Coming in a little late, here is my August in books, movies, and television.
When I picked up The Girl in the Road, I thought it was going to be an entirely different book than what it was.* Nevertheless, I really enjoyed the story about two very different women making long journeys, both escaping from danger (perceived or real), both looking for hope at the end of the road. One makes her journey as a young girl by sneaking aboard a truck crossing Africa, the other walks along the snakelike spine of the Trail, an energy generation system spanning from India to Ethiopia. This novel is richly textured, with complex characters and explorations of sex, self, and sanity. A great read (although I really didn’t understand the epilogue and if someone wants to explain it to me that would be awesome). Continue reading “Culture Consumption: August 2017”
I read Susanna Clarke’s Jonathan Strange & Mr. Norrell, the story of two very different and contrary magician who bring magic back to England in the early 1800s, years ago. It blew me away with its wit and complex magical world building, mixing actually historical events with invented ones. So, of course, I was unable to contain my squee when I learned that the BBC was going to make a mini-series of the book. The trailers were fantastic, which just added to my glee.
I gathered together with friends over a series of Saturday nights to watch. I was not disappointed.
One of the most important things for me was that the adaptation capture the qualities of the two main characters — Strange and Norrell — both intelligent, flawed and arrogant in their own way. Eddie Marsan is particularly fantastic Norrell, capturing the shrinking, shrewd, hoarding qualities of the character. Sometimes he appears rat-like in his fussy white wig, which is exactly how I imagined the character. Bertie Carvel is also wonderful in his role as Strange, revealing the arrogance and flightiness behind the handsome face and charm.
There are also a ton of side characters from the book and the mini-series does a good job of trying to cover them all and tell each of their stories despite the limitations of TV screen time. Not every portrayal was perfect (Childermass could have been more foreboding and the Gentleman with the thistledown hair could have hair that was more like thistledown), but most were handled well.
Jonathan Strange & Mr. Norrell is a rather large book (800+ pages if I remember correctly) representing a story that spans many years and, thus, it must have been a difficult book to adapt. Although the mini-series was seven episodes long, I could easily imagine a version that was ten or more episodes long and that’s without including all the footnotes with additional stories that could never make it on screen.
The writers did an excellent job distilling as much of the plot as possible, merging scenes and characters in some places, removing others where they needed to, while maintaining the clarity of the storyline as much as possible. Of all the seven episodes, I was only confused once when several story points were tightened up into a ten minute span (or so). I noticed they changed Strange’s character and his relationship to his wife some, making him a more romantic figure and their story more of a romance than the book portrayed. I suppose this makes sense, as it makes Strange more sympathetic and the magicians more heroic during the final battle.
The changes didn’t bother me, partly because it had been so long since I read the book I didn’t remember many of the details. But even so, any annoyances would have been minor, as on the whole watching Jonathan Strange & Mr. Norrell was great fun.
(Although one of my favorite moments in watching was listening to my friend rant about the absurdity of men’s pants in that time period. I wish I could remember half of the things she said, so I could quote them here.)
“Can a magician kill a man by magic?” Lord Wellington asked Strange. Strange frowned. He seemed to dislike the question. “I suppose a magician might,” he admitted, “but a gentleman never would.”
Of course, as soon as I finished the mini-series, I knew I needed to reread the book so that I could become reacquainted with all that I had forgotten and was left out of the mini-series — most notably the footnotes. So, I listened to the novel on the audio book performed by Simon Prebble, who was fantastic.
There is SOOOOOO much that the mini-series left out (one of my favorite footnotes was the story of the statue of the Virgin Mary brought to life to catch a murderer). The story is rich with humor and interesting side stories. Stephen Black’s character in particular is much fuller and more interesting in the novel, as he is a well educated black man, working as a servant in a country that will never see him as anything more than a novelty. There are also subtle and not-so-subtle references the uncomfortable restrictions of women’s roles.
Clarke has created an amazingly rich historical world, full of imaginary books and complex magical histories, poetry and prophecies. I was dazzled all over again by how great her writing and wit and storytelling is. Although the miniseries is fun and wonderful and everything it should be, it’s nothing to the extent of awesome that is the book (no surprise, I’m sure, to most readers). This is to say, if you haven’t read Jonathan Strange & Mr. Norrell yet, you most definitely should.
“There is nothing else in magic but the wild thought of the bird as it casts itself into the void. There is no creature upon the earth with such potential for magic. Even the least of them may fly straight out of this world and come by chance to the Other Lands. Where does the wind come from that blows upon your face, that fans the pages of your book? Where the harum-scarum magic of small wild creatures meets the magic of Man, where the language of the wind and the rain and the trees can be understood, there we will find the Raven King.”