New Books in Poetry: Oculus by Sally Wen Mao

A new episode of the New Books in Poetry podcast is up, in which I get to speak with Sally Wen Mao about her book Oculus (Graywolf Press, 2019).

In Oculus , Sally Wen Mao explores exile not just as a matter of distance and displacement, but as a migration through time and a reckoning with technology. The title poem follows a girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence speaks in the voice of international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them.

“I’ve tried to hard to erase myself.
That iconography—my face
in Technicolor, the manta ray

eyelashes, the nacre and chignon.
I’ll bet four limbs they’d cast me as another
Mongol slave. I will blow a hole

in the airwaves, duck lasers in my dugout.
I’m done kidding them. Today I fly
the hell out in my Chrono-Jet.”

— from “Anna May Wong Fans Her Time Machine”

You can listen to the interview here or on the podcast app of your choice.


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Poet Spotlight: Ashley Miranda on surrealism, pop culture, and navigating trauma

Ashley Miranda is a latinx poet & teacher from Chicago. Most of their work is an exploration of mental health, gender, and trauma. Their poetry collection Thirteen Jars: How Xt’actani Learned to Speak was recently published by Another New Calligraphy. They have a chapbook, dolores in spanish is pain, dolores in lolita is a girl, which focuses on sexual abuse and reclaiming Dolores Haze, published by Glass Poetry. Their work has been previously featured by Yes, Poetry, Rising Phoenix Review, MAKE magazine, and other publications. They tweet impulsive poetry and other musings @dustwhispers and you can learn more about their work at agirlaloof.com.

Tell us a bit about your new chapbook, dolores in spanish is pain, dolores in lolita is a girl.  What is the collection about and how did it come into being?

The collection is primarily focused on navigating sexual childhood trauma and how pop culture compresses and complicates dealing with trauma. It’s partly a critique of pop-cultural reimagining of Lolita/Nymphets/Dolores Haze and an attempt to navigate the gravity of sexual trauma, how it reaches out and resonates, ripples into everything you see.

I first started working on poems without a clear idea of a chapbook about two and a half years ago. At first, I started with responses to Lana del Rey’s Lolita and the shop Dolls Kill, which featured a Lolita-inspired collection, both referencing Nabakov’s Lolita. Despite my love of Lana, I had an inherent issue with the idea of inhabiting Lolita in a positive light. And that’s grown. Commercialization of ‘Nymphets’ is growing – from clothes, to songs, to lipsticks. As someone who has dealt firsthand with that trauma, I felt immensely troubled by how normalized and sexualized young children were becoming through the media they were consuming.

From there, the chapbook realized itself. I wrote about trauma a lot, though I wouldn’t call myself a ‘trauma’ writer. It surfaces in my work because it needs to at times. Because I feel that the aftermath, the triggers, the PTSD, the mental health, the way others and I see the world are important. I wanted to voice that in my poems. I eventually began critiquing the novel Lolita, which is a novel that I have a hate-love relationship with and I have immense empathy for Dolores Haze, who is often an afterthought despite being the epicenter of the sensual representation of a ‘lolita’. Some of my poems are directly in response to lines describing Lolita, some poems are response to rape culture, some a response to strength. Whatever strength that those who have survived such events can capture.

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New Books in Poetry: Mad Quick Hand of the Seashore by Frances Donovan

Mad Quick Hand of the Seashore by Frances Donovan

Athena Dixon shared a new interview with Frances Donovan for the New Books in Poetry podcast! According to Athena,

Grey Held writes of Frances Donovan‘s book, Mad Quick Hand of the Seashore (Reaching Press 2018 ), “there is hunting for love, there is basking in love, there is longing.” This collection offers all of these things. It examines what it is to love romantically, sexually, as a friend, and as a resident of the world. It pulls us down into the micro-moments of our lives and then catapults us out into the universe. In this episode, we touch upon marginalization, hope for inclusion, the writer’s journey, and how we come to the page on our own terms.

Mad Quick Hand of the Seashore was named a finalist in the 2019 Lambda Literary Awards. Her publication credits include The Rumpus, Snapdragon, and SWWIM. An MFA candidate at Lesley University, she is a certified Poet Educator with Mass Poetry and has appeared as a featured reader at numerous venues. She once drove a bulldozer in a GLBT Pride parade while wearing a bustier and combat boots. You can find her climbing hills in Boston and online at www.gardenofwords.com.

You can listen to the interview here or on the podcast app of your choice.

New Books in Poetry: The Devil’s Dreamland by Sara Tantlinger

Sara Tantlinger-The Devil's Dreamland

A new episode of the New Books in Poetry podcast is up, in which I get to speak with Sara Tantlinger about her poetry collection, The Devil’s Dreamland.

In The Devil’s Dreamland: Poetry Inspired by H.H. Holmes (StrangeHouse Books, November 2018), Sara Tantlinger intertwines fact and speculation to examine inner workings of H.H. Holmes, a man who committed ghastly crimes in the late 19th century and who is often credited with being America’s first serial killer. Narratively arranged, these poems offer up an evocative and chilling imagining of life and times of Holmes along with his wives, victims, and accomplices. A profound and fascinating collection for anyone interested in the riveting realm of true crime.

“The building shivers
beneath each curve of my footstep,
my home, my castle
fit for Bluebeard himself,
entwining murder and luxury
like salt and sugar
placed gently on the tongue
where each tiny grain dissolves
in a way blood never will.”

— from “Shades of Wild Plum”

You can listen to the interview here or on the podcast app of your choice.


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New Books in Poetry: all this can be yours by Isobel O’Hare

all this can be yours-Isobel OHare

My latest interview with Isobel O’Hare is up at the New Books in Poetry podcast and ready for listing!

Isobel O’Hare’s all this can be yours (University of Hell Press, 2019) presents a series of erasures crafted from celebrity sexual assault apologies. These poems offer fierce explorations of the truth hidden behind apologies intended to explain away or dilute culpability, rather than accept responsibility. The result is a powerful collection that opens up a wider conversation surrounding sexual assault and the need for change on a systemic level.

I was also excited to learn that the interview has been featured on LitHub!

Here’s a bit from O’Hare during the interview:

Erasure poetry for me started out as a magical, playful, light-hearted exercise to jog the brain, to sort of get me thinking differently. And it also started out as a conversation with someone else’s work, and sort of a reverent one—approaching someone’s work with great respect and the desire to bring something out of it that might be hidden beneath the surface. There are lots of methods of doing that—I’ve used whiteout in past erasures, and I’ve done blackout with Sharpie. I’ve experimented with cutting words out.

The idea is you’re removing something—or you’re not removing something. Jen Bervin had a really interesting term for it . . . something like restitution. It’s a really interesting word for what you’re doing with erasure, which is not necessarily removing something, but bringing something forward. So it’s not always you violently attacking someone else’s work, which it can feel like sometimes, but you’re allowing things to bubble up to the surface that may not have been apparent before.


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