Short films (usually defined as films 40 minutes or less) can be powerful, delivering an impactful story in a short timeframe, with every scene, every moment carrying weight. As a fan of the short film form, I want to highlight some examples of the medium that I love and hopefully bring more attention to the creators. I’ll be sharing narrative shorts in a multitude of genres: horror, action, comedy, romance, animation, and so on. Other shorts (like the one I’m presenting today) may be in the form of poems in which the visual medium of films complements and uplifts the language. And as I discover more of them, I may throw in some short docs and video essays that I find Bpartculularly compelling.
What It’s About: A poetic contemplation on the value of solitude.
Why I Like It: Uplifting and beautiful, this short presents a poem that an instructional style that narrates the potential of solitude as a state to seek, rather than avoid. The imagery, music, editing, and animation come together with the words (sometimes scrawled across the screen) to express the full, soothing impact of the piece. Every time I watch How to Be Alone, I find myself calmed. It’s lovely.
I love short films and am fascinated with how they are able to tell compelling stories in tiny spaces. I’ve been wanting to watch the Oscar nominated short film showcases that play every year, but haven’t had people to go with or the timing was off. This year, I made it happen, taking time to see both the Animated and Live Action selections, and it was fantastic. Unfortunately, I did not get a chance to also see the documentary shorts and I don’t think I’ll be able to this year. But I’m making it a goal for next year.
As a quick note, it was interesting to discover that all of the live action shorts were significantly longer than the animated shorts (with one exception), being 15 minutes to 30 minutes in length. I tend to think of short films as being in the 3-15 minute range, maybe due to the number of shorts I’ve seen through YouTube of Vimeo. I’m sure cost and time is a part of the reason why the live action movies were longer, with animation taking more time to create cell by cell. The differences in length might also have to do with how people connect with animation compared to live action. I’m not sure. But it’s interesting that the animated shorts were often able to provide as complete and moving of stories as the longer pieces in a shorter amount of time.
My thoughts are below, with links to trailers provided.
The Animated Shorts
Blind Vaysha, directed by Theodore Ushev (8 minutes/Canada) – Blind Vaysha is a strange folk tale about a girl who is born with a strange infliction, in which she can see only the past out of one eye and only the future out of the other, essentially making her blind to the present. It’s a bit more talky than most of the other animated shorts, but the art is beautiful with a heavy-lined graphic style and strong-toned colors. I loved the way some images overlapped, stretched into impossible shapes, or presented sketchy, swirling images. A little more intellectual than emotional, but it’s my favorite of the animated films.
Pearl, directed by Patrick Osborne (6 minutes/USA) – A girl and her dad tour the country in an old hatchback, busking and making music and facing life. Although the animation is somewhat blocky and not as dynamic or perfect as some of the other offerings, this is a moving story filled with music telling a sweet story with almost no dialog.
Piper, directed by Alan Barillaro and Marc Sondheimer (6 minutes/USA) – This story of a baby piper bird facing his fear of the ocean is funny and adorable in that predictable Disney/Pixar way. The animation is technically perfect and beautifully rendered, worth watching for that alone.
Pear Cider and Cigarettes, directed by Robert Valley and Cara Speller (35 minutes/Canada/UK) – There are parts of Pear Cider and Cigarettes that are gorgeous, the animation slick and stylish with hard angles that reminded me of certain comic book drawings. In the story, which is based on a real human, a man describes the dynamic personality of his friend, Techno, who eventually became a hardcore alcoholic. This is the most adult of the animated films, presenting a complex and straight look at sex, drugs, alcohol, and the fall of a friend. It’s also the longest out of any of the short films I watched. Although the last third of the film was moving, the first two-thirds were a little slow going for me and I think it could have been cut down a bit while still maintaining its powerful effect.
Borrowed Time, directed by Andrew Coats and Lou Hamou-Lhadj (7 minutes/USA) – A sheriff returns to the site of his father’s death. The CGI animation is good, but the story didn’t connect with me, despite a few genuinely surprising moments.
Due to the adult nature of Pear Cider and Cigarettes, the screening showed three additional animated films in order to give parents time to bring their kids out of the theater, if need be.
Timecode, directed by Juanjo Giménez (15 minutes/Spain) – One of my favorite shorts of the night, Timecode is the story of two parking lot security officers who begin communicating with each other in an usual way. This utterly delighted me. It’s wonderful and a bit weird. It probably is not going to win, but it’s the one I’d watch again and again without hesitation.
Sing, directed by Kristof Deák and Anna Udvardy (25 minutes/Hungary) – A girl comes to a new school and is delighted to join the school’s award-winning choir — only to discover that the choir is not what it seems. It’s a wonderful story about friendship and people coming together in quiet revolt against unfair systems.
La Femme et le TGV, directed by Timo von Gunten and Giacun Caduff (30 minutes/Switzerland) – A bit of a quirky tale and almost-but-not-quite romance in which an older woman set in her routine. Every day she waves a flag at the passing TGV train, which leads to a mysterious answer from one rider. It’s sweet, even if the ending felt a bit abrupt.
Ennemis Intérieurs, directed by Sélim Azzazi (28 minutes/France) – An educated, Algerian man applying for French citizenship finds himself confronted with a young immigration official whose examinations grow more and more invasive. This is essentially just a movie of two men sitting in a room talking, but the writing and acting are stellar, making this intense and captivating as each man tries to gain control, although the power is clearly skewed in favor of the young immigration official. There’s a lot going on in this, reflecting the current issues surrounding immigration and prejudice against Muslims. I’d like to watch it again and think about the layers some more.
Silent Nights, directed by Aske Bang and Kim Magnusson (30 minutes/Denmark) – A woman working at a homeless shelter begins a romance with a homeless refugee from Ghana. Although the acting is great and it’s well done, there were aspects of this that annoyed me in terms of how the young woman approached him, more as someone to save instead of as a whole person. I also really didn’t like the ending (which I won’t talk about because of spoiling).
Alrighty, here’s my January in books, movies, and such.
This is the first is time in, well, probably ever that I haven’t completed a book over the course of a month — not even ONE. I’ve been doing a lot more watching TV than reading this past month as a way to unwind and reading three books at once sort of extended things out a bit — though really it was the watching that got me.
Books Finished This Month: 0 (*weeps*)
Total Books for the Year: 0 (*wails*)
Still in Progress: Things We Lost in the Fire: Stories by Mariana Enríquez, Shadow Scale by Rachel Hartman, and Tim Burton: Essays on the Films, edited by Johnson Cheu
I’ve been meaning to see Spotlight, for a while, ever since it won the Academy Award for Best Picture along with Best Original Screenplay. The movie is based on the story of how a group of reporters uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese. Although a bit slow paced in the beginning, the movie is fascinating to watch, to see how each small piece of evidence, every interview, every mistake comes together in the end.
I’m particularly interested in how the characters are developed in the movie — which is to say not much, since the main focus is not on the emotional trajectory of these characters, but on the trajectory of uncovering and revealing the truth. And yet, the writers, director, and actors do an excellent job of using small moments that make us connect with them and reveal how their work is affecting them. It’s all very well done.
I also enjoyed Miss Peregrine’s Home for Peculiar Children for and Don’t Breathe was a great thriller with tight pacing. XXX: Return of Xander Cage was all over the top action and somewhat stupid, although in a stupidly fun sort of way (it also gets points for having lots of diversity in its cast).
New-to-me Movies This Month:
1. Spotlight (2015)
2. XXX: Return of Xander Cage (2017)
3. Miss Peregrine’s Home for Peculiar Children (2016)
4. Don’t Breathe (2016
I enjoy watching shorts and I’m hoping to taking time to watch them more often. All of the ones I list here are available online with links provided.
My favorite of the batch was The House of Small Cubes, a Japanese animated story of a flooded a world, in which an old man dives into his past — a beautifully animated and so many feels.
I also loved One Week, no surprise since I’m a huge Buster Keaton fan. A couple gets married and are given a build-your-own home kit — with disastrous and hilarious results.
Game of Thrones was my greatest time-suck last month — although I didn’t intend for it to be. I meant to take it slow and just watch an episode here or there, then something shocking or catastrophic would happen at the end of an episode and I’d have to watch the next. I went through Season Two and Three in this way — and if my pace keeps up I’ll probably finish all the way through Season Six before the end of February.
However, my focus Game of Thrones is not entirely there when watching, so sometimes I miss little details. I have a feeling I’ll have to watch it all again at some point in order to make proper commentary on it. But I continue to love Arya Stark, Daenerys Targaryen (Khaleesi), and Tyrion Lannister, as well as Brienne of Tarth, who was introduced in season two.
I also checked out the first episode of Black Mirror from season one, which tells the story of a kidnapping and a bizarre ransom demand involving the Prime Minister of the U.K. It was complicated and smart and sooo disturbing. I’m excited to see more.
I’m starting to fall behind on The Walking Dead again, only this time it has less to do with being terrified of what’s going to happen to the characters and more to do with finding myself having greater interest in other things on TV. At this point, I’m mostly sticking with it to keep up with discussions among family and friends.
That’s it for me! What are you reading? Watching? Loving right now?