Culture Consumption: April 2023

Hi, lovelies. Here’s my month in books, movies, television, and games.

Books

A House with Good Bones-T KingfisherT. Kingfisher never fails to craft books with darkly beautiful concepts that terrifying me, while simultaneously making me love the characters and feel for their journey. Her new book, A House with Good Bones, is no exception.

After her archeological dig site temporarily closes down, Sam returns to her family home while she waits for work to start up again. Her mom greets her with warmth and joy, but there’s something off. Her mom has repainted the house to bland neutral colors that she normally hates, refuses to curse, and is generally acting anxious and cagey — to such a degree that she begins to worry about her mental health.

But there are signs of other kinds of strangeness — vultures keeping watch, ladybugs swarming the house, among other things — signs that hint at something else, something ghostly and sinister going on in the background.

Like her other works, this book offers wonderfully wrought characters with solid, supporting relationships — along with a terrifying supernatural threat. It makes for a fast-paced and fun read.

M Archive-After the End of the World-Alexis Pauline GumbsM Archive: After the End of the World by Alexis Pauline Gumbs is a stunning collection of poetry. Inspired by M. Jacqui Alexander’s Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory, and the Sacred, a transnational black feminist text, Gumbs envisions humanity at the end of the world. While there is struggle, this is not the typical depiction of humanity as viciously and violently struggling for survival, but a vision of humanity as transformational. As the environment and world shifts (due to human causes), humanity takes to the dirt, sky, fire, and sea, creating new communities and ways of being. It’s a beautiful, compelling and hopeful depiction.

“most of us got there naked, burnt, raw with rashes, scarred. we had put down everything that didn’t hold blood and some parts of us that did. we had brushed agains the jagged histories that forced us to travel our different ways out.” 
— from “Archive of Sky” p. 78

“there was never rain. but she waited for lighting to find her. the mercury of her veins aligning with the shock of being here after everything and before whatever. her heart was accelerated coal, growing deep dark and sharp. she kept on breathing, prostrate, burning, knowing soon it would be clear and unbreakable. her beautiful blackening heart.” 
— from “Archive of Fire” p. 91

“she had a self sharpening spirit. that’s how she would describe it afterward. everything that happened rubbed against her right in the middle until you could see her glint when she smiled.”
— from “Memory Drive” p. 188

Cover of City Witchery-Lisa Marie BasileIf you’re looking to put a little magic into your days, Lisa Marie Basile’s City Witchery is an excellent read. Cities are often seen as sleek, bustling, overstimulating, and soulless, not a place to find connection with the earth or magic — but Basile’s book offers a different perspective. Her words encourage readers to find ways to tap into the unique energy of a city by wandering its streets and crossroads, connecting with its history, art, and culture. In addition, she offering ideas for bringing ritual and sacred into your life, especially when dealing with tight spaces, like apartments, or limited privacy, like roommate situations. Whether you are witchy or not, Basile’s book is a wonderful read. Continue reading “Culture Consumption: April 2023”

Books I Loved Reading in 2022

It’s been a pretty great reading year for me. I might have not have hit as many books as in years past, but the quality of books that I’ve read this year have been stellar (and I have a few more great books in the stack that I’ll likely finish by year’s end).

Fiction

Siren Queen by Nghi Vo

Maw, written by Jude Ellison S. Doyle with art by A.L. Kaplan and Fabiana Mascolo

Nghi Vo’s Siren Queen unfolds the story of Luli Wei, a talented and beautiful Chinese American woman, who is desperate to become a star in pre-code Hollywood. In order to do so, she navigate the fair-like realm of the Hollywood system, which exacts a sharp (and sometimes deadly) price on those who long for fame. The magic here is at once beautiful, wicked, and mundane.

Vo’s prose is rich and lyrical, evoking a sense of magic, menace, and desire on nearly every page. Siren Queen is a work of art; it is powerful and evocative — a book that I plan to read again and again.

The City We Became by N.K. Jemisin

The City We Became is another masterpiece from N.K. Jemisin. It presents a vision of New York City as a living creature about to be born with a human avatar — except a dark presence nearly aborts the process and the avatars of various boroughs (Manhattan, Queens, Brooklyn, the Bronx, and Staten Island) are awakened to hold back the tide of darkness.

Jemisin is a phenomenal writer, and the story she unfolded in this book made me fall in love with a place I have never been. I cannot wait for a sequel.

Continue reading “Books I Loved Reading in 2022”

Culture Consumption: December 2020

Hi, lovelies. Here’s my last culture consumption of 2020, with all the books, movies, television, games, and podcasts that I consumed in December.

I’ve shared my favorite books and media from the year in separate posts.

Books

The Hollow Places by T. KingfisherT. Kingfisher is a fantastic writer, taking fantasy tropes and turning them into pure horror. Portal fantasies tend to lead to wondrous worlds filled with fantastical creatures and adventures. However, in The Hollow Places, when Kara and her friend Simon (both of whom I love) discover a hole in the wall that leads to an abandoned bunker in another world, their curiosity quickly leads them into terrifying danger.

Kingfisher’s characters always seem so well wrought, with the way they dress, talk, and react to situations feeling so real. I believe that these two would make the choices and mistakes they make. In fact, I could almost see myself making the exact same mistakes, which only adds to the horror.

Continue reading “Culture Consumption: December 2020”

Books I Loved in 2020

Among the many other challenges presented this year, my reading has dropped significantly. As of writing this, I’ve finished reading a total of 40 books this year — certainly not bad in the grand scheme of things, but far below my personal average of 90-100 books from a few years ago.

Though, I can’t blame the drop entirely on 2020 (for all it’s anxiety and stress), since my reading has been dropping each year. In general, I’ve had a more difficult time focusing on reading, particularly longer books. So, I’ve shifted somewhat to shorter, quicker reads.

Nevertheless, I’ve read many fantastic books this year — more than I can fit on this list. Lately, I’ve been wanting to get back into reading more of the horror genre (which I’ve been writing lately as well). Horror seems to hit a certain intellectual itch in me, providing a safe means to explore and process my anxieties. So, it’s no surprise that horror fiction makes up a large portion of the works mentioned here.

(ETA: If you want to know the movies, shows, and other media I loved this year, check out my post on Medium.)

Continue reading “Books I Loved in 2020”

Culture Consumption: February 2020 – Women in Horror Month

Hi, lovelies. Here’s my month in books, movies, games, and podcasts.

Books

February was women in horror month, so I focused as much of my reading as possible on this subject area and read some fantastic and fun books. I enjoyed pretty much everything I read, but here are some of the standouts.

Her Body and Other Parties by Carmen Maria MachadoI finally got around to reading Her Body and Other Parties by Carmen Maria Machado — and I can’t believe it’s taken me so long to read this book. The stories in this collection explore the place of women in the world, with each story having its own intimate horrors. Many of these stories also explore female desire and sexuality, diving into that longing for pleasure in a world that would traditionally deny them that.

All of the stories in this collection are complex and powerful in their own unique ways. Here are a few that I adored the most. In “The Husband Stitch,” a woman relates the story of meeting, falling in love, and living with her husband. She gives him everything of herself, with the only thing that belongs to her being a green ribbing she wears around her neck — which her husband over time grows more and more eager to understand and claim. The story is beautiful, intimate, with a truly unsettling ending.

“Inventory” tells the story of an apocalypse in a series of gorgeous, heartbreaking vignettes, each relating intimate moments and relationships with a variety of people in the narrator’s life.

In “The Resident,” an introverted, anxious writer begins a residency in the mountains near where she once went to Girl Scout Camps. The residency brings up memories of being at camp, illnesses and afflictions to her body, and anxieties about who she’s supposed to be around other people and writers. It’s intense and verges on horror, but mainly focuses on the internal struggles of the character. It’s a haunting, beautiful story.

“Especially Heinous” is an utterly fascinating story which reimagines 12 seasons of Law and Order: SVU. In the story, Officers Stabler and Benson each become increasingly haunted and stalked by strange forces in unique ways. The short snippets of scenes are listed as episodes and everything unfolds as a compellingly surreal experience in which the city thrums with a living heartbeat and dead girls ring through the halls of apartments.

“Real Women Have Bodies” is a beautiful story of love in a world where women are loosing substance, fading away. It just about broke my heart.

Bunny by Mona AwadIf you’re into dark and bloody academia stories, then you should definitely consider reading Bunny by Mona Awad. Samantha Mackey is struggling through her MFA program at a prestigious university, where she’s finding herself unable to write and is repelled by the clicky group of women in her fiction writing workshop, who all call each other “Bunny.” Her one comfort is her friend, Ava, who is fierce and doesn’t give a crap what anyone else thinks And yet, when the Bunnies invite Samantha to their infamous Smut Salon, she goes and discovers the group has dark secrets.

The voice of Bunny is biting, the descriptions of the world edged with a sharp irony. It’s funny and brutal and sometimes aching with longing and sorrow. This novel was beautifully and darkly compelling, drawing me into its strange, surreal world. I honestly never knew what was going to happen next. I loved this book.

The Twisted Ones by T. KingfisherI went through several audiobooks this month, all of which were great, but I particularly loved The Twisted Ones by T. Kingfisher, which was narrated by Hillary Hubert. When asked to clear out her grandmother’s house, Mouse travels with her dog to rural North Carolina where she discovers her grandmother was a hoarder and the mess is bigger than she imagined. As she sets to work, she’s able to almost ignore the strangeness of the woods around her — but that changes when she discovers her step-grandfather’s journal, which relates the story of terrifying things. At first, she chalks it up to the delusions of an old man, until she starts to witness the horrors herself.

The Twisted Ones is a pitch perfect horror novel, made all the better by being filled with a cast of fun, interesting, and sympathetic characters. Mouse herself is entirely relatable, and the neighbors she meets and wonderfully, generous human beings. It makes it far more scary when you care about the characters involved and want them all to survive and return home safe and sound.

When I Arrived At the Castle by Emily CarrolI’ve read Emily Carroll’s graphic novel collection of utterly horrifying fairy tales, so I was excited to pick up When I Arrived at the Castle, a wholly original and haunting fairy tale. An eerie fairy tale, in which a young woman travels to a distant castle with the purpose of confronting the lady of the house. As she follows the lady through the house, she learns how truly monstrous she is. The art work is beautiful, with its stark black and white imagery highlighted with pops of blood red color. The visuals switch between being dreamlike and utterly horrifying — and combined with the text, it makes for a compelling tale.

The Spinning Place by Chelsea WagenaarOutside of the horror genre, I read the The Spinning Place, a collection of poetry by Chelsea Wagenaar (which was provided to be by the publisher, Southern Indianan Review Press, for the purposed of an interview). The poems in this book explore the things the body carriers, whether its a growing fetus in the womb with all its demands on existence and the future or the emotional weight of family and relationships. I’m hoping to have an interview with Wagenaar in an upcoming episode of the New Books in Poetry Podcast.

Continue reading “Culture Consumption: February 2020 – Women in Horror Month”