A Couple of Poetry Bits

My poem “The Third Sister,” which appears in Twelve: Poems Inspired by the Brothers Grimm Fairy Tale (Interstellar Flight Press), has been nominated for a Rhysling Award by the Science Fiction and Fantasy Poetry Association. It’s such an honor to be included among the ranks of such amazing poets. You can view a complete list of the nominated poems as well as order a copy of the Rhysling anthology containing all of the works here.

I’m also grateful to the editors of Yes, Poetry, who have named me the Poet of the Month and published two of my poems “Little Ghost” and “The Zenith.”

Here’s a brief sample from “Little Ghost”:

Fate is risky, all set-up
and thin chances.

Scales balance.
People die.

The universe
doesn’t invite returns.

New Books in Poetry: Hotel Almighty by Sarah J. Sloat

Sarah J Sloat-Hotel Almighty

A new episode of the New Books in Poetry podcast is up. I had a riveting conversation with Sarah J. Sloat about her new book Hotel Almighty (Sarabande Books).

Visually arresting and utterly one-of-a-kind, Sarah J. Sloat’s Hotel Almighty (Sarabande Books) is a book-length erasure of Misery by Stephen King, a reimagining of the novel’s themes of constraint and possibility in elliptical, enigmatic poems. Here, “joy would crawl over broken glass, if that was the way.” Here, sleep is “a circle whose diameter might be small,” a circle “pitifully small,” a “wrecked and empty hypothetical circle.” Paired with Sloat’s stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche―its foibles, obsessions, and delights. (Description by the publisher.)

“When I was doing [Hotel Almighty] and even now when I work on projects, a lot of what I find I’m doing is just expressing a love of reading and of books themselves,” says Sloat in discussing her new book. “I mean, I just love paper. To take a book and be able to make it into something — that was really fun and exciting for me.”

Here’s a sample of Sloat’s writing and art from the book:

[Darkness prologued darkness...] by Sarah J. Sloat
[Darkness prologued darkness…] by Sarah J. Sloat
You can listen to the interview here or on the podcast app of your choice.

Culture Consumption: March 2021

Hi, lovelies. Here’s my month in books, movies, television, games, and podcasts.

Books

The Octopus Museum by Brenda Shaughnessy

In The Octopus Museum, Brenda Shaughnessy envisions a future in which cephalopods have taken over the world. The museum of note is not a museum of cephalopod history, but of human history, a record of our present moment interpreted by strange new rulers. Each poem in this collection if beautifully, richly contextualized, presenting a vibrant capsule of the human experience, like a carefully curated museum exhibit. This is a powerful and stunning collection, one I highly recommend reading.

“And there will be no other way to be, once this way’s gone. The last song on earth, the last jellybean. Last because nobody wanted it, or everybody sang it, till the end.

Once this day in November’s over never another. Each day nothing like the last except that it’s the last and that’s new too.

Each moment broken glasses, a covered mirror, foxed. The waste stays in place. The rest disappears. The unrest, too.”

— From “No Traveler Returns,” The Octopus Museum

The also read Red Velvet, the sixth issue of The Hellbore, which provides a beautiful collection of poetry, art, and a personal essay. A few of my favorite pieces from the issue are highlighted below.

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Poet Spotlight: Meg Johnson on Illness, Persona, and the Performance of Poetry

Meg Johnson

Meg Johnson is the author of the books Inappropriate Sleepover (The National Poetry Review Press, 2014), The Crimes of Clara Turlington (Vine Leaves Press, 2015), and Without: Body, Name, Country (Vine Leaves Press, 2020). Without: Body, Name, Country was nominated for the 2020 Goodreads Choice Awards. Her writing has appeared in Bust Magazine, Hobart, Ms. Magazine, Nashville Review, Painted Bride Quarterly, Sugar House Review, Verse Daily, and others. 

Without: Body, Name, Country by Meg JohnsonYour latest book of poetry is Without: Body, Name, Country. Tell us a bit about the project and how it came into being. 

Without: Body, Name, Country is my third book. It was published by Vine Leaves Press in 2020. Vine Leaves Press had previously published my second book, The Crimes of Clara Turlington. My first book, Inappropriate Sleepover (The National Poetry Review Press) came out in 2014, and my second book came out in 2015. I had Guillain-Barré syndrome after my second book came out, and it was a long recovery process. I was writing throughout the entire recovery process, but I didn’t stress about writing a certain amount because I was focused on my health. I think because there wasn’t very much time between the first book and the second book coming out, I didn’t feel the need to rush the publication of the third book. I waited longer to submit the third book for publication after finishing it than the first two books. 

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Culture Consumption: February 2021

Hi, lovelies. Here’s my month in books, movies, television, games, and podcasts.

Books

Network Effect-Murderbot diaries by Martha Wells

I bought Network Effect, the latest book in Martha Wells’ Murderbot Diaries, a while back and I’ve been meaning to read it ever since. When I picked it up this month, however, I realized that I really wanted to reconnect with the original novellas that made me fall in love with the character. So, one by one I ordered and reread each book in the series (in ebook format, because I wasn’t willing to wait) — discovering nuances to the characters I hadn’t noticed the first time around and falling in love all over again.

Network Effect is a beautiful, action packed addition, bringing back beloved characters and introducing new ones. Murderbot (aka Sec Unit) is hired on to protect the crew of a research mission. As the group is heading home after a dangerous encounter on another planet, they are suddenly attacked by a strange ship and dragged through a wormhole. Murderbot is once again faced with trying to keep it’s humans safe against insurmountable odds.

One of the things that strikes me about each of these books is the level of humanity that they bring. Though the story features threats from evil corporations and the danger of death, the focus is on a a variety of characters (both human and otherwise) who are flawed and imperfect, but nevertheless care and love each other, offering compassion and understanding for each other’s differences. They’re smart and work together to work through the dangers they all face. It’s the kind of story that gives me hope for humanity and for what we can achieve if we try to really see and understand each other.

Honestly, these books have been providing the same level of comfort as rewatching some of my favorite TV shows. Even after finishing each of the books, I’ve returned multiple times to my favorite scenes.

As I was finishing the book, I was delighted to discover that the sixth book in the series, Fugitive Telemetry, will be out in April. I immediately preordered the book and I can’t wait to read it. (I may or may not do a second reread of each of these books before reading the sixth.)

Continue reading “Culture Consumption: February 2021”