Wytovich is an American poet, novelist, and essayist, working primarily in the horror genre. She is the author of five poetry collections, including the Bram Stoker Award-winning, Brothel (Raw Dog Screaming Press) and her most recent collection, Sheet Music to My Acoustic Nightmare (Raw Dog Screaming Press). Her debut novel, The Eighth, is published with Dark Regions Press.
She is the poetry editor for Raw Dog Screaming Press, an adjunct at Western Connecticut State University and Point Park University, and a mentor with Crystal Lake Publishing. She is a member of the Science Fiction Poetry Association, an active member of the Horror Writers Association, and a graduate of Seton Hill University’s MFA program for Writing Popular Fiction.
Sheet Music to My Acoustic Nightmare is a collection that was inspired by heavy doses of bad decision making, traveling down lonely roads, sleeping in the back seat of my car, and drinking too much whiskey after the bars closed. I’ve done a lot of growing up and calming down over the past three years, and after intense periods of self-care and therapy, I felt ready to stare down my demons and write about them in a way that was more autobiographical than what I usually do. Sure, there are still elements of horror and dark fantasy interspersed throughout, but this one is more about me and the trauma that I carry.
As a fan of horror (and someone who hopes to write it), I’m stoked that Women in Horror Month exists to promote women in the genre, from filmmakers to artists to novelists. In that vein, here are a five women writers of horror or horror influenced fiction, whose work I’ve loved.
“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within.” – from The Haunting of Hill House
The Haunting of Hill House is one of the best ghost stories I’ve ever read. The way the characters bond together and simultaneously become hostile to one another in the face of the horrors of the house is quite compelling. The story is creepy and weird and nothing is every quite resolved.
She’s also well known for the short story, “The Lottery,” which is often taught in high school English classes and for good reason. It’s frightening in a dystopian sort of way. I need to get around to reading more of her short stories sometime.
“Our story opens where countless stories have ended in the last twenty-six years: with an idiot — in this case, my brother, Shaun — deciding it would be a good idea to go out and poke a zombie with a stick to see what happens.”— from Feed
Mira Grant is the dark alias of fantasy writer, Seanan McGuire. As Grant, her novels delve into the scientific thrillers with lots of death and mayhem, causing them to overlap with horror.
Her Newsflesh trilogy explores a post-apocalyptic world filled with zombies, in which humanity has clutched a fragile foothold of society. Overlapping the constant threat of being chewed up by or turning into the infected, are dark governmental conspiracies.
I’ve also read Parasite, the start of her Parasitology series, which is thus far proving to be fantastic as well.
Caitlin R. Kiernan
“Hauntings are memes, especially pernicious thought contagions, social contagions that need no viral or bacterial host and are transmitted in a thousand different ways. A book, a poem, a song, a bedtime story, a grandmother’s suicide, the choreography of a dance, a few frames of film, a diagnosis of schizophrenia, a deadly tumble from a horse, a faded photograph, or a story you tell your daughter.” ― from The Drowning Girl
The Drowning Girl tends toward psychological horror, explorations of the psyche more than physical danger. That is certainly the case with The Drowning Girl, in which is told from the point of view of a schizophrenic young woman named India. I almost wouldn’t consider this horror, although there are hauntings and werewolves and mermaids that play their parts and some of the elements are deeply unsettling. The Drowning Girl was a favorite read for me.
Kiernan’s work has been listed on several horror lists and her novels certainly play with the genre.
“The rustling peaked, became a chitinous clicking, and Morrow fought hard to stay still while the whole wheel-scarred road suddenly swarmed with insects — not locusts, but ants the size of bull-mice, their jaws yawning open. Neatly avoiding both Chess and Rook’s boots, they broke in a denuding wave over the corpses, paring them boneward in a mere matter of moments.” – from A Book of Tongues
I was introduced to Files’ writing with the Hexslinger series, a re-imagining of the Wild West in which a violent and dangerous preacher turned sorcerer and some of his fellow outlaws is drawn into a deadly game with the gods. These novels take you uncomfortable and visceral places. Not just gore (though if you like that, there’s plenty), but also in terms of sex, psychology, and emotion.
Writing this reminds me that I still need to buy and read A Tree of Bones. Also, I was excited to learn that her new short story collection, We Will All Go Down Together, was recently be released in late 2014.
“You have to salvage what you can, even if you’re the one who buried it in the first place.” – from “The Wrong Grave”
“The Wrong Grave,” featured in Link’s Pretty Monsters: Stories is wonderfully creepy and strange, involving a boy who goes grave robbing in order to recover the drafts of poetry he left in the casket of a friend — only the discover it’s wrong grave and the dead girl inside is rather annoyed to be disturbed.
While many of the stories in Pretty Monsters are more fantasy than horror (and this collection is more YA), she definitely has a knack for darker fantasy as well. Her collection of adult stories, Get in Trouble, is also supposed to have some horror stories.