In 2021, I read a total of 40 books (thus far) — which is the lowest amount of books completed in a single year in about a decade. Over the past two years in particular, I’ve found it harder to focus on reading and have turned to other forms of media to fill in my entertainment needs.
However, in reading less books per year, I’ve found that the quality of books has gone up. I’ve enjoyed or outright loved the majority of books that I’ve read, which has been a blessing — and has also made it difficult to narrow this list.
Note that the books listed here are not necessarily objectively the best, but they are the books I personally enjoyed or connected with throughout 2021.
Network Effect and Fugitive Telemetry by Martha Wells
Basically, I could list the entire Murderbot Diaries among my favorite books for the year, since I read all six books (most of which are novellas) and then reread many of my favorite scenes throughout various points of the year. The series follows the adventures of a socially awkward android Sec Unit named Murderbot, who only wants to sit back and watch serial dramas, but often finds itself saving humans from doing stupid things that could get them killed.
Continue reading “Books I Loved Reading in 2021”
Hi, lovelies. Coming in late again. Here’s my month in books, movies, games, and podcasts.
A friend loaned me a copy of Madeline Miller’s Circe, offering high praise for the book and its feminist take on the ancient Greek myth. Once I opened the first page, I was immediately immersed in the mythological worlds of Ancient Greek gods and goddesses with all their politics and family drama. Reading this book reminded me of how much I loved learning about these myths when I was in school, and I loved the way Miller portrayed Circe and the other gods, illuminating the a sense of magic and power. Some of the gods feel alien and dangerous in how disconnected they are from mortals, while Circe has an inherent sense of humanity in her longing to feel connected with them. I loved the ways in which Miller weaved various classical stories and tales into the text, and I especially enjoyed her feminist take, which presents a more complex view of a powerful woman.
Another great read this month was The Final Girl Support Group by Grady Hendrix. Inspired by the slasher films of the ’80s, the story takes place years after the women’s confrontations with brutal murderers. These final girls have faced death and fought off their killers, surviving into middle age while carrying ongoing ailments from their injuries and trauma, including anxiety, PTSD, and other issues. Bound by their shared trauma, the women attend support group meetings, a tether that slowly frays as some members attempt to move on. Things get incrementally worse, however, when it appears that someone is out to kill them.
Hendrix is fantastic at creating fast-paced, action packed stories that leave me wanting to consume a book all in one go. I also like that these women are rough-edged, hard, and strong-willed, with all the complexities that comes with having survived terrible events.
Continue reading “Culture Consumption: September 2021”