“Stone Clutched to Chest,” a collaborative poem by Laura Madeline Wiseman and I, has been published in the issue 41.2 of Star*Line. This print issue can be acquired at the Science Fiction and Fantasy Poetry Association ( SFPA) website.
Our poem, “Stone Clutched to Chest” looks at the Beowulf epic from the point of view of Grendel’s mother — and is one of the many poems re-examining myth, folklore, and pop culture stories that will be published in Every Girl Becomes the Wolf, which is forthcoming from Finishing Line Press. Maybe check it out, watch the trailer, or preorder a copy?.
NonBinary Review #16: The Little Prince is now available for $1.99!
“In 1943, French aristocrat, author, journalist and aviator Antoine Marie Jean-Baptiste Roger, comte de Saint-Exupéry, wrote The Little Prince, one of the most translated, most widely-read books in the world. Much of Saint-Exupéry’s life, including the death of his younger brother at the age of 15 and his marriage to Salvadoran artist and writer Consuelo Suncin, was woven into this tale of innocence, adventure and loss unlike anything else written before or since. In this issue, two dozen authors and artists explore this beloved tale that has haunted readers for over 75 years.” And isn’t the cover art by MANDEM gorgeous!
There are a couple of days left to giveaway some books as part of the Big Poetry Giveaway 2018 — or check it out to see all the books you could nab (link is also in the sidebar).
Other Good Things for National Poetry Month
“Science describes accurately from outside, poetry describes accurately from inside. Science explicates, poetry implicates. Both celebrate what they describe,” noted Ursual K. Le Guinn on the intersections between science and poetry. “We need the languages of both science and poetry to save us from merely stockpiling endless “information” that fails to inform our ignorance or our irresponsibility.”
NonBinary Review, a quarterly digital literary journal, has an open call for submissions of poetry poetry, fiction, essays, and art relating to Madeline L’Engle’s 1963 book A Wrinkle in Time. All submissions must relate to the stated theme.
NonBinary Review pays 1 cent per word for fiction and nonfiction, and a flat fee of $10 for poetry (singular poems or a suite) and $25 per piece of visual art.
Nasty Women Poets presents a “timely collection of poems speaks not just to the current political climate and the man who is responsible for its title, but to the stereotypes and expectations women have faced dating back to Eve, and to the long history of women resisting those limitations. The nasty women poets included here talk back to the men who created those limitations, honor foremothers who offered models of resistance and survival, rewrite myths, celebrate their own sexuality and bodies, and the girlhoods they survived. They sing, swear, swagger, and celebrate, and stake claim to life and art on their own terms.”
Honored to have have a collaborative poem with Laura Madeline Wiseman included in the Nasty Women Poets anthology from Lost Horse Press.
Drunk Monkeys published my short story, “Missed Connections / Red Head at the House of Needles,” in their August issue. This is (I believe), the second actual short story that I’ve evern published, and I’m so happy to have it appear in a great publication like Drunk Monkeys. Here’s the story opening:
i am normally not the kind of dog who whistles at women on the street or stalks them with my eyes. i figure ladies have enough to worry about without some creeper giving them a hard time
“We need to stop thinking of poems as poems, but as art pieces that weave together different techniques from other disciplines, in a way to expand the line, the beat, the image,” writes Joanna C. Valente.
Although I’ve pursued the more solitary act of writing poetry and fiction, I’ve been interested in the process of filmmaking since high school. The collaborative nature of the medium, in which a handful to hundreds of people with their own skill sets, come together to tell a story is fascinating to me. As an entry point into the medium, I’ve tried to write screenplays (both short and feature length) over the years and have even made some awkward attempts at directing with no idea of what I was doing and no understanding of the complexities involved in the process.
Other than the money and (more importantly) time aspects of the filmmaking process, the biggest obstacle for me over the years was trying to figure out how to track down a community of filmmakers to work with. I didn’t even know where to begin. So, I was stoked to discover MMTB – Movie Making Throughout the Bay, which not only provides that sense of community, but also has a “get in there and get movies made” attitude with workshops and challenges that focus on making moviemaking happen.
Over the the weekend, I participated MMTB’s first Writers & Actors Short Film Challenge. Writers showed up at the MMTB headquarters in Rodeo, CA — and interesting jumble of a building with rooms that can be staged in a variety of ways — were given a set of guidelines and four hours to complete up to three scripts. The guidelines were simple enough: keep the story under three minutes, include all three available actors, set the story using one of the rooms in the building, and no special effects. After four hours of writing, we gave feedback and voted on the scripts, and the top three scripts were filmed that night.
I managed to complete one script to my own satisfaction — which was not selected for filming. But I received a lot of positive feedback for my incredibly awkward bathroom scene, which starts out humorous and becomes a story about one of those unexpected moments in which two people connect. I also received some great feedback about how to make the short script better. (Someone said the script made them incredibly uncomfortable because it was set in a bathroom, which made me laugh because uncomfortable was what I was going for.)
In general, I was impressed with the number of quality screenplays that the group was put together and I had a great time sticking around to watch the scripts become films. All of the actors were equally impressive, memorizing their lines on the fly, getting into character, doing a rapid shoot, then switching up for the next one and doing it all over again.
I seem to have forgotten entirely about making any announcements in a while, so I’ve got quite a few of them to share. Woo!
“The Tenth Sister,” a prose/hybrid poem that is part of a series based on the Twelve Dancing Princesses fair tale, has also just been published in the Write Like You’re Alive 2016 anthology from Zoetic Press, September 2016. The anthology, which I also helped curate, is free and full of tons of great writing.
And last but not least, “Because Her Face Fades,” a poem I cowrote with Laura Madeline Wiseman, was recently published in Faery Magazine #36, Autumn 2016,
What I’m Reading
China Miéville’s Perdido Street Station is amazing but presents slow, slow, slow reading for me. It’s a little too challenging for my overworked brain right now, but I keep pressing on.
Still reading Bird by Bird by Anne Lamott, as well.
What I’m Writing
In addition, to the script challenge I mentioned, I’ve also launched into the THE POEMING 2016, which my first three found poems based on Stephen King’s The Plant up at Tendrils of Leaves and ready for your reading pleasure.
Usually when creating found poems, I work in erasure (like this, for example), in which I take a printed text and blackout words until all that’s left is the poem. It’s a very restrictive way of doing found poetry, as you have to move down the page in such a way that it remains readable, but it also provides the ability to incorporated fun visual elements.
But I’m trying something different with THE POEMING, opening myself up to using any word on the page in any order. But since I’m still drawn to the tactile sensation of writing on paper, I end of creating wild intricate webs of lines and circles words (as pictured below). It’s a fun sort of chaos and somehow I’m still able to decipher it as I work through a page — despite sometimes getting temporarily lost in my own maze.
Get all my required POEMING found poems written and posted.
“That book you’re writing is mewling again in the dark. It’s a half-formed thing — all unspooled sinew and vein, its mushy head rising up out of the mess of its incomplete body, groaning and gabbling about this life of misery it leads. Its life is shit because you haven’t finished it. It’s flumping along on stump legs, pawing its way through your hard drive, bleating for attention. It needs words. It needs plots. It needs resolution,” says Chuck Wendig in his post, “Here’s How To Finish That Fucking Book, You Monster”
Zoetic Press has also been migrating all of the back issues of Nonbinary Review online to make them accessible to the whole wide world of readers. Although I recommend downloading the Litho Reader app to get the full experience of each issue, This means that Issue #4 Bullfinch’s Mythology is now up online, which includes my poem, “Eve and Pandora.”
I recommend reading the entire Bullfinch Mythology issue, because it is brimming with amazing work. And not just that, but all of the available issues because they are all full of wonderful things.
I’m thrilled to point out that NonBinary Review#6, 1001 Arabian Nights has been launched into the digital universe!
It includes poetry, fiction, essays, and art by over 30 contributors. I’ve been reading through a few of these pieces — like Cetoria Tomberlin’s “1,001 Songs”, Jaz Sufi’s “Preface”, and Carina Bissett’s “A Houri’s Hymnody” — and each one has given me chills, so far.
The issue also includes my essay, “Beyond Shahrazad: Feminist Portrayals of Women in The Arabian Nights,” which represents the first time I’ve written an essay since college.
NonBinary Review is available for free on the Lithomobilius app (available only on the iPad and iPhone for the moment, but will eventually be made available to other devices).
I’ve taken some more organizational steps, switching over my 2014 files to 2015 and getting stuff laid out to do my taxes. While taking a look at my files, I noticed that what really needs organizational work is my creative files — my poetry, fiction, notes, etc. I need to figure out to have each poem and story right where I want it when I need to put together a submission packet. I also need to keep more accurate record of drafts, making it clear the most recent versions in both print and on my computer. I would love to hear suggestions in this regard.
What I’m Reading
Almost finished with The Forever War by Joe Haldeman. I’m not normally into military stories, but this is compulsively compelling and a fast read with really interesting ideas.
Next up will be Red Mars by Kim Stanley Robinson. I previously read Robinson’s 2312, which was good but was highly focused on the technical aspects of each world visited and I didn’t quite connect with it. I’m guessing that Red Mars will be similar, but since it will be focused on a single world instead of many, I’m hoping I’ll enjoy it more. It’s also research, as Robinson will be a guest speaker at FogCon 2015, which I will be attending in March.
What I’m Writing
Chapter/poem two of the novel is poems has been completed! Progress has been far slower than I’d like it to be, in part because I need to re-prioritize my time. But still, progress, huzzah!
I completed one other poem last week, a Valentines Day poem, which I read at the fantastically fun Love is in the Air party last week.
Accepted!Nonbinary Review has accepted my poem “Eve and Pandora” for their upcoming issue #4, focused on Bulfinch’s Mythology. Eeeeeee!
Goal(s) for this week: Get my printer set up. Finish chapter three. Put a submission packet together.
What’s Inspiring Me Right Now
I’m having a hard time naming something specific this week. I feel a general sense of momentum, of engagement, partly because I’m working to submit work on a regular basis and partly because I’m actively connecting with artist and writer community in person and online.
My main feeling at this moment is to not let hesitation or fear herd me into poor use of time. It’s all well and good to watch TV/movies and play video games, but it needs to come after making myself and my creative work a priority.
My friend, Laura Ayer, pointed out Bullet Journal, which is a method using the traditional paper and pen method to plan and manage one’s monthly tasks (I recommend watching the introductory video). I love the idea of this, but don’t know if it’s for me. I’m kind of all over the place when it comes to paper, though having a clear method would like this could be a good solution.
If any one has done the Bullet Journal method or something similar, I would love to hear about your experience.