Here’s Part I of my journey through Stephen King’s The Dark Tower series. These are my thoughts on rereading The Drawing of the Three, the second book in the series — and as such, there may be spoilers ahead.
The Drawing of the Three opens precisely where the first book left off, with the gunslinger Roland alone, collapsed from exhaustion on the shore of a great ocean. As the tide rolls in, he is woken by the incoming tide (which douses his bullets) and is greeted with horrors that drag themselves out of the water. These lobstrocities with their strange questioning sounds attack him as he’s waking — and this attack, which happens in the first five pages, is brutal, leaving him catastrophically wounded.
Undeterred, Roland continues his long, plodding journey toward the Dark Tower. As walks up the beach, with infection from his injuries spreading, he discovers the first door, the first drawing.
In the first book, The Gunslinger, the man in black laid out Roland’s future using a form of tarot cards, presenting three cards in particular that represent the people he would need on his journey to the Dark Tower — The Prisoner, The Lady of Shadows, and Death (but not for the gunslinger). Each door represents one of these cards. When opened, the doors reveal our own world at different time periods, from where (and when) he must draw out the people destined to join him in pursuit of the Tower.
In the afterward to The Drawing of the Three, King wrote, “This longer second volume still leaves many questions unanswered, but I feel that it is a much more complete volume than the first.” And I am in agreement with this sentiment. I enjoyed my reread of The Drawing of the Three more than I did the first book. Where The Gunslinger felt a little disjointed, as though all the pieces didn’t quite fit together, The Drawing of the Three feels whole. The storyline is simple on the surface, with the gunslinger finding three doors and opening them, but each door presents it’s own complications in terms of how the gunslinger can obtain who and what he needs. As new companions are added to the story, things become increasingly character driven, with their flaws driving much of the conflict — as they tend to do in relationships. It makes for interesting character growth for all three of the main characters, and that growth more than anything else is what makes this such a great novel.