Chella Courington grew up in a family of storytellers. Seduced by the written word, she pursued her Ph.D. in literature from the University of South Carolina and her MFA in poetry from New England College. In addition to teaching literature and writing at Santa Barbara City College in California, she writes and publishes poetry and fiction, which has appeared in several books and chapbooks. Here, Chella speaks about her two latest publications, a flash novella and a new collection of poetry.
A life in flashes, it tells of Adele and Tom, a writing couple now in California. Told from both points of view, the novella explores the increasing distance between two artists trying to occupy the same space: one writer’s success is another’s failure.
But finally, the story is Adele’s as she struggles with relationship, self and aging. A woman born in the Appalachian South yet finding home in California, she tries to understand who she is through the past and the present.
You’ve described The Somewhat Sad Tale of the Pitcher and the Crow as a flash novella. How did flash fiction as a structural form lend itself to the telling of a larger tale
Flash fiction is not naturally a form that lends itself to a longer traditional narrative (one with a mainly linear plot line). But flash fiction does lend itself to a pointillist novel/novella where each flash provides a point, an emotional brushstroke. The combined points, artfully arranged, tell a tale.
The flash novella is a good choice for writers with time constraints because the structure allows for the creation of many individual pieces of art that can be written in bursts of limited time. Each piece is small with a focus on language and imagery, rewarding close attention and revision. The flash novella does not depend on an outline nor require high drama (murder and mayhem).
Kristina Marie Darling is the author of over twenty collections of poetry and hybrid prose. Her writing has been described by literary critics as “haunting,” “mesmerizing,” and “complex.” She has been awarded with a number of fellowships and grants by both U.S. and overseas universities, institutes, and organizations. She is currently working toward both a Ph.D. in English Literature at S.U.N.Y.-Buffalo and an M.F.A. in Poetry at New York University. Here, Kristina shares a bit about her latest collection of poetry, hybrid art forms, and the act of writing as catharsis.
Your most recent book of poetry is Failure Lyric. Tell us a bit about this project and how it came about.
Failure Lyric began as a series of erasures. I took a black marker to my four year correspondence with a male writer, who, out of respect for his work, will remain unnamed. What started out as an act of destruction became generative, since the hybrid prose pieces ultimately grew out of the erasures at the beginning and end of the book. Once I had erased every last email, note, and inscription, I started to write flash essays, which map my heartbreak and all of the unexpected places it brought me to: Saint Louis, Iowa, Burlington, and the now infamous Dallas/Fort Worth airport. So my initial attempts to destroy artifacts of the relationship became a documentary project, charting the crazy orbits that grief set me on.
It’s been an intense week with most of my free time spent desperately finishing off my in-progress essay, which has been taking fare more time than I would have liked. So, it was so lovely to receive three lovely announcements in the midst of all this hard work.
So, here are the bits and baubles.
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I’m thrilled to announce that the editors at NonBinary Reviewfor have nominated my poem “Eve and Pandora” for the Sundress Best of the Net awards. I am so honored, especially because this particular poem has had a long history for me. It was one of the first poem that I completed and felt proud of, as well as one of the first poems that received harsh criticism that made me questions myself as a writer. It took time to trust my original vision of the poem again, which has now been published and nominated. I can’t really describe the full extent of how that makes me feel.
“Eve and Pandora” can be found in the #4 Bulfinch’s Mythology issue of NonBinary Review, which is available for free on the Lithomobilius app (available only on the iPad and iPhone for the moment, but will eventually be made available to other devices).
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In other joyful news, Laura Madeline Wisemen interviewed me for her chapbook series. It was a fun experience and I got to talk about fairy tales and folklore, working from poetry prompts, and the self-published chapbook.
Hello, lovelies! I’m thrilled to introduce my first poet spotlight, Laura Madeline Wiseman. She is author of numerous books and chapbooks of poetry and fiction with a speculative bent. Her work explores myth and folklore, history and pop culture. She has collaborated with artists on projects such as broadsides and calendars and has taught a variety of courses in poetry, creative writing, literature, and women’s and gender studies. Here, Laura shares about her latest collection of poetry and her love of community.