Culture Consumption: February 2019

Hi, lovelies. Here’s my month in books, movies, television, and games — most of which was heavily inspired by my deep dive into Women in Horror Month.

Books

Fledgling by Octavia E. ButlerOctavia E. Butler’s Fledgeling is the story of a 53-year old black vampire who looks like a 12 year old girl. When the story opens, Shori has no memory of who or what she is — all she knows is that she is wounded, starving, and lost. As she heals, she begins to dig into her past in an attempt to discover who she is and who tried to kill her. This is one of the most fascinating portrayals of vampires that I’ve read, presenting a unique complex culture with found families based on symbiotic relationships between vampires and humans. There are so many layers here work unpacking: genetic manipulation, power structures, interesting family structures with polyamorous love, and racism, among other things. It makes for a fascinating storyline with complicated, interesting characters. One of those books that’ll go onto my favorites list.

Two other books from my Women in Horror reading were also phenomenal: Rolling in the Deep by Mira Grant (a brutal mermaid story discussed here) and Things Withered by Susie Moloney (a stunning collection of short stories discussed over here).

I also read three books of poetry in the past month. all this can be yours by Isobel O’Hare is a powerful collection of erasures from the celebrity sexual assault apologies. The poems are fierce explorations of how the men making these apologies try to evade their own culpability.

The chapbook Never Leave the Foot of an Animal Unskinned by Sara Ryan (Pork Belly Press) delves into the liminal space between living and dead, with this collection of poems about taxidermy. The nature of body is explored down to the bone, with footnotes that provide an expanded philosophical look at the art of preservation.

House of Mystery by Courtney Bates-Hardy draws on the dark undertones of fairy tales, providing a haunting look into the role of women in those stories.

(I have interviews with both Isobel O’Hare and Sara Ryan that I’ll be sharing soon.)

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