Glowing with the Moon is among my favorite open mic events. It’s a summer event, hosted outdoors by Lorenz Dumuk at the beautiful School of Arts & Culture @MHP in San Jose. The combination of the outdoor venue and the wonderful people who come to participate always makes it a relaxing and enlightening event. I read an older poem of mine and listened to many other poets read their own words. Tshaka Campbell was particularly powerful — his performances usually are — and I hope he comes out with a book soon, so that I can enjoy his poetry as often as I want.
Red Sky, an anthology on the global epidemic of violence against women forthcoming from Sable Books, will feature the poem “The Matchsticks I Sold for Him,” which was cowritten by Laura Madeline Wiseman and myself. I’m not sure of the date of publication yet, but will let you know when I do.
Quite a while back (like, two years ago) I wrote a post on the crowdfunding platform, Patreon, which enables fans to make monthly contributions to artists in order to keep them creating new stuff. There are a lot of great writers and publications on there (some of which I mention in the first post).
After spending some time contributing to other creators on Patreon and a considerable amount of time dithering about my own worth as a writer, I’ve decided to create my own artist’s page on the site. This means that — if you love my writing and are so inclined — you can contribute money every month to help me out in this whole writing thing. I still feel really weird about this, still doubt whether my writing is good enough to have fans, still question whether I’ve provided enough rewards for backers — but I did it anyway, because the worst that could happen is that no one contributes and my page just sits at zero for forever, leaving me exactly where I am now.
What I’m Reading
I’ve started on a reread of Bird by Bird by Anne Lamott and its interesting reading this now, because I feel like I’ve grown a lot as a writer compared to when I first read it.
Although I haven’t started it yet, SuperMutant Magic Academy by Jillian Tamaki is next up on my list (I’ll probably be getting into it tonight, actually). I’m sure I’ll dig this one, because I also really enjoyed her book, This One Summer.
What I’m Writing
After last week’s hiding away from all things words, the Glowing with the Moon event was a breath of air invigorating me back to the page. I was able to come clear with one prose poem draft and I was able to shape is into a “final” draft — which felt good.
I also turned to a not-quite-drafted Hansel and Gretel retelling, but I just sort poked at it with a long stick a couple of times without getting too close. I know I’ll be able to get this one out eventually, maybe even sooner rather than later. But there’s still some mental processing going on.
Goals for the Week:
“Many fantasy authors wrestle with the desire to produce historically plausible narratives that are not innately offensive and oppressive by modern standards of gender, sexuality, and race relations. This is a worthwhile struggle; there are far too many lazy works that blame their prevalence of rape and misogyny on “historical accuracy.” At the same time, patriarchy and sexism have actual societal consequences; you cannot just create a world where women can become fighters and everyone wears a magic birth control necklace and expect that nothing else will change. Adding divorce into the mix is one means of balancing gender and marital dynamics, without sacrificing the coherence and logic of a fictional society,” writes Anise K. Strong in Beyond Happily Ever After: Why Divorce Needs to Be An Option in Fantasy Fiction.
And because I love watching great movie trailers, here is Max Covill on A24 and the Art of the Movie Trailer.