Speculative Poetry and Fiction
NonBinary Review, a quarterly digital literary journal, has an open call for submissions of poetry poetry, fiction, essays, and art relating to Homer’s The Odyssey. All submissions must relate to the books (movies or television shows will not be accepted).
NonBinary Review pays 1 cent per word for fiction and nonfiction, and a flat fee of $10 for poetry (singular poems or a suite) and $25 per piece of visual art.
Deadline: July 24, 2019
Nasty Women Poets: An Unapologetic Anthology of Subversive Verse, edited by Grace Bauer and Julie Kane, is now available from Lost Horse Press and I’m honored to have a collaborative poem, “The Red Inside of Girls,” written with Laura Madeline Wiseman.
Nasty Women Poets presents a “timely collection of poems speaks not just to the current political climate and the man who is responsible for its title, but to the stereotypes and expectations women have faced dating back to Eve, and to the long history of women resisting those limitations. The nasty women poets included here talk back to the men who created those limitations, honor foremothers who offered models of resistance and survival, rewrite myths, celebrate their own sexuality and bodies, and the girlhoods they survived. They sing, swear, swagger, and celebrate, and stake claim to life and art on their own terms.”
Honored to have have a collaborative poem with Laura Madeline Wiseman included in the Nasty Women Poets anthology from Lost Horse Press.
Drunk Monkeys published my short story, “Missed Connections / Red Head at the House of Needles,” in their August issue. This is (I believe), the second actual short story that I’ve evern published, and I’m so happy to have it appear in a great publication like Drunk Monkeys. Here’s the story opening:
i am normally not the kind of dog who whistles at women on the street or stalks them with my eyes. i figure ladies have enough to worry about without some creeper giving them a hard time
You can read the rest online.
As a member of the Zoetic press team, I’m stoked to note that NonBinary Review has released Issue #14: The Tales of Hans Christian Andersen — it’s the largest issue the publication has released to date with 53 artists and authors from around the world presenting re-imaginings of Andersen’s classic fairy tales.
Cover art is by the always amazing MANDEM.
“We need to stop thinking of poems as poems, but as art pieces that weave together different techniques from other disciplines, in a way to expand the line, the beat, the image,” writes Joanna C. Valente.
Sona Charaipotra and Zoraida Córdova on How YA Twitter Is Trying To Dismantle White Supremacy, One Book At A Time
The 10 Best Sci-Fi Stories You Can Read Online For Free
Pantheon, my chapbook of poetry based on a series of Our Lady poems has been accepted for publication and it forthcoming from ELJ Publications in August 2017! Each of the poems speaks to a female pop culture character, examining their hidden stories and the ways these characters can sometimes feel personal or sacred to our lives.
This will be my first collection of poetry and I’m so excited!
In related news, I just learned that three of these poems — Harley Quinn, Ursula, and Rogue — will be published in Issue 8 of Yellow Chair Review!
I’m still working on both She Walks in Shadows, the anthology edited by Silvia Moreno-Garcia and Paula R. Stiles, and The Dragons of Heaven by Alyc Helms. Both are thrilling in different ways, the one being dark and strange Lovecraftian short stories and the other being a fun action adventure fantasy romp.
The 31/31 challenge hosted by Zoetic Press wrapped up yesterday. I finished a total of 23 poem drafts for the challenge, which feels kind of awesome because now I have 23 new things that can be edited and submitted.
During the course of this challenge, I managed to put together first drafts for all the prose poems in my Twelve Dancing Princesses collection — something I’ve been meaning to polish off for a long time.
So, now it will be all editing, editing, editing and submitting for a while.
Goals for the Week:
Lynne M. Thomas on How Creating Inclusive Sci-Fi/Fantasy Sparked a Culture War: “We all want to find ourselves in stories. Finding ourselves in stories should be easy. No one should ever have to feel grateful just to see themselves.”
Defining the Genre: 7 Novels of Afrofuturism
The Lake Monsters of America (which is just begging for a series of poems)
I adore Zoetic Press, which produces two fantastic lit journals Nonbinary Review and Unbound Octavio among a number of other wonderful things. Within the Litho Reader app for iPhone and iPad, they wrap amazing pieces of poetry and fiction in gorgeous covers.
Recently, Zoetic Press released their first two full length books on the Litho Reader app — Erin Elizabeth Smith’s The Fear of Being Found and Christopher E. Grillo’s The Six-Fold Radial Symmetry of Snow — both of which look fantastic.
Zoetic Press has also been migrating all of the back issues of Nonbinary Review online to make them accessible to the whole wide world of readers. Although I recommend downloading the Litho Reader app to get the full experience of each issue, This means that Issue #4 Bullfinch’s Mythology is now up online, which includes my poem, “Eve and Pandora.”
I recommend reading the entire Bullfinch Mythology issue, because it is brimming with amazing work. And not just that, but all of the available issues because they are all full of wonderful things.
I’m thrilled to point out that NonBinary Review #6, 1001 Arabian Nights has been launched into the digital universe!
It includes poetry, fiction, essays, and art by over 30 contributors. I’ve been reading through a few of these pieces — like Cetoria Tomberlin’s “1,001 Songs”, Jaz Sufi’s “Preface”, and Carina Bissett’s “A Houri’s Hymnody” — and each one has given me chills, so far.
The issue also includes my essay, “Beyond Shahrazad: Feminist Portrayals of Women in The Arabian Nights,” which represents the first time I’ve written an essay since college.
NonBinary Review is available for free on the Lithomobilius app (available only on the iPad and iPhone for the moment, but will eventually be made available to other devices).