Culture Consumption: June 2019

Hi, lovelies. Here’s my month in books, movies, games, and podcasts.

Books

The Strange Case of the Alchemist's Daughter - Theodora GossI loved The Strange Case of the Alchemist’s Daughter by Theodora Goss. The story is about Mary Jekyll, left alone and penniless following her mother’s death. Curious about the secrets of her father’s mysterious past, she discovers that Edward Hyde, her father’s former friend and a murderer, may be still be alive. With the hope of a reward to solve her financial challenges, she pursues what little clues she has — only to discover Diana, Hyde’s daughter instead. As the mystery thickens, Mary learns of more women who have been experimented upon by their fathers — Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein. Together, the women begin to uncover a secret society of scientist attempting to transmute the human body in order to unleash it’s potential.

A lot of novels, short stories, comics, and movies have taken on the task of presenting new versions of classic horror and scifi — this was the kind of retelling I didn’t know I was longing for. Reading the Alchemist’s Daughter was a delight, presenting a litany of clever, intelligent, strong women who find companionship and support in each other through their trials, while stuggling against cultural norms.  The style of storytelling is also witty and fun — with the girls interjecting into the record with their own commentary and arguments. I love all of these women and I can’t wait to read about more of their adventures in the next volume.
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Culture Consumption: May 2019

Hi, lovelies. Here’s my month in books, movies, games, and podcasts.

Books

I’ve read three fantastic collections of poetry in the past month. In Oculus , Sally Wen Mao blends pop culture and technology to question viewpoints — how we reveal ourselves, how we see each other, and the power structures involved in who is telling the story and who doing the viewing. All the poems in this collection are fantastic, but I was particularly enamored with a series of poems written within the perspective of Anna May Wong, the first Chinese American movie star, who time travels her way through the history and future of cinema. Through the eyes of Wong, Mao is able to examine the portrayals of Asian characters in movies, from Bruce Lee to Breakfast at Tiffany’s and Sixteen Candles. I love the way she explores representation throughout this book, which is probably one of my favorite poetry reads thus far in 2019. I had a great conversation with Mao on the New Books in Poetry podcast about her process of writing this book and discussing the ways poetry can reclaim point-of-view and stories.

John Sibley Williams’ As One Fire Consumes Another presents a familiar world full of burnings carried out on both the grand and intimate scale. I love the way the newspaper-like columns of prose poetry in his work provide a social critique of violence in American culture while working within the boundaries of self, family, and the natural world. The book permeates an apocalyptic tension, but what makes it so great is the way in which his poems envision the kind of fires that not only provide destruction but also illuminate a spark of hope.  And I also interviewed Williams about his book, which will be coming out on NBP podcast soon (seems like most of my poetry reading is focused around my podcasting work these days).  

I also read Juliet Cooks new chapbook, Dark Purple Intersections (inside my Black Doll Head Irises), which uses beautiful dark imagery to provide a kind of coming of age narrative for adulthood. The narrator discovers more about herself through the progress of each poem and it’s lovely.

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Culture Consumption: April 2019

Hi, lovelies. Here’s my month in books, movies, games, and podcasts.

Books

The City in the Middle of the Night by Charlie Jane AndersCharlie Jane Anders is now an author whose books I will buy instantly and without hesitation. Her second novel, The City in the Middle of the Night, is about humanity striving to survive on a tidal locked planet, where the same side of the plant is always facing the sun. The humans who have left the mothership have developed ways to exist in the twilight, close enough to the day to garner some warmth without burning, far enough from the night to keep from freezing. In the city of Xiosphant, the people’s lives are strictly regulated according to circadian rhythms — straying from routine or stepping out of the rules even a little bit can result in severe punishment. Sophie, a young student from the dark side of town, discovers this herself when her upper class friend Bianca steals a few food dollars. Sophie takes the blame and finds herself sent to her death in the night, where the temperatures are subzero and the dark landscape is rife with deadly wildlife. But she survives the dark with the help from a surprising and unexpected new friend.

The world building in The City in the Middle of the Night is fascinating, with portrayals of how different people approach the harsh reality of this world with dwindling resources. I imagine a vast amount of research went into understanding the science behind life surviving on a tidal locked planet, from how the atmosphere would work to the weather conditions, to the evolution of life on the world. It’s captivating.

At the heart of this story is the deep intimate relationships between the characters, the love and heartbreak that comes from being emotionally invested in another human. There is a great need to feel connected to another person, a need that is sometimes confounded by an individual’s own misperceptions in how they see the other person and how the other person may see them. Sometimes these issues can be worked through over time, reaching a point in which the relationship can be strengthened and healed despite the betrayals and misunderstandings that came before. Sometimes time reveals all the ways the relationship has been broken from the start, with love feeling more like a chain than a bond. I think this book beautifully explores all the various aspects of these relationships. It’s a strange, beautiful book.

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Culture Consumption: March 2019

Hi, lovelies. Here’s my month in books, movies, games, and podcasts.

Books

It’s been another amazing reading month. I adored Gwendolyn Kiste’s The Rust Maidens, a stunning work of body horror in which young women begin to bodily reflect the decaying undertones of the city in which they live. Their bodies reflect the rust, marred concrete, and broken glass that surrounds them. Check out my full review for a more thorough description and the reasons I love this book.

Speaking of horror, The Devil’s Dreamland: Poetry Inspired by H.H. Holmes by Sara Tantlinger is a profound and chilling collection, which blend fact and supposition to relate the life and times of the man thought to be America’s first serial killer. The poems are visceral with a fascinating narrative arc. I was excited to have been able to recently interview Sara for the New Books in Poetry podcast, which should be available soon.

Children of Blood and Bone by Tomi Adeyemi is a stunning book of YA fantasy. Magic in Orïsha is gone, the maji long dead. Only their children remain, marked as outcasts by their silver hair. After a chance encounter with a rogue princess, Zélie learns that magic might have a chance to come back — if Zélie, her brother, and the princess can survive long enough to conduct an ancient ritual. The world building and setting is rich and fascinating, the characters are multi-layered, complex, and strong, and the story presents a compelling epic quest. I can’t wait to read the second book.

Old Man’s War by John Sclazi is the story of John Perry, who joins the Colonial Defense Force at the age of 75. He signs up, like many people his age, for a chance at a second youth and at seeing the universe beyond Earth. I’m not generally a fan of military SF, but I love the way this story is told. I dig how we as readers get to experience Perry’s growing astonishment as the weirdness he encounters out in the universe just keeps getting weirder — and more deadly. It’s a rollicking good story.

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Culture Consumption: February 2019

Hi, lovelies. Here’s my month in books, movies, television, and games — most of which was heavily inspired by my deep dive into Women in Horror Month.

Books

Fledgling by Octavia E. ButlerOctavia E. Butler’s Fledgeling is the story of a 53-year old black vampire who looks like a 12 year old girl. When the story opens, Shori has no memory of who or what she is — all she knows is that she is wounded, starving, and lost. As she heals, she begins to dig into her past in an attempt to discover who she is and who tried to kill her. This is one of the most fascinating portrayals of vampires that I’ve read, presenting a unique complex culture with found families based on symbiotic relationships between vampires and humans. There are so many layers here work unpacking: genetic manipulation, power structures, interesting family structures with polyamorous love, and racism, among other things. It makes for a fascinating storyline with complicated, interesting characters. One of those books that’ll go onto my favorites list.

Two other books from my Women in Horror reading were also phenomenal: Rolling in the Deep by Mira Grant (a brutal mermaid story discussed here) and Things Withered by Susie Moloney (a stunning collection of short stories discussed over here).

I also read three books of poetry in the past month. all this can be yours by Isobel O’Hare is a powerful collection of erasures from the celebrity sexual assault apologies. The poems are fierce explorations of how the men making these apologies try to evade their own culpability.

The chapbook Never Leave the Foot of an Animal Unskinned by Sara Ryan (Pork Belly Press) delves into the liminal space between living and dead, with this collection of poems about taxidermy. The nature of body is explored down to the bone, with footnotes that provide an expanded philosophical look at the art of preservation.

House of Mystery by Courtney Bates-Hardy draws on the dark undertones of fairy tales, providing a haunting look into the role of women in those stories.

(I have interviews with both Isobel O’Hare and Sara Ryan that I’ll be sharing soon.)

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