Days pass strangely of late. I move through the rooms of my house in all the normal ways — eat food, watch TV, work, read, or clean — and yet there’s an oddness in every peripheral.
Time passes — quick, quick, slow.
Nothing is normal — and it’s hard to know how to feel when nothing is normal.
Today, I get to announce the wonderful news that Twelve, my chapbook of prose poems based on “The Twelve Dancing Princesses†will be published by Interstellar Flight Press later this year.
I’m delighted — of course I’m delighted. Though some small part of me wonders if, considering everything that’s going on in the world, all the stress and doubt and fear, whether I should be subdued in my excitement, more respectful of those who are struggling right now.
But here’s the thing, I think the world needs good news. It needs victories great and small. It needs celebration in whatever small spades that life can offer.
So, I’m thrilled and excited and overjoyed to announce that I have a chapbook coming out this year. The cover is beautiful with art by Yana Germann and the layout is stunning. In fact, when I first saw the combination of fonts and illustrations combined together with the words I wrote, it was so beautiful I started to cry. It feels like a “real†book. And I’m so grateful for the amazing work that Holly Lyn Walrath and her team has done to make Twelve into the best possible book it can be.
I’m also overjoyed that folks whom I respect in the poetry community have also said lovely things about Twelve.
“Andrea Blythe’s collection of the retold (and often feminist) Brothers Grimm fairytale, ‘The Twelve Dancing Princesses,’ is a breath of air at the bottom of the ocean. It’s not only fresh, but it’s so different and unique that it deserves multiple reads. One of my favorite lines in the book is also something we should all ask ourselves, ‘Do you mean it?’†— Joanna C. Valente, author of Marys of the Sea and editor of A Shadow Map: Writing by Survivors of Sexual Assault
“Hearkening back to when Grimms’ tales were less fairy, more formidable, Andrea Blythe offers a rhythmic, alliterative retelling of traditional stories that reveal a stark imbalance between genders. An engaging and eerie tribute to the young girls and women who read, dance, and keep things clean, Twelve does exactly what her storyteller suggests of her characters: it ‘see[s] the truth beneath the pretty surface.’†— Christina M. Rau, author of the Elgin Award winning Liberating The Astronauts
Twelve will be published on September 7th. Pre-orders for Twelve will open up around June.
For those interested in receiving a digital review copy of Twelve for review, the chapbook is now available at Net Galley.
I have no idea what the world is going to looks like a year from now, a month, a week, tomorrow — but I do know this: I have a collection poetry forthcoming. It’s a collection I’m proud of, and I’m elated to be able to share it with the world.
Do you have any victories to share? Any good news big or small? I would love to hear about it and join you in the celebration.
More Good Stuff
New episodes are up at the New Books in Poetry podcast. Despite a number of technical difficulties, I had a delightful conversation with Octavia Cade about her book, Mary Shelley Makes a Monster (Aqueduct Press, 2019).
My co-host Athena Dixon also released a new episode, in which she speaks with Sarah Adleman about her book The Lampblack Blue of Memory: My Mother Echoes (Tolsun Books, 2019).
People are recreating famous paintings, and its impressive and stunning.
Artist Ellen Jewett creates a Menagerie of Animals Covered in Surreal Landscapes of Flora and Fauna.
Your new collection of poetry is Dressing the Wounds. Tell us about the project and how it came into being.Â