Hitting Different: NaNoWriMo 2020

Isolation - The Monsters I Keep
Photo by Francois Hoang on Unsplash.

Last year, I jumped into National Novel Writing Month (NaNoWriMo) in the hopes of washing myself of self doubt and depression resulting from years of struggling through a novel that just wasn’t working. The challenge of writing 50,000 words on a new project — something fun and exciting — was meant to help me shift away from a need to achieve the perfect novel (or perfect for me, anyway).

It worked.

Writing last year’s brought the joy of writing back. The Monsters I Keep is apocalyptic YA horror novel about a teenage girl trying to survive in a world full of monsters. The way the novel was shaped allowed me to tell the story in shorter snippets (more aligned with how I write as a poet). The story presented it’s own challenges, but it was also a pleasure to write, providing a world I was eager to dive into.

It was also a story that I didn’t finish. Last year during NaNo, I managed to write some 40,000 words. Over the course of the following year, I added several thousand more. The first two parts are fairly well drafted, but the third part, the conclusion needs to come together.

Last year, when I started The Monsters I Keep, the world was a different place. I wrote the first two parts of this novel before COVID and all the chaos that 2020 has wrought.

Now, looking back on the themes of isolation and facing off against a world full of monsters hits a bit different. Turns out, I have new levels of personal emotional experience to draw from.

As I start in on part three of my character is coming back to people. It seems strange somehow — after experiencing everything this year has had to deliver —  to be writing the section of the novel that’s about coming back to hope.

Then again, maybe it’s the perfect time to be writing about hope.

Good or bad, I’d like to finish The Monsters I Keep. It will still be only a draft, one that will need significant amount of work to make fully readable. But if I can pull this off, then it will be first full novel draft I’ve completed. That would be an amazing accomplishment.

Are you participating in NaNoWriMo this year? How is it hitting different for you? 


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New Books in Poetry: Leave It Raw by Shakira Croce

Leave It Raw by Shakira Croce - New Books in Poetry

A new episode of the New Books in Poetry podcast is up, in which the fabulous Athena Dixon speaks with Shakira Croce about her book Leave It Raw (Finishing Line Press, 2020).

Athena writes:

Like a storm waiting to break over a plain, Shakira Croce pulls at tensions and heartstrings in a debut collection filled with longing, wit, and intelligence. Through masterful imagery, Croce floats between the rural and urban with ease, pulling back the veil to see what lies beneath. These poems do not shy away from looking at life in all its beauty, violence, or complexities because within those boundaries we can begin to understand what it means to be human. As she writes in Homecoming,  “It’s about finding/the space/to bring out what’s already/inside you.” In Leave It Raw, Croce makes that space and empties out the heart for all to see.

You can listen to the interview here or on the podcast app of your choice.


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New Books in Poetry: Freedom Knows My Name by Kelly Harris-DeBerry

Freedom Knows My Name by Kelly Harris-DeBerry - New Books in Poetry

A new episode of the New Books in Poetry podcast is up, in which the fabulous Athena Dixon speaks with Kelly Harris-DeBerry about her book Freedom Knows My Name (Xavier Review Press, 2020).

Athena writes:

In Freedom Knows My Name, Kelly Harris-DeBerry creates the world anew from scraps of memories and rhythm. She bounces between the pages, as well as the accompanying audio version of the poems, with confidence. Kalamu Ya Salaam writes in the introduction “The poet’s task is to turn words into song, utter incantations that heal, inspire, be more than ordinary talk” and Harris-DeBerry has a voice that encompasses each other those tasks. It is strong and it is unwavering. Whether she is on the page or in readers’ ears, Harris-DeBerry’s poetry is a bounty of culture, womanhood, home, and possibility. In an age where everything can be, and is, commodified for profit and the cool factor yet the actual Black artists producing the work can be undervalued, Harris-DeBerry’s poetry honors and respects the legacies of Southern migration, the Midwest, and Blackness.

You can listen to the interview here or on the podcast app of your choice.


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Book Love – From the Standard Cyclopedia of Recipes: Adapted Poems by B.C. Edwards

From the Standard Cyclopedia of Recipes: Adapted Poems by B.C. Edwards

Medicinal shows once toured Europe and America. So called doctors would drive wagons from town to town, offering miracle elixers and other entertainments. My knowledge of medicine shows come from pop culture, the image of a man more entertainer than doctor purporting to sell cures. The man stands on his box or makeshift stage and with a flourish presents a bottle with some strange liquid inside. Is it medicine, a placebo, or poison?

B.C. Edwards’ From the Standard Cyclopedia of Recipes has the same feel of such medicinal shows, with the author himself presenting an assemblage of recipes and concoctions. Each of the poems in this book is an adaptation of a recipe found in a collection of household instructions originally published in 1901 by Frederick J. Drake and Company — recipes to make pure spirits, to cure distemper in horses, to restore burnt steel, to destroy the stumps of trees.

“Ask them how much it hurts. Really.
Drive spikes inward. Ask them.
Go on.
Every part until you have a porcupine,
the monster from Hellraiser
and now ask them how much it hurts.”

— From No. 674. Cure for Earache.

What unfolds is poetry as chemistry, words reacting with words to form new strange mixtures. Each time I pull the cork off a new poem, I’m not sure what I’ll get. Maybe it will evoke the ache of love, the sweetness of longing, the pain of lingering hope. Or maybe I’ll enjoy a contemplation on the nature of coffee, the preservation of birds and other animals.

“We are mostly concerned about being left alone.
We send text to each other
passed back and forth like fine sand
sifted charcoal back and forth
like we are archeologists with enormous screens
for sifting relics out of dirt.”

— From No. 757. How to make a Composition for Roofs.

As a fan of alchemy and medicinal shows and other feats of pseudo-miraculous science and a lover of poetry, this book is exactly my aesthetic. The recipes are surprising profound, strange, and compelling. Is it medicine, a placebo, or poison? What am I drinking down when I read these poems? I’m not entirely sure, but I loved the experience.

Culture Consumption: September 2020

Hi, lovelies. Here’s my month in books, movies, television, games, and podcasts.

Books

The Only Good Indians-Stephen Graham Jones - horror novelThe Only Good Indians by Stephen Graham Jones is a dark tale of revenge, in which four American Indian men find themselves facing the consequences for their actions as youths. One by one, they are slowly hunted down by a strange entity, bent on making them pay. Beautifully written and shockingly gory, the story unfolds shifts between each of their points of views. The Only Good Indians blends intense action with sharp social commentary, presenting a book with a powerful and moving conclusion. The evolution of this story provided a number of surprises and ultimately left me in tears by the end. Fantastic.

From the Standard Cyclopedia of Recipes: Adapted Poems by B.C. Edwards is a collection of poetry that feels like medicinal show, poems acting as instructions for cures, cleaning products, fixtures, elixirs, and poisons. I thoroughly enjoyed it.

Continue reading “Culture Consumption: September 2020”