New Poetry Publications:

I’ve had a number of poems published over the past several weeks (or months, but whose counting), which I haven’t gotten around to announcing yet — partly because of the trip to South America I just returned from, which I’ll be sharing more about soon. Anywho, here’s what I’ve got new out on the nets:

Diode Poetry Journal published, which includes “Carrie White: Our Lady of Blood”. This a part of the collection Pantheon that I’m still trying to find a home for.

Rogue Agent, a journal I love, published “The Idea, What Else,” a found poem using words from Stephen King’s The Plant.

A few poems written in collaboration with the wonderful and amazing Laura Madeline Wiseman have also been published. Devilfish Review published “Stumble Tumble Down This Animal Hole,” and The Drowning Gull published three of our collaborative poems, “Lighting the Ghost Lamps,” “The Path of Coding Eternal,” and “The Women of Straw and Branches.”

It’s been a good month for publishing, and I’m honored to have work included in each of these publications.

The Voices of Spring Mother Tongue

Last night, I slipped out of my routine and to check out the Well-RED poetry showcase, featuring poets published in the Spring Mother Tongue anthology at Works/San José. The event was hosted in part by Poetry Center San José, a rad organization and a great place to turn to for more on South Bay Area goings on in poetry. It’s the first time I’ve been out to a literary event in months (probably, maybe, at any rate it’s been a rather long time).

Spring Mother Tongue is an anthology edited by Arlene Angeles Biala, Santa Clara County Poet Laureate. The collection provides a space for poets to share the stories behind each of of their own names. “You may recognize yourself in us. You may recall your own name(s) and stories around it/them and be moved to use your own poetic voice. I hope that you do,” writes Biala in the introduction.


Some of the poets whose work appears in the anthology read at the event — representing a variety of ages and backgrounds and a multitude of voices and poetic styles. These readers included: America Cihuapilli Irineo, ASHA, Arlene Biala, Jade Bradbury, Bill Cozzini, Kiana Del Rosario, Lorenz Dumuk, Parthenia Hicks, Larry Taylor Hollist, Joel Katz, Lita Kurth, Pushpa McFarlane, Quynh-Mai Nguyen, Nils Peterson, Anthony Santa Ana, Ann Sherman, Donna Steelman, and Jarvis Subia

The readings present a nuanced and layered exploration of names and what they mean. Some are funny, some are sweet, some explore the ways names are used to strip power away from us, and some are reclamations of power. It’s a beautiful anthology, one I recommend picking up, especially if you’re a local to the Bay Area, California.

What I’m Reading

I am about halfway through and entirely loving Certain Dark Things by Silvia Moreno-Garcia, which is about vampires in Mexico City. The story is told from multiple points of view, both those of humans and the vampires themselves. I’m loving learning about the different species of vampires, each with their own evolutionary traits of abilities, strengths, and drawbacks. Silvia Moreno-Garcia is a fantastic writer, quickly rising to the top of my list of favorites.

What I’m Writing

Over the past week, I completed a draft of a six page poem — the longest single poem I’ve ever written. Most of my poems tend toward the shorter side, 30 lines or less, and I’ve thought of myself as a poet who just wasn’t the type to write longer pieces like that — but apparently I’ve proved myself wrong. I’ve set it aside for the time being, letting the original flow of idea rest, so that I can come back to it for an edit later.

I also have episodes of a web series in progress — episode one has been done for a while, and I’ve started in on the opening scene of episode two. If I can focus and not get distracted by all the shiny poems I seem to be wanting to write this week, then I can probably finish drafts of at least two more episodes before I head out on my next big bit of travel in a week and a half.

The Running Life

Got my first run done in over a month on Saturday. It felt great to hit the pavement, good for my muscles and good for my soul. I was able to run a bit farther than I expected considering how long it’s been since I last went for it, which was reassuring. I need to get back into the routine. I can tell that my body needs it.

Total miles in the last week: 2.20
Total Miles for 2017: 70.84 miles

Linky Goodness

Kathleen Ossip explains Why All Poems Are Political:

“a poem is an utterly free space for language; no objective and definite criteria could possibly apply to evaluate it. In fact, poetry is the only utterly free space for language that I’m aware of, and that is what makes it indispensable to me, and also what makes writing it and reading it a political act: Any act where freedom is urgently at issue is a political act, and any space that makes us aware of our innate freedom is a radically political space.”

Leah Schnelbach’s fantastic essay “Sometimes, Horror is the Only Fiction That Understands You” is a wonderful exploration of what Stephen King’s writing has meant to her in life — and as someone who read every King book I could get my hands on in high school, I completely resonate with this.

3 Free Poetry Chapbooks to Read This Summer From Agape Editions

Culture Consumption: May 2017

May was an interesting month, in that it was full of fabulous travels. Still managed to read and watch quite a few great stories.

Books

I adored Bone Gap by Laura Ruby a subtly speculative novel about Finn and Sean O’Sullivan, two brothers surviving in small town full of gaps that people slip through all the time. First, their mother abandons them for a new life, then Roza — the young woman who shows up in their barn and brings light into their lives and the lives of the whole town — vanishes. The story and characters and magical realism and the setting of a small town (where everybody knows everything about everyone, even if they always get the story wrong) is gorgeous. Also, the audiobook narrator Dan Bittner does a fantastic job of bringing each of the characters to life, making them feel distinct when the POV shifts.

Continue reading “Culture Consumption: May 2017”

My Travels in Photos: Dubai, Singapore, and Kuala Lumpur

I’ve done quite a bit of traveling over the past two-and-a-half weeks. I flew into Dubai and Singapore to attend conferences and exhibitions for work, and then took a bit of extra time in order to take the train up to Kuala Lumpur, Malaysia. All three places were quite a bit too hot and humid for me, but were quite interesting to explore.

It was a fantastic experience, one I could probably write many words on, but I’m still a bit jet-lagged and sleepy, so I’m going to keep things simple and just share some photos from the journey (more along with videos are on my instagram).
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Dubai, UAE

Hanging out by the Burj Khalifa — currently the world’s tallest building. (I know a bit about it because at my day job, we reported about the use of extruded aluminum frames in its 1.2 million sq ft of curtain wall).
Near the historical district, where I found this happy looking building.

Continue reading “My Travels in Photos: Dubai, Singapore, and Kuala Lumpur”

Culture Consumption: March and April 2017

My, my. I have gotten rather behind, haven’t I.

Books

“A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.”

I delighted in A Tale for the Time Being by Ruth Ozeki, the audio book of which is read by the author herself, who does a wonderful reading. The novel is told from two points of view — Ruth, a writer on a remote island who finds a mysterious packet in a Hello Kitty lunchbox, containing a journal and letters and other items, and Nao, living in Tokyo, whose story is told through the journal itself.

There are so many layers to my love of this novel. The characters and their stories captivated me. Nao, who has faced such levels of bullying at school and sorrow at home, relates her decision to end her life in a straightforward manner. To her it is the only logical solution to what she’s been through (and she’s been through a lot). In her journal, she presents her life with a sense of self-depreciating humor. After all she’s been through, and despite her resolution, there is an underlying strength to her. It’s an interesting balance between depression, sorrow, and enjoyment of small moments.

Ruth is also fascinating to me. Her life is marked by less overt drama, and her story relates more of the small moments, the routines of her life that both provide her with contentment and feel like traps. As she explore’s Nao’s story through the journal and tries to seek a way to help this girl who lives across the sea, she finds certain threads of her own life loosening, creating their own minor havocs.

This novel is also so meta. One could start with the writer character, Ruth, who shares her name with the author of the book, which suggests the potential of the autobiographical slipping in even if none of it actually is such. Even the title A Tale for the Time Being has double meaning — as in both, a tale for a person who lives in time, and also a tale for right now. I don’t want to get too much into the ways this is a meta narrative, since a lot of it comes at the end, but I will say that it had me thinking about the creation of art and degree to which the reader participates in the creation.

I think this is one of those books I’m going to have to reread many times.

Continue reading “Culture Consumption: March and April 2017”