Hi, lovelies. Here’s my month in books, movies, television, games, and podcasts.
In The Octopus Museum, Brenda Shaughnessy envisions a future in which cephalopods have taken over the world. The museum of note is not a museum of cephalopod history, but of human history, a record of our present moment interpreted by strange new rulers. Each poem in this collection if beautifully, richly contextualized, presenting a vibrant capsule of the human experience, like a carefully curated museum exhibit. This is a powerful and stunning collection, one I highly recommend reading.
“And there will be no other way to be, once this way’s gone. The last song on earth, the last jellybean. Last because nobody wanted it, or everybody sang it, till the end.
Once this day in November’s over never another. Each day nothing like the last except that it’s the last and that’s new too.
Each moment broken glasses, a covered mirror, foxed. The waste stays in place. The rest disappears. The unrest, too.”
— From “No Traveler Returns,” The Octopus Museum
The also read Red Velvet, the sixth issue of The Hellbore, which provides a beautiful collection of poetry, art, and a personal essay. A few of my favorite pieces from the issue are highlighted below.
Continue reading “Culture Consumption: March 2021”