FOGcon starts later today. It’s a small con for fans of genre and an event that I’ve gone to several years in a row. I usually try to read at least one book by each of the Honored Guests ahead of time, so that I’ll know their work when I see them speak. I’ve been a little behind on this “homework” this year and have only managed to get one read in so far — The Liminal People by Ayize Jama-Everett.
The Liminal People is a scifi crime novel centered on Taggert, a man with the power to heal or hurt the people around him. He serves a ruthless man and has done terrible things in the course of his work. Although he dislikes it, he has made peace with his life — until an ex love asks for his help to find her daughter. The search for the girl leads him into a face-off with others with enough power that they seem to walk the borderline between human and god.
Taggert is an interesting character, bordering a line between hero and anti-hero. He’s capable and willing to be cruel and violent, but his cruelty is mostly associated by the way he’s been trapped into his current life by his master, Nordeen. Taggert also acts to protect the people he cares about, even if it means personal danger to himself.
The novel is a great crime/action thriller that sets up an interesting world, in which powerful people have the ability to manipulate the world (which kind of makes us ordinary humans feel rather small) Being both on the shorter side and fast paced, it’s a quick read (perfect for where my head has been at lately). I’m looking forward to checking out the other two books in the trilogy, The Liminal War and The Entropy of Bones.
Next up in FOGcon homework is The Evil Wizard Smallbone by Delia Sherman, who is also an Honored Guest at the event.
For the past, oh, year or so, I’ve been telling myself, If I can just get past this project or trip or ordeal or whatever, then things will mellow out and I won’t feel so overwhelmed any more. But when the project or trip or ordeal or whatever is completed, another just sprouts up in its place — creating an ongoing saga of overwhelming days that seem to be never ending.
Some days, it seems that all I can do is take advice from Dory:
And just keep swimming, swimming until I get through it all. Keep writing, keep working, keep on keeping on until the next project or trip or ordeal or whatever is done and I can move onto the next.
What I’m Reading
I don’t know what is will me these days, but all of my reading is incredibly slow. Too much going on to focus on books the way I used to, I suppose.
I’m currently reading The Liminal People by Ayize Jama-Everett. This is FogCon homework, since Jama-Everett will be one of the Honored Guests at the event. The story involves people powerful enough to be considered beyond human and the reaching for more power that comes from this. It’s very interesting so far, with a thrilling storyline. I’m not sure where it’s going to go and that makes it fun.
I’m also reading Binti by Nnedi Okorafor, because Okorafor is amazing. And it won both the Hugo and Nebula for Best Novella. It’s really wonderful so far and I’m sure I’ll polish it off tonight.
I’ve paused my progress on Shadow Scale by Rachel Hartman, due to my desire to get some books read in time for FogCon. Also, despite being a fantastic story has turned into a really slow read for me. It’s unfortunate in the sense that this slow reading with gaps of days in between isn’t really allowing me to immerse myself in the story the way I would like.
What I’m Writing
I have a lot of non-writing projects that are on my desk at the moment, including getting submissions out there, editing work, preparing and posting interviews, etc. — all of which is taking time away from the actual writing and editing of existing work. My 15 minute rule/plan goal is not really working out, so I may have to adjust at the end of March.
A number of good things continue to develop, though, particularly in the collaborative arena. Laura Madeline Wiseman and I continue to meet weekly to write and edit new poems and we’ve produced enough work that we’re starting the process of putting together a collection.
I also met with some people over the weekend to discuss the creation of a web series, which I’ll officially announce later if it becomes finalized. But for the moment, we’ve hashed out the first act of the proposed series and I’m going to start writing scripts for that in the coming weeks. I’m excited to see where this goes.
More rejections coming in, more submissions going out. I tell myself this is all a part of the process, because it is — because even the most famous of writers faced rejection, because rejection is not a sign of your value as a writer. I tell myself this, and most of the time I believe it.
Goals for the Week:
Get more poems edited
Hot potato my submissions to at least two more journals/publishers
The Running Life
Inspired by Sierra De Mulder , I’ve set myself a personal challenge for March. The goal is to run a minimum of 1 mile daily, only about 12-14 minutes for me depending on my pace. After completing six days in a row of running (with some days in which I ran far more than one mile), I’m feeling rather good. Because I’m mixing in some longer runs, the short runs don’t seem that difficult. The hardest thing so far is being in the right headspace to make sure I get out there no matter what.
Longest Run Walk of the Week: 3.63 miles
Total Miles for the Week: 10.51 miles
Total Miles for 2017: 47.2 miles
Malanda Jean-Claude examines The Chaos That Makes Poetry: “What does it mean to be a word smith? A writer. I struggle with answers for things I never had dreams to become. A cannon, an act of rebellion. A synagogue, a revolution tucked in the Quran inside of a prayer. Hip-hop laced with the holy ghost, a contradiction in my own walk.”
“Art isn’t easy. It’s not just that we need a revolution in style but also a revolution in audience, distribution, circulation, performance, perception and, indeed, motivation. These revolutions are never a question of being marked as ahead of the times—that is the problem with the label avant-garde, with its flamboyant promise of “being out front.” Rather, the issue is staying in and with the times and not letting the times drown you,” write Charles Bernstein and Tracie Morris in Poetry Needs a Revolution That Goes Beyond Style.