Culture Consumption: August 2022

Hi, lovelies. Here’s my month in books, movies, television, and games.

Books

Maw, written by Jude Ellison S. Doyle with art by A.L. Kaplan and Fabiana MascoloNghi Vo’s Siren Queen is a stunning work of art. Presented as the life story of a Chinese American woman, who rises to become a star in Hollywood — but this is not the Hollywood of this world. Instead it is a kind of fairy realm, one that exacts a sharp (and sometimes deadly) price on those who long for fame, a realm in which it is all to easy to loose yourself and the ones you love.

Vo’s prose is rich and lyrical, evoking a sense of magic, menace, and desire on nearly every page. Phenomenal, powerful, and evocative — this is a book I have fallen in love with. one that I’ll want to read again and again. It’s just that beautiful.

I read two phenomenal comics. The first is Maw, written by Jude Ellison S. Doyle with art by A.L. Kaplan and Fabiana Mascolo. Maw is a story of rage and monstrousness. When Marion joins her sister Wendy at a remote feminist retreat, she begins a strange and horrifying transformation, one that leads to bloodshed and a renewed sense of power.

The fantastic writing and art in this comic reflects the dark nature of the story, both in the present and the characters’ past — and the ending is chilling in the best of ways. I seriously hope they continue the series.

Saga series written by Brian K. Vaughan and illustrated by Fiona StaplesI fell in love with the Saga series from page one. Written by Brian K. Vaughan and illustrated by Fiona Staples features a beautifully illustrated and rich scifi fantasy, in which two people from the opposing sides of a multi-generational war fall in love, have a child together, and attempt to escape the conflict — only to be hunted down as outlaws.

In addition to providing powerful storytelling and some wonderfully weird worlds and societies, one of the many things I love about these books is that this story begins with two people already in love with each other. The conflict in their relationship comes not from getting to know each other, but from the struggles of trying to hold on their love in the face of their desperate circumstances.

I’ve read the first four volumes thus far, and I’m completely invested in all of these characters. I cannot wait to continue with the series.

Continue reading “Culture Consumption: August 2022”

Culture Consumption: July 2022

Hi, lovelies. Here’s my month in books, movies, television, and games.

Books

If you’re not into horror, or specifically slashers, then this book is not for you. Stephen Graham Jones’ My Heart Is a Chainsaw is a love song to slasher films, with its main character Jude being entirely enamored with them. Slasher films, for her, were an escape from her sh*thole of a life, and there is a part of her that longs for a slasher event to occur, so that the people of her community can get their comeuppance.

When a young woman moves to town — beautiful, smart, and charming — Jude thinks that this young woman is the type who would be become a Final Girl. After Jude start seeing a number of signs that a series of killing is soon to occur (according to the rules of the movies she watches), she tries to convince the new girl of her destiny.

Jude is angry and acidic and all sharp edges — and I love her so much, because she is also vulnerable, lonely, and (deep down) caring. Her passion for slasher films swims off the page, as does her underlying desire for companionship. Her journey in this book is brutal and terrifying and somehow, in the end, manages to find a sense of hope. And it’s beautiful.

Odessa by Jonathan Hill is a graphic novel about an apocalyptic future following an earthquake that tore apart most of civilization. The Crane family scratches by through scavenging and other odd tasks, which the barter for their food and needs. When Virginia Crane suddenly receives a letter and gift from her mother (whom the family has long assumed was dead), she begins a journey traveling across the Western U.S. looking for her — along with her two younger brothers. The siblings face violence, but also find support and kindness — and they face the dangers of the world together. It’s a beautiful story with gorgeous two-tone artwork. I’m definitely going to be continuing the series.

Continue reading “Culture Consumption: July 2022”

On Making Two Games at Once and Other Creativities

Game covers. The one on the left reads "Bluebeard: An Interactive Tale" in a red band overtop an old illustration of an intense man handing a woman a set of keys. The one on the right features green and brown pixel art of a creepy cabin in the woods, with the worlds "What Lies Underneath" in the sky above.

Sometimes you need to move at a slow and steady pace towards progress, dipping your toes in the pool and inching in little by little until you’re used to the chilly water — and sometimes you need to just launch yourself off a rock, plunging straight into the center of the lake with the hope that you’ll make it back to shore.

Guess which one I’ve been doing over the last month or so.

I’ve realized for a couple of years now that I wanted to write and build narratives for games. And so, I’ve been learning about the art of game narratives, which is beautifully varied and complex — ranging from heavily scripted games like The Last of Us to completely wordless experiences like Journey, with a vast number of other variants along the outskirts and in between.

While I’ve been exploring game narratives, I have also been toying around with making interactive narratives myself. Or rather, I have been noodling on a single interactive text, a Twine* adaptation of the classic French folk tale, “Bluebeard.” Having written a retelling of the story, in which I explored a number of alternative endings, I figured it would be a relatively straightforward process to add gameplay choices that branch off to each of those endings.

Spoiler: It was not that easy.

After a period of struggling — not only over the process, but also due to the frustrations of trying to maintain a creative life amidst daily obligations — I realized I needed an extra push to help me get to done. Fortunately, I stumbled across The “Finish It” Narrative Game Jam** in May. The focus of the jam was to complete an in-progress narrative game or interactive fiction project between May 12-31. This seemed like a perfect way to push myself toward finishing my current project, and I immediately signed up.

A day or so after signing up for the Finish It Jam, I was told about the Greenlight Jam by a game writing friend. The Greenlight Jam featured a unique format, having multiple deadlines over the course of about a month (May 16th to June 19th), focused on the various stages of game design, from ideation to prototyping, production, and final release of the game. Drawn in by this concept, I had an Ah, what the hell moment and signed up before even considering the fact that the two jams overlapped or the incredible amount of work that would be involved.

And I’m so glad I did.

Continue reading on The Narrative Thread.

Culture Consumption: March & April 2022

Hoo, boy. Time slipped right by me. I was planning to do my Culture Consumption for March on time, but then the next thing I knew it was April. In addition to putting two months together, I’ve done a lot media consumption over the past two months — which means I’ve got a huge stack of things to talk about.

I’ll try to move through it all as quickly as I can. If I have the wherewithal, I’ll try to expand on a few of these later on.

Anyway, here I am at last with all the books books, movies, television, games, and podcasts I enjoyed over the past two months.

Books

The Smallest of Bones by Holly Lyn WalrathLet’s kick things off with a couple of fantastic poetry collections.

First, The Smallest of Bones by Holly Lyn Walwrath uses the skeletal structure of the body as a means of structurally shaping the collection. Each section begins with a poetic description of various bones, from the cranium to the sternum and beyond. The poems that follow beautifully explore love, sexuality, gender, religion, and death, among other  aspects of humanity and the supernatural. It’s a gorgeous collection with crisp, clear, and lyrical language.

This is How the Bone Sings by W Todd KanekoSecond, This is How the Bone Sings by W. Todd Kaneko is a stunning collection of poems focus on Minidoka, a concentration camp for Japanese Americans built in Idaho during World War II. The author blends history with myth and folklore to explore how the scars of the past carry through generations — from grandparents through to their grandchildren. The wounds caused by racism and hate are continue on through memory and story. These poems are evocative and beautiful, providing an important memorial for an aspect of American history that should never be forgotten.

Noor by Nnedi OkoraforDelving into fiction, Nnedi Okorafor’s Noor is the story of Anwuli Okwudili, a woman who prefers to be called AO, who has a number of necessary body augmentations on her arm and legs — a fact that that makes some superstitious people in Africa believe she is evil or wicked. When she is attacked by men in her local community, she fights back with incredible power and flees into the desert. On her journey, she finds new companions, faces off against an powerful corporation, and finds hope filled utopian community finding safety within the winds of a man-made natural disaster. I loved the characters and communities portrayed with Okorafor’s Africanfuturist vision of a future. It’s a great read.

Cosmobiological-Stories by Jilly DreadfulCosmobiological: Stories by Jilly Dreadful is a collection of hopepunk short stories that explore love, relationships, passion, the resilience of the human spirit, and the possibilities of hope through myth, fantasy, and science fiction.”5×5″ (which you can read at LightSpeed) is an epistolary story about two young people who connect with and find strength through each other at an advanced science camp.

Another gorgeous tale is “Even the Simulacrum Heart is a Lonely Hunter,” which is about a woman who has been genetically engineered for increased empathy. In the story, she has to deal with the impact that this increased empathy has on her live and reckons with her relationship with her father. It totally made me cry by the end.

And these are just two of many of the fantastic tales in this collection.

Continue reading “Culture Consumption: March & April 2022”

Culture Consumption: January 2022

Hi, lovelies. Here’s my month in books, movies, television, games, and podcasts.

Books

Little Weirds by Jenny Slate“I realize I want to hear my voice and only mine. Not the voice of my voice within a cacophony of old pains. Just min, now.”

Jenny Slate’s Little Weirds is a strange and beautiful book, one that feels like a blending of poetry and memoir. The series of vignettes in this collection  encapsulate small moments, dreams, or deep emotional experiences, for which Slate layers imagery and sound in a beautiful cacophony of weirdly wonderful passages. It’s one of those rare books in which I found myself drawn to underlining favorite pages, or rereading phrases to taste them over again. It’s a book that came to me at the perfect moment.

“I look up to you because I love the heavenly bodies of the universe, and the way I see it, your heart is a planet.

Your heart is factually a part of the universe, which is a miracle of endless force and boundless beauty.

There is literally no way that you are not a part of that.”

Continue reading “Culture Consumption: January 2022”