Toward the end of the year, I didn’t seem to have much time for watching movies, but nevertheless there were some fabulous feature and short films that I’ve seen for the first time this year. As with my Top Reads, I’m organizing these based on categories.
Best Drama
Pariah (2011) is the story of a  17-year-old African American girl who hangs out at clubs with her openly lesbian friend Laura. Through the course of the film she begins to figure out her own identity. It’s a beautiful story of young love and family friction/love and the many ways a heart can be broken and healed.
Best Historical Picture
The Academy Award nominated film, Selma (2014), tells the story of Martin Luther King, Jr. and several civil rights activists’ peaceful march from Selma to Montgomery, Alabama in the face of violent opposition. The aim of the March was to achieve fair access to voting access for African Americans. It shows the many layers of effort from multiple groups that enabled this march to happen successfully. The directing, cinematography, and performances throughout the film are fantastic.
Runner-up: Belle (2014) is the story of Dido Elizabeth Belle, the daughter of a slave and Captain John Lindsay, a British career naval officer. As the captain must travel to earn his living, he leaves his daughter as a free woman in the care of his uncle, a high ranking judge of the U.K. courts. This beautiful movie reveals the conflicting nature of her position in which she is both loved by her family and an outcast in society.
Best Science Fiction Movie
A three way tie between The Martian (2015), Star Wars: The Force Awakens (2015), and Ex Machina (2015) — all vastly different films, all great for vastly different reasons.
The Martian, a story about a single astronaut accidentally stranded on the hostile surface of Mars, provides a combination of intense moments with humor. This is combined with beautiful images of the Martian surface, red deserts and plains stretching to the horizon. It’s gorgeous and moving and hilarious and wonderful.
What I loved about Star Wars: The Force Awakens was how it was able to capture that elated joy I felt when I was young, watching A New Hope, The Empire Strikes Back, and The Last Jedi over and over and over again. This new iteration went straight to the heart of what makes Star Wars great with a new cast of young heroes ready to take up the fight.
Ex Machina, meanwhile, is a much quieter movie, centering around only a handful of characters. In it a young engineer is recruited by an genius entrepreneur to perform a Turing test on a humanoid AI robot, named Ava. The movie intelligently explores the nature of humanity and consciousness. Alicia Vikander is amazing as Ava, bringing a subtle alieness to the character, even when she seems to look entirely human.
Best Post-Apocalyptic Movie
Mad Max: Fury Road (2015) is a gorgeously filmed vision of the post-apocalyptic world. Although, lets be honest, it’s pretty much a single long car chase sequence across the wasteland. It’s a spectacular spectacle with beautifully choreographed stunts and action sequences. Mad Max is just as hard core as he’s ever been, and he gets to fight along side some amazingly bad ass women, not only Imperator Furiosa, but all of despot’s escaping wives. It’s one-note, perhaps, but it’s brilliant. The wasteland never looked so good.
Best Horror Movie
A tie between The Devil’s Backbone /El espinazo del diablo (2001) and It Follows (2014).
The Devil’s Backbone, directed by Guillermo del Toro, is set during the Spanish Civil War, during which a 12-year-old Carlos is sent to a boy’s orphanage that is full of secrets. The imagery haunts from the start, with the image of a giant unexploded bomb shown standing in the center of the orphanage courtyard. The movie provides a steady eerie feeling that builds into a surprising conclusion.
It Follows is intensely creepy. The concept of a sexually transmitted monster, which on the surface sounds ridiculous, is handled with brilliant skill. Every bit of lighting combined with camera angles and music builds a growing sense of anxiety about this creature that never stops pursuing its intended target. I loved how the characters used their friendship to positive effect. When the main character’s friends could neither see nor believe in the creature, they didn’t waste their time doubting her. Instead, they recognized that she needed help and did what they could to provide that help. It’s an incredibly well done movie and one that caused me a few anxiety dreams after watching it.
Best Animated Film
Le Gouffre (2015) is a beautiful short film in which two young men face a chasm and find an industrious way to try to cross it. Rendered in CGI animation, a beautiful story of friendship and community evolves in just 10 minutes. You can watch it here.
Best Foreign Film
Wadjda (2012) is the first movie to be entirely filmed in Saudi Arabia and is the first film directed by a female Saudi director. It’s the story of a spunky young girl, named Wadjda, who wants her own a bicycle, even though considered indecent for a girl to ride. In order to get the money for the bike she wants, she joins a competition for learning and reciting the Koran. This movie is charming and the little girl Waad Mohammed who plays the main character is wonderful. I hope to see more work by director Haifaa Al-Mansour in the future.
Runner-up: In Circumstance (2011), filmed in Iran, two young women the strict rules that circle their lives in Tehran, Iran. Along the way, they fall in love with each other. There’s a sense of danger present even as they feel the most free, the impression that they are always being watched and judged. A beautiful and stylish film.
Best Documentary
Okay, so technically I only watched one documentary in 2015, but it was a really good documentary. In The Red Chapel / Kim Jong-Il’s Comedy Club (2009), two Danish Korean comedians, along with their manager, travel to North Korea in order to perform for the country’s National Theater. The aim of the trip is to discreetly reveal the disturbing nature of this totalitarian dictatorship, while also subtly poking fun at the regime during the comedy sketch routine. However, their plan quickly falters as their routine picked apart and replaced by a performance that suites the party line. The documentary has its flaws, but it fascinating in the way it moves from being, at first, unsettling but slightly humorous to being somewhat terrifying.
Honorable Mention: Best Worst Movie
The Barbarians (1987) is awful on so many levels and takes cheesy fantasy to amazing heights. It features beefcake twins with more glossy, well oiled muscles than any one person should rightly have. Together with a scantily clad thief, they track down a magical ruby and defeat and evil band of barbarians. The villain has a unicorn horn strapped to his head. One of the heroes brays like a donkey when he’s excited. The dragon looks like a giant erect penis with a deranged Alf head (I’m not even kidding). The Barbarians is bad. It’s so, so bad. But it’s glorious in how bad it is.
What movies have you watched and loved in 2015?
