Breathing in the Cold, Crisp Air

As we drove along the dark roads under the sheltering shadows of trees, the face of a mountain rose up before us like a monolith, ghostly in the blue moonlight, while the stars sprinkled the noctilucent sky behind. All of us in the car — except the one sleeping — gasped. The night could not hide the grandeur of the mountains that sheltered us in Yosemite valley.

It was the first time to Yosemite National Park for most of us (my mom, my sister, my sister’s friend, and I), and somehow entering the park in the dark, barely being able to see anything other than the mountain aglow was the perfect introduction.

* * *

Visiting Yosemite in the winter is beautiful, but the cold can be exhausting. Our group was in a constant battle against the cold, grasping for every ounce of heat, the heater in our tent barely holding up against the drafts that slipped in through the door and window flaps. It was a good thing we brought our own sleeping bags and an extra assortment of winter gear.

My clothing was mostly California-thin, laughable as winter wear. The cold was a creeping thing, working its way through layers of clothing, to crawl along the skin, slip its way in to settle under the surface, nestle in my bones. I layered pattern upon pattern, not caring about hat conflicting with scarf conflicting with coat, in an attempt to maintain warmth.

Icicles and moss at Yosemite.
Icicles and moss.

* * *

The only time we really got warm was on our hike, our bodies becoming furnaces fighting against the frost and wind as the trail inclined upward, leading us toward rivers and waterfalls and mossy stones and vistas.

Water was everywhere on this trip, sliding over rock faces in grand cascades glittering with a framework of ice or dribbling through cracks, rushing through rivers, leaving slick patches on the trails, nearly invisible and dangerous underneath our feet. It covered everything in during each night, making the whole world glitter.

Yosemite as seen from Tunnel View lookout.
Yosemite as seen from Tunnel View lookout.

* * *

I’ve fallen in love with Yosemite. The place is too beautiful not to return to again and again. I hope I’ll get the chance to return again soon, whether in the frigid cold of winter or the heat of summer.

Half Dome in the setting sun - Yosemite
Half Dome in the setting sun — it almost tricks you into thinking of warmth, doesn’t it?

ANNOUNCEMENTS!

Thank you to the editors of Undead: A Poetry Anthology of Ghouls, Ghosts, and More! I’m looking forward to seeing my poem “Beware of Attics” reprinted within its pages sometime in 2017.

Also, I forgot to mention it before, so I’ll mention it now — latest issue of Nonbinary Review: Anne of Green Gables is now available to read for $1.99.

What I’m Reading

I’m enjoying Ghosts by Raina Telgemeier, a graphic novel about two sisters who move to a coastal town with a local population of specters. The artwork is bright with clean lines and slightly cartoony (as in the characters have large round eyes and exaggerated expressions. Fun, so far.

What I’m Writing

Mostly I’m dealing with end of the year stuff, figuring out just what I accomplished this year and what I need to finish up in order to clean out my files and prep for the new year. This will involve a considerable amount of gathering and editing and arranging, I’m sure.

 

Goals for the Week:

  • Get organized
  • Edit, edit, edit — and submit something

Linky Goodness

“The women in her stories are often constrained – by convention, by their families, by their own fears and subconscious desires. And beneath it all is a sense of powerful, hidden rage – a rage that belies the setting of so much of her fiction. Under the bland surface of these small, suburban communities, something dark is fermenting; something is about to erupt,” writes Joanne Harris on the Shirley Jackson centenary.

Don’t Look Now, But 2016 is Resurrecting Poetry

Have a Creepy Little Christmas with These Unsettling Victorian Cards

Coming Home

For the past several weeks, I’ve been avoiding writing much of anything, either here on my blog or poetry and other projects. I’ve been overwhelmed following the election and also busy spending time with the family over the Thanksgiving holiday weekend followed by jumping on a plane to Germany for a week long work trip.

Life is like that sometimes. But I’m back home and back writing. I will probably have a string of posts wrapping up the year over the next couple of weeks.

In the meantime, here are a few pics from my time in Dusseldorf, Germany last week.

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What I’m Reading

Independent Ed by Edward Burns is a memoir describing the filmmaker’s passion for the process of directing movies and his focus on independent work, as well as some stories from his acting career. Rather interesting and enjoyable with a few useful tidbits of advice here and there.

I’m also working my way through Tim Burton: Essays on the Films, edited by Johnson Cheu. The essays present some fascinating analyses of Burton’s movies. For example, one of the essays examines atypical bodies as presented in Charlie and the Chocolate Factory.

What I’m Writing

I have not been writing much of anything lately — all a part of giving myself time to decompress. I tend to feel two ways whenever I’m not writing. The first is guilty, as I know in order to improve at writing and to develop my career, I need to put words on the page and send them out into the world in one manner or another. The second thing I tend to feel is acceptance, a kind of forgiveness mixed with relief, because I also know that there is no sense in beating myself up when I’m not in a place to deal with words directly.

This whole not-writing thing is going to shift, I’m sure — in part from necessity, as I had a meeting yesterday regarding an upcoming project that could be an amazing amount of fun. As the project is in its initial stages of discussion, I can’t really share what it is yet, but I may be able to do so over the coming months, assuming everything pans out.

I also have some writing assignments that I need to finish up this week.

Goals for the Week:

  • Finishing writing assignments
  • Type up and send out meeting notes regarding mystery project

Linky Goodness

“We are living through a time when dark, violent forces have been released, encouraged, and applified, on both sides of the Atlantic: by Trump in America, the Brexiteers here, Le Pen in France and too many others eager to extend its reach. I contend that in the face of such ugliness we need the beacon of light that is beauty more than ever — and I hold this belief as someone who has not lead a sheltered life, nor is unaware of the true cost of violence on body and soul. It is because of the scars that I carry that I know that beauty, and art, and story, are not luxuries. They are bread. They are water. They sustain us.” — Terry Windling in Dark Beauty.

“The 2016 presidential campaign was decidedly lacking in poetry. Yet in its aftermath, as Americans consider the contours of their new government, they are, often, turning to poems,” writes Megan Garber in Still, Poetry Will Rise.

Star Trek’s Feminist Statement: Believe Women

Some thoughts on recent days

I was going to go into more detail, but the short version is I got a new hair cut and color, went and picked out some pumpkins with the fam, and am now resting because I’m fighting off a potential soar throat.

Went to buy #pumpkins with the fam today.

A post shared by Andrea Blythe (@andreablythe) on

What I’m Reading

I’ve started up Rendezvous with Rama by Arthur C. Clark, which is fun and readable so far. The science is there, but in just enough detail to make the discovery of a giant cylindrical alien starship seem real without stopping up the flow of the story. I’m enjoying it.

Still working on Bird by Bird by Anne Lamott.

What I’m Writing

I am caught up on all my daily poems for THE POEMING 2016. It’s been a challenge to keep up with them everyday with the amount of non-writing to-dos there has been over the past few weeks.

In other news, it’s amazing what can you do under a deadline. When I discovered that the submission period for poetry at Uncanny Magazine was coming to an end in just a few hours last Monday, I rallied into editing mode — because Uncanny is one of my favorite genre publications. In two hours I did a complete rewrite of the poem, “The Ground Beneath Her Feet,” a Rapunzel retelling. I was happy enough with the results that I sent it in right as the deadline was closing. Now to just wait for a response. 

As the month draws to a close I can’t help but think about November and the forthcoming Nanowrimo. Although I don’t think I’m going to sign up for the novel writing challenge, I’m trying to think about what other sort of challenge I might set for myself — particularly a challenge that will help me to get work done and out into the world. Maybe an editing/submission challenge of some sort. I don’t know.

Goals for the Week:

  • Get all my required POEMING found poems written and posted
  • Avoid getting sick

Linky Goodness

As I’ve been trying to get back into running, a pastime that both keeps my body out of pain and clears my head, I found Ryan Holiday’s essay, The Timeless Link Between Writing and Running and Why It Makes for Better Work, rather interesting. He writes, “I run because I love it. Because it’s good exercise. It’s the only exercise I’ve ever really been good at, and I’ve done it essentially non-stop since middle school. But I run for another reason, the same reason that many writers apparently run: it makes me better at my job.” I don’t think you need to be a runner (or walker/hiker/etc.) to be a great writer, but for some of us, it acts as one of the many support struts that aids our work.

Robinson Meyer also wrote a beautiful piece on Hayao Miyazaki and the Art of Being a Woman. She writes,

“I remember watching 1984’s Nausicaä of the Valley of the Wind for the first time. A young woman flies in, early in the film, on her white glider, into a vast forest of beautiful yet toxic plants and takes a sample from one into a beaker. When I hear her voice, something makes me shiver. When she takes off her brown oxygen mask under the protective molted shell of a beetle’s eye, poisonous pollen falling around her like snow, it happens again. I know she’s the girl on the cover of the movie case, yet here she is: alone, exploring, unafraid, androgynous. I’m a tween, and I don’t process my thoughts clearly at the time. But I know, suddenly, that she is different from everything else I’ve watched up to this point. She seems to wear power like a coat. She lingers in my thoughts after the movie is over.”

Something About Something

Between multiple birthdays, a baby shower, going to press at the day job this week, and now starting to feel energetically off (and maybe getting sick) — I’m feeling a bit overwhelmed and a little behind on quite a few things. So…, I am keeping this short.

What I’m Reading

I didn’t actually read anything last week — at least not anything in book form. I temporarily lost my copy of China Miéville’s Perdido Street Station and just didn’t make any progress on Bird by Bird by Anne Lamott.

What I’m Writing

I made it through all my daily poems for THE POEMING 2016 last week, except for Sunday. Now with all that’s been going on and how I feel and everything else, I’m a few days behind. I can and will catch up, of course, but I have to make sure to find space to mentally and physically rest in order to prevent a collapse.

Goals for the Week:

  • REST
  • Get all my required POEMING found poems written and posted.

Linky Goodness

10 Books That Don’t Exist But Should (Unfinished, Lost, Withdrawn, and Otherwise Tempting Us), which includes Stephen King’s  The Plant, my book for THE POEMING project

21 Amazing Science Fiction and Fantasy Books to Add to Your October Reading List

Watch a Book Being Made the Old-Fashioned Way. Slowly, and by hand.

Writing in Chaos

Although I’ve pursued the more solitary act of writing poetry and fiction, I’ve been interested in the process of filmmaking since high school. The collaborative nature of the medium, in which a handful to hundreds of people with their own skill sets, come together to tell a story is fascinating to me. As an entry point into the medium, I’ve tried to write screenplays (both short and feature length) over the years and have even made some awkward attempts at directing with no idea of what I was doing and no understanding of the complexities involved in the process.

Other than the money and (more importantly) time aspects of the filmmaking process, the biggest obstacle for me over the years was trying to figure out how to track down a community of filmmakers to work with. I didn’t even know where to begin. So, I was stoked to discover MMTB – Movie Making Throughout the Bay, which not only provides that sense of community, but also has a “get in there and get movies made” attitude with workshops and challenges that focus on making moviemaking happen.

Over the the weekend, I participated MMTB’s first Writers & Actors Short Film Challenge. Writers showed up at the MMTB headquarters in Rodeo, CA — and interesting jumble of a building with rooms that can be staged in a variety of ways — were given a set of guidelines and four hours to complete up to three scripts. The guidelines were simple enough: keep the story under three minutes, include all three available actors, set the story using one of the rooms in the building, and no special effects. After four hours of writing, we gave feedback and voted on the scripts, and the top three scripts were filmed that night.

I managed to complete one script to my own satisfaction — which was not selected for filming. But I received a lot of positive feedback for my incredibly awkward bathroom scene, which starts out humorous and becomes a story about one of those unexpected moments in which two people connect. I also received some great feedback about how to make the short script better. (Someone said the script made them incredibly uncomfortable because it was set in a bathroom, which made me laugh because uncomfortable was what I was going for.)

In general, I was impressed with the number of quality screenplays that the group was put together and I had a great time sticking around to watch the scripts become films. All of the actors were equally impressive, memorizing their lines on the fly, getting into character, doing a rapid shoot, then switching up for the next one and doing it all over again.

On set at MMTB in Rodeo, CA.

ANNOUNCEMENTS!

I seem to have forgotten entirely about making any announcements in a while, so I’ve got quite a few of them to share. Woo!

First, I’m incredibly honored that the editors of Noxnbinary Review has nominated my essay, Beyond Shahrazad: Feminist Portrayals of Women in The Arabian Nights, for Best of the Net 2016.

Several poems from my forthcoming chapbook, Pantheon, have been published online. You can read three poems — “Harley Quinn,” “Rogue,” and “Ursula,” over at Issue 8 of Yellow Chair Review, and a fourth poem, “Sarah Connor: Our Lady of Self Determination,” within Issue 26 of Literary Orphans.

“The Tenth Sister,” a prose/hybrid poem that is part of a series based on the Twelve Dancing Princesses fair tale, has also just been published in the Write Like You’re Alive 2016 anthology from Zoetic Press, September 2016. The anthology, which I also helped curate, is free and full of tons of great writing.

And last but not least, “Because Her Face Fades,” a poem I cowrote with Laura Madeline Wiseman, was recently published in Faery Magazine #36, Autumn 2016,

What I’m Reading

China Miéville’s Perdido Street Station is amazing but presents slow, slow, slow reading for me. It’s a little too challenging for my overworked brain right now, but I keep pressing on.

Still reading Bird by Bird by Anne Lamott, as well.

What I’m Writing

In addition, to the script challenge I mentioned, I’ve also launched into the THE POEMING 2016, which my first three found poems based on Stephen King’s The Plant up at Tendrils of Leaves and ready for your reading pleasure.

Usually when creating found poems, I work in erasure (like this, for example), in which I take a printed text and blackout words until all that’s left is the poem. It’s a very restrictive way of doing found poetry, as you have to move down the page in such a way that it remains readable, but it also provides the ability to incorporated fun visual elements.

But I’m trying something different with THE POEMING, opening myself up to using any word on the page in any order. But since I’m still drawn to the tactile sensation of writing on paper, I end of creating wild intricate webs of lines and circles words (as pictured below). It’s a fun sort of chaos and somehow I’m still able to decipher it as I work through a page — despite sometimes getting temporarily lost in my own maze.

Goals for the Week:

  • Get all my required POEMING found poems written and posted.

Linky Goodness

“That book you’re writing is mewling again in the dark. It’s a half-formed thing — all unspooled sinew and vein, its mushy head rising up out of the mess of its incomplete body, groaning and gabbling about this life of misery it leads. Its life is shit because you haven’t finished it. It’s flumping along on stump legs, pawing its way through your hard drive, bleating for attention. It needs words. It needs plots. It needs resolution,” says Chuck Wendig in his post, “Here’s How To Finish That Fucking Book, You Monster

And since it’s a King month, here Why Stephen King Spends ‘Months and Even Years’ Writing Opening Sentences.

Also, 40 Jokes That You’ll Only Get If You’re A Grammar Nerd