Meg Johnson is the author of the books Inappropriate Sleepover (The National Poetry Review Press, 2014), The Crimes of Clara Turlington (Vine Leaves Press, 2015), and Without: Body, Name, Country (Vine Leaves Press, 2020). Without: Body, Name, Country was nominated for the 2020 Goodreads Choice Awards. Her writing has appeared in Bust Magazine, Hobart, Ms. Magazine, Nashville Review, Painted Bride Quarterly, Sugar House Review, Verse Daily, and others.Â
Your latest book of poetry is Without: Body, Name, Country. Tell us a bit about the project and how it came into being.Â
Without: Body, Name, Country is my third book. It was published by Vine Leaves Press in 2020. Vine Leaves Press had previously published my second book, The Crimes of Clara Turlington. My first book, Inappropriate Sleepover (The National Poetry Review Press) came out in 2014, and my second book came out in 2015. I had Guillain-BarrÃ© syndrome after my second book came out, and it was a long recovery process. I was writing throughout the entire recovery process, but I didnâ€™t stress about writing a certain amount because I was focused on my health. I think because there wasnâ€™t very much time between the first book and the second book coming out, I didnâ€™t feel the need to rush the publication of the third book. I waited longer to submit the third book for publication after finishing it than the first two books.Â
Continue reading “Poet Spotlight: Meg Johnson on Illness, Persona, and the Performance of Poetry”
Hi, lovelies. Here’s my month in books, movies, television, games, and podcasts.
“An initiation is a beginning, a rite of passage, a ceremony that signals an advance of some kind, into adulthood or a new form of knowledge.”
In Initiated: Memoir of a Witch,Â Amanda Yates Garcia shares her journey as a witch, beginning with being initiated into the tradition by her mother, which she pulls away from as a young woman. Her path takes her through abuse and hardships, through which she struggles against the expectations that society tries to place on women. In her desire for beauty and love, she find herself surprised by a number of initiations over her her lifetime that guide her back toward the practice and ritual of witchcraft. Garcia’s prose is beautifully poetic and interlaced with mythology and the stories of magical women throughout history, which I found enlightening. I really enjoyed taking this armchair journey.
I read two great poetry books this month. Meg Johnson’s Without: Body, Name, Country (Vine Leaves Press) presents poems and flash creative nonfiction that explore identity, illness, and politics. Broken into two parts, the first section offers poems that explore various personas, while the second presents memoir the author’s experience with a harrowing illness in the form of short, evocative flash pieces.
And the Whale by Sonya Vatomsky (Paper Nautilus) is a gorgeous chapbook, filled with powerful poems that weave mythology and Russian folklore into an exploration of love, sex, grief, and trauma. I was personally in love with the persona of the Widow, who features in several poems that examine the shadows of the past.
Continue reading “Culture Consumption: January 2021”