horror fan, I know many of the characters and movies referenced, and it’s fascinating to peer in at them from the unique perspective of these Holland’s words. That said, there just as many that I haven’t seen and a few I had not hear of — but not knowing the direct reference in each case did not stop me from enjoying the poem for its own sake, the words drawing me in. And now I have a list of movies that I need to seek out and watch.

“Separate yourself, like sliding wire through
clay. Divide your organs – heart, lungs, tongue,
and brain. You think you need them all?
You’d be shocked what a woman can live
without. We’re like roaches, we thrive”
— from “Shideh,” Under the Shadow (2016)

I read I Am Not Your Final Girl from top to bottom with delight. Although the subject is focused on horror, the collection doesn’t come off as a downer. Instead, it presents a sense of fierce hope in the act of resistance, in rising up, in fighting back.

Footnote: I won a copy of this book in some sort of contest — Instagram or Twitter or something, where precisely has completely swooshed out of my head (it’s gone and I don’t expect to get it back). Whatever or wherever the contest was held, I am grateful to have received a copy of his collection, because I loved reading it.