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Burning Tales

On Saturday, I attended the one year anniversary of the Burning Tale open mic, which was held in what is my new favorite venue, Studio Bongiorno. The studio features a fantastic mix of the beautiful and creep with assemblage art and random doll heads on shelves and a full size coffin in the courtyard.

Studio Bongiorno

The feature poet of the night was Abe Becker, who shared beautiful, raw, and funny words exploring the awkward land mines of human relationships. A number of other amazing readers also took the stage, and I was honored to have been able to read two of the poems from my current 30/30 challenge with a kind response from the audience.

I’ll definitely be returning to Studio Bongiorno for more Burning Tales and other events, as well as just to grab some great coffee.

What I’m Reading

A number of excellent poetry books — mostly a poem here and a poem there, jumping around as I post photos of the books I love. However, I did finish God Went to Beauty School by Cynthia Rylant, about which I posted a very short review.

What I’m Poeming

I’ve slowed down a bit on the 30/30 challenge. Although, I’ve mostly been able to keep up the pace, I fell slightly behind (just a day). The main problem is that the ideas are not as free flowing as they were at the start of the challenge — something I expected to happen. So, now I’m just trying to slam any words down at the wall, a dragging my feet through the sand level of momentum, which is sometimes kind of painful. I’m still going, though, and I intend to finish.

The poems I’ve completed this week (all will be taken down at the end of the month May):

Goal for the Week:

  • Get those poems per day written and posted!

Linky Goodness

Some thoughts about Contemporary Innovators of the Short Story on Electric Literature.

And Gwendolyn Kiste presents my one of new favorite retelling of Snow White in “All the Red Apples Have Withered to Gray.”

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Poetry Review: God Went to Beauty School by Cynthia Rylant

“He got into nails, of course,
because He’d always loved
hands–
hands were some of the best things
He’d ever done”

In Cynthia Rylant’s novel-in-poems, Godgets a job, watches cable, eats dinner alone, marvels at he beauty of the world, sees all the ways life went in directions he didn’t intend it to go, discovers Himself. By grounding himself in the mortal world, He learns loneliness, anger, wonder, and fear. I found myself smiling at each new discover God made about the world he created, as well as each new discovery about Himself. These are accessible poems, beautiful in their simplicity and the way they subtly unveil layers of meaning in their own words and in religion and life. Recommended reading.

“But he finally saw
how pain caused
one of two things:
A reverence for life.
Or killing.
Both grew from the same seed.”

_____________________________________

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Defying Gravity

I took a break from poetry reading, writing, and living on Thursday and wandered up into the city with my mom and sister. We ate a ton of amazing Indian food at Mela Tandoori and watched Wicked in the gorgeous Orpheum theater. The musical was just as powerful and amazing as it was when we saw it six years ago.

Orpheum theater - Wicked
Sis, mom, and I outside the Orpheum theater before seeing Wicked.

My favorite song is “Defying Gravity,” which always has me singing to myself after hearing it as well as wanting to find my own ways to defy gravity. For the moment, I think accomplishing all the poeming that I’m accomplishing this month works for me. For the most part, I feel as though I’m flying through words and it’s wonderful, although I foresee some headwinds in the near future.

What I’m Reading

I’ve shared a number of excellent poetry books this week, but I’m most excited about From the Standard Cyclopedia of Recipes by B.C. Edwards, in which each poem is presented in a psuedo-recipe format.

I’m putting Gateway by Frederik Pohl aside for the moment, probably until I can get through April.

What I’m Poeming

More poetry words on the page for the 30/30 challenge. My initial burst of writing flow has slowed down some. I’m still managing to get at least one poem out per day (pretty much), but I’m also feeling a little worried as I look ahead to the 20 more poems I still need to write this month.

The poems I’ve completed this week (all will be taken down at the end of the month May):

Goal for the Week:

  • Get those poems per day written and posted!

Linky Goodness

White Poets Want Chinese Culture Without Chinese People, writes Timothy Yu in response to Calvin Trillin’s poem ”Have They Run Out of Provinces Yet?”

“I want to feel what I feel. Even if it’s not happiness,” Toni Morrison says in an interview with Emma Brockes, in which she also shares about her life at 81 and her new novel, Home.

“My college professor Brooke Stevens told my class it was not the best writers who succeeded, but the most persistent ones, and I have reminded myself of that advice again and again. What he left out is that in addition to trying really, really hard, you also need the chutzpah to promote yourself and make the right connections. But that becomes challenging, if not impossible, when you’re constantly questioning your value as a writer,” Lindsay Merbaum writes in Not a Real Writer: How Self-Doubt Holds Me Back.

Siobhan Lyons writes about what ‘ruin porn’ tells us about ruins: “Criticisms of ruin porn stem from the suggestion that these photographs are bereft of any sort of socio-economic context regarding their cause and aftermath, and are dismissive of the broader failures of modern economic life.”

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Poet Spotlight: Chella Courington on being “at home with voice and vision”

Chella CouringtonChella Courington grew up in a family of storytellers. Seduced by the written word, she pursued her Ph.D. in literature from the University of South Carolina and her MFA in poetry from New England College. In addition to teaching literature and writing at Santa Barbara City College in California, she writes and publishes poetry and fiction, which has appeared in several books and chapbooks. Here, Chella speaks about her two latest publications, a flash novella and a new collection of poetry.

Tell us a little bit about your recently released novella, The Somewhat Sad Tale of the Pitcher and the Crow.

A life in flashes, it tells of Adele and Tom, a writing couple now in California. Told from both points of view, the novella explores the increasing distance between two artists trying to occupy the same space: one writer’s success is another’s failure.

But finally, the story is Adele’s as she struggles with relationship, self and aging. A woman born in the Appalachian South yet finding home in California, she tries to understand who she is through the past and the present.

The Somewhat Sad Tale of the Pitcher and the Crow by Chella CouringtonYou’ve described The Somewhat Sad Tale of the Pitcher and the Crow as a flash novella. How did flash fiction as a structural form lend itself to the telling of a larger tale

Flash fiction is not naturally a form that lends itself to a longer traditional narrative (one with a mainly linear plot line). But flash fiction does lend itself to a pointillist novel/novella where each flash provides a point, an emotional brushstroke. The combined points, artfully arranged, tell a tale.

The flash novella is a good choice for writers with time constraints because the structure allows for the creation of many individual pieces of art that can be written in bursts of limited time. Each piece is small with a focus on language and imagery, rewarding close attention and revision. The flash novella does not depend on an outline nor require high drama (murder and mayhem).

Continue reading “Poet Spotlight: Chella Courington on being “at home with voice and vision””

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Poet Spotlight: Chella Courington on being "at home with voice and vision"

Chella CouringtonChella Courington grew up in a family of storytellers. Seduced by the written word, she pursued her Ph.D. in literature from the University of South Carolina and her MFA in poetry from New England College. In addition to teaching literature and writing at Santa Barbara City College in California, she writes and publishes poetry and fiction, which has appeared in several books and chapbooks. Here, Chella speaks about her two latest publications, a flash novella and a new collection of poetry.

Tell us a little bit about your recently released novella, The Somewhat Sad Tale of the Pitcher and the Crow.

A life in flashes, it tells of Adele and Tom, a writing couple now in California. Told from both points of view, the novella explores the increasing distance between two artists trying to occupy the same space: one writer’s success is another’s failure.

But finally, the story is Adele’s as she struggles with relationship, self and aging. A woman born in the Appalachian South yet finding home in California, she tries to understand who she is through the past and the present.

The Somewhat Sad Tale of the Pitcher and the Crow by Chella CouringtonYou’ve described The Somewhat Sad Tale of the Pitcher and the Crow as a flash novella. How did flash fiction as a structural form lend itself to the telling of a larger tale

Flash fiction is not naturally a form that lends itself to a longer traditional narrative (one with a mainly linear plot line). But flash fiction does lend itself to a pointillist novel/novella where each flash provides a point, an emotional brushstroke. The combined points, artfully arranged, tell a tale.

The flash novella is a good choice for writers with time constraints because the structure allows for the creation of many individual pieces of art that can be written in bursts of limited time. Each piece is small with a focus on language and imagery, rewarding close attention and revision. The flash novella does not depend on an outline nor require high drama (murder and mayhem).

Continue reading “Poet Spotlight: Chella Courington on being "at home with voice and vision"”