Athena Dixon shared a new interview with Frances Donovan for the New Books in Poetry podcast! According to Athena,
Grey Held writes of Frances Donovan‘s book, Mad Quick Hand of the Seashore (Reaching Press 2018 ), “there is hunting for love, there is basking in love, there is longing.” This collection offers all of these things. It examines what it is to love romantically, sexually, as a friend, and as a resident of the world. It pulls us down into the micro-moments of our lives and then catapults us out into the universe. In this episode, we touch upon marginalization, hope for inclusion, the writer’s journey, and how we come to the page on our own terms.
Mad Quick Hand of the Seashore was named a finalist in the 2019 Lambda Literary Awards. Her publication credits include The Rumpus, Snapdragon, and SWWIM. An MFA candidate at Lesley University, she is a certified Poet Educator with Mass Poetry and has appeared as a featured reader at numerous venues. She once drove a bulldozer in a GLBT Pride parade while wearing a bustier and combat boots. You can find her climbing hills in Boston and online at www.gardenofwords.com.
You can listen to the interview here or on the podcast app of your choice.
Chella Courington grew up in a family of storytellers. Seduced by the written word, she pursued her Ph.D. in literature from the University of South Carolina and her MFA in poetry from New England College. In addition to teaching literature and writing at Santa Barbara City College in California, she writes and publishes poetry and fiction, which has appeared in several books and chapbooks. Here, Chella speaks about her two latest publications, a flash novella and a new collection of poetry.
A life in flashes, it tells of Adele and Tom, a writing couple now in California. Told from both points of view, the novella explores the increasing distance between two artists trying to occupy the same space: one writer’s success is another’s failure.
But finally, the story is Adele’s as she struggles with relationship, self and aging. A woman born in the Appalachian South yet finding home in California, she tries to understand who she is through the past and the present.
You’ve described The Somewhat Sad Tale of the Pitcher and the Crow as a flash novella. How did flash fiction as a structural form lend itself to the telling of a larger tale
Flash fiction is not naturally a form that lends itself to a longer traditional narrative (one with a mainly linear plot line). But flash fiction does lend itself to a pointillist novel/novella where each flash provides a point, an emotional brushstroke. The combined points, artfully arranged, tell a tale.
The flash novella is a good choice for writers with time constraints because the structure allows for the creation of many individual pieces of art that can be written in bursts of limited time. Each piece is small with a focus on language and imagery, rewarding close attention and revision. The flash novella does not depend on an outline nor require high drama (murder and mayhem).