Hi, lovelies. Here’s my month in books, movies, and podcasts.
If you’ve been longing for a book about murderous mermaids, then Into the Drowning Deep by Mira Grant is the book for you.
Seven years after the tragedy that befell the scientists, actors, and crew of Atargatis when they were traveling the Mariana Trench to film a “mockumentary” on mermaids (events that were phenomenally portrayed in Rolling in the Deep), a new team has been put together to find answers. Although they are geared up more thoroughly this time, none of them are fully prepared for the dangers they find.
There were moments in this book that legitimately terrified me, moments where I was to scared to keep reading, where I shouted at the characters as if I was watching a horror movie, where I couldn’t put the book down. Into the Drowing Deep is an altogether phenomenal science fiction horror story, one that makes me even more uncertain of the ocean than I already was.
Hi, lovelies. Here’s my month in books, movies, television, and games — most of which was heavily inspired by my deep dive into Women in Horror Month.
Octavia E. Butler’s Fledgeling is the story of a 53-year old black vampire who looks like a 12 year old girl. When the story opens, Shori has no memory of who or what she is — all she knows is that she is wounded, starving, and lost. As she heals, she begins to dig into her past in an attempt to discover who she is and who tried to kill her. This is one of the most fascinating portrayals of vampires that I’ve read, presenting a unique complex culture with found families based on symbiotic relationships between vampires and humans. There are so many layers here work unpacking: genetic manipulation, power structures, interesting family structures with polyamorous love, and racism, among other things. It makes for a fascinating storyline with complicated, interesting characters. One of those books that’ll go onto my favorites list.
Two other books from my Women in Horror reading were also phenomenal: Rolling in the Deep by Mira Grant (a brutal mermaid story discussed here) and Things Withered by Susie Moloney (a stunning collection of short stories discussed over here).
I also read three books of poetry in the past month. all this can be yours by Isobel O’Hare is a powerful collection of erasures from the celebrity sexual assault apologies. The poems are fierce explorations of how the men making these apologies try to evade their own culpability.
The chapbook Never Leave the Foot of an Animal Unskinned by Sara Ryan (Pork Belly Press) delves into the liminal space between living and dead, with this collection of poems about taxidermy. The nature of body is explored down to the bone, with footnotes that provide an expanded philosophical look at the art of preservation.
House of Mystery by Courtney Bates-Hardy draws on the dark undertones of fairy tales, providing a haunting look into the role of women in those stories.
(I have interviews with both Isobel O’Hare and Sara Ryan that I’ll be sharing soon.)
A group sets out on a journey to the middle of the ocean to film a documentary examining the possible existence of mermaids — something no one on the team believes in. What they discover is so much more horrifying than they expected.
In a way Rolling in the Deep reads like a found footage film, stating from the opening pages that none of the crew or staff who started out on the ship SS Atlantic were ever found. We know from the get-go that something terrible is going to happen — reading the book reveals the how.
The story features a diverse and interesting cast of at least a dozen — between the captain and her deaf first mate, the host and her cameraman, the half a dozen scientists, a troupe of mermaid performers, and the producer of the show. Mira Grant reveals her incredible skill in making these characters feel like people you can care about in an incredibly short timeframe, considering the book is only 120 pages in length. (Well, almost everyone, since I’m pretty sure no one minded much that the producer got his due.) We don’t know everything about each of these people, but we don’t need to. We know that they have pasts and hopes and plans for the future, and it’s enough to make me sad if that future is snuffed out.
I’m not going to tell you what happens at the end, because you should read this book yourself. But I will say this book builds at a perfect pace to a finale that left me with chills. Honestly, I may never swim in the ocean again.
It was revealed in November 2018 that Mary Lambert (Pet Sematary) has signed on to direct the movie adaptation of the book — which is of no surprise. As I was reading, I immediately felt that, with its tight pacing and chilling ending, this was a book destined to be adapted for the screen. I hope it gets made, but we’ll see. Hollywood can be fickle.