2017 in Review

It’s been a rough year — and I know I’m not alone in expressing that sentiment. Putting aside the politics and news stream (which has been a constant barrage of stress and frustration), if I were to sum up 2017 in a single word, it would probably be: overwhelmed. As it turns out, this has also been my usual response these days to the question, “How are you doing?”

The year also presented a great family sorrow, as my grandmother, Florence Schlegel, passed away at the end of November. She had an amazing history — worked as a coat check Girl in NY, serving the likes of Howard Hughes and other celebrities; worked at Lockheed Martin constructing aircraft during WWII; lived on a homestead in Alaska and shot three black bears; served her community in Anchorage in a number of ways; and she was always witty and funny, and all around awesome. We miss her so much.

For all the stress and sadness that the year has yielded, though, it’s also offered up some wonderful experiences — adventures in travel and the writing life, some amazing books, and delightful moments with friends and family.

Below is some of my 2017 journey. If you’re inclined to share, then I would love to hear how your year treated you, as well.

Writing Life

I feel like I’ve done more writing than I’ve done in any previous year, although I don’t really have a way to prove that (and I’m not certain it’s true when I think about the multude of 30 challenges I did in 2016). I haven’t really been keeping track of word counts or other forms of tracking, partly because my work has been across so many diverse projects (poetry, script writing, fiction, etc.).

A part of why I might feel this way is that I’ve been trying to consistently focus on my writing in two ways — first, by getting to work early and using the extra time to write, and second, by using my lunch time to write. These little chunks have been helpful in not only getting words on the page, but also accomplishing the business side of writing, like getting work out on submission.

During the year, I sent out 47 submission packets (with anywhere from one to five poems or short stories — nine more than previous year I received 42 individual rejections and had a total of ten poems and one short story published. Not bad. Nowhere near the 100 rejections I was aiming for, but still not bad.

This does not include the collaborative poetry, submissions, and publications that have occured over the past year. I am so grateful to Laura Madeline Wiseman for being my partner in this work, and an inspiration in general. Together, we have had eight poems published in 2017, and have received an acceptance for our chapbook, Every Girl Becomes the Wolf, to be published by Finishing Line Press.

Blogging

For a couple of years, I have been doing weekly updates noting writing progress, books read, goals for the week, and other tidbits. The idea of these posts was to hold myself accountable for the progress (if any) that I was making, as well as keeping the blog itself active. I started off 2017 continuing these posts, but stopped doing them about halfway through the year when they began to feel more burdensome than helpful. Rather than spending time crafting an obligatory weekly post, I tried to focus on posts with more content to them, like my revisit of The Dark Tower book series.

In total, I shared 45 blog posts, about half the amount of posts from the previous year. I’m okay with the lower number, since it’s more important for me for focus on finishing my existing poetry and fiction projects than sharing things on the blog. However, I would like to share more (hopfully) thoughtful posts in the coming year.

Top Five Blog Posts from 2017 (By Views):

Reading

Normally I share my top reads in a longer, separate post — but I’m starting to run out of spoons to make it through the end of the year, so here’s a truncated version.

My reading stats are they lowest they’ve been in probably a decade. In years past, I’ve averaged about 90-100 books per year, this year I’ve managed 45 (as of this posting), which kind of pains me. The reason for this significant drop in my reading rate is because of how I refocused my time at work (taking up my lunch to write instead of read) and the introduction of Netflix into my home life (and the subsequence TV binge-watching that that implies). That said, I’ve managed to read a number of books that have delighted me this year, which I present below.

top ten fiction books read in 2017

Top Ten Fiction Books (with series books counted as one)

  • The Obelisk Gate & The Stone Sky (Broken Earth Book #3) by N. K. Jemisin
  • Binti & Binti: Home by Nnedi Okorafor
  • Tender: Stories by Sofia Samatar (my thoughts)
  • Certain Dark Things by Silvia Moreno-Garcia
  • Things We Lost in the Fire by Mariana Enriquez (my thoughts)
  • Bone Gap (audio book) by Laura Ruby
  • A Tale for the Time Being (audio book) by Ruth Ozeki
  • We Have Always Lived in the Castle (audio book) by Shirley Jackson
  • The Bloody Chamber and Other Stories by Angela Carter
  • Tipping the Velvet by Sarah Waters

to poetry collections read in 2017

Favorite Poetry Collections

  • Let it Die Hungry by Caits Meissner
  • Your Hand Has Fixed the Firmament by Kolleen Carney (poet spotlight)
  • Shopping After the Apocalypse by Jessie Carty (poet spotlight)

Favorite Graphic Novel

  • Through the Woods by Emily Carroll

Running

It’s been an interesting year for running. On the one hand, all totalled up, I ran 73.63 miles over the course of year — which sounds like quite a bit. But most of those miles were in the first half of the year with March being the highest month at 17.58 miles. All of this is reflective of how my motivation regarding running shifted throughout the year (with an impact on my body health).

One of the highlights of my running practice this year was attending the She is Beautiful Run in March (despite being incredibly hungover at the time). My sisters came along and we took part in the joys of this event. I’m looking forward to finding more events like this next year.

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Travel

The day job certainly kept me busy in travel and sent me on some great adventures, including some good times in Nashville, Tennessee and most notably a two week trip to Dubai and Singapore, during which I fit in a short hopover to Kuala Lumpur, Malaysia. I loved the cultural experiences of that trip, although the heat and humidity was so intense that I was soon happy to head home to more moderate weather.

And just for funsies, my sister and I put together a two week trip to South America, squeezing in a few days in Peru (including Machu Picchu), Chile, and Argentina. Since our time was so short, we only saw a fraction of these countries, each of which I would like to take far more time to explore.


Well, that’s my year in a snap shot. How was your 2017?

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On the Art of Making a Living as a Writer

“I feel strongly that we’re only hurting ourselves as writers by being so secretive about money. There’s no other job in the world where you get your master’s degree in that field and you’re like, Well, I might make zero or I might make $5 million! We don’t have any standards in that way, and we probably never will. There will always be such a wide range of what writers are paid, but at least we could give each other information.” Cherryl Strayed in conversation with Manjula Martin, published in Scratch

Scratch: Writers, Money, and the Art of Making a LivingScratch: Writers, Money, and the Art of Making a Living, edited by Manjula Martin (founder of now-closed Scratch Magazine), presents a mix of interviews and essays on the act of trying (sometimes succeeding) to make money as a writer. These perspectives come from writers of varying backgrounds, from novelists and poets to news and creative nonfiction writers, to filmmakers. A number of writers I’m fond of are included in this book — such as Austin Kleon, Malinda Lo, Roxane Gay, and Daniel José Older — as well as many writers whose work is new to me.

Readers of Scratch will not find a step-by-step guide on how to “make it” as a writer. This collection of essays never reaches a consensus, except perhaps to say that the pathways to making a living as a writer are multitudinous and have not all been discovered yet. Lacking any one clear answer, the reader instead of directives, the reader is given personal journeys (sometimes deeply so). It’s not a matter of “this is how you should do it,” but rather “this is how I am doing it”.

Continue reading “On the Art of Making a Living as a Writer”

Looking Back on 2016

Just about all the 2016 in review posts I’ve read so far have begun the same way: 2016 sucked, but there were some good things, too. I feel everyone on that sentiment.

If I look back — past the overwhelming days, past the stress — there have been some great moments, a few of which, I’m happy to share here.

The Publishing Game

I sent out a total of 32 submissions in 2016 — including poetry, fiction, and chapbooks — with a total of six acceptances, one finalist placement for a chapbook, 20 rejections, and five still under consideration.

My first collection of poetry, a chapbook titled Pantheon, was accepted for publication this year by ELJ Publications and is scheduled to come out in August 2017. I couldn’t be more excited. The cover art is currently being developed and I’m sure there will be other developments as we get closer to the publication date.

Red Sky, an anthology on the global epidemic of violence against women from Sable BooksSeveral of my solo and collaborative poems cowritten with Laura Madeline Wiseman have appeared in or are forthcoming  in several anthologies, including: The World Retold (The Writers’ Guild of Iowa State University, March 2016); Red Sky, an anthology on the global epidemic of violence against women (Sable Books, September 2016); Write Like You’re Alive 2016 (Zoetic Press, September 2016); and Undead: A Poetry Anthology of Ghouls, Ghosts, and More! (Apex, forthcoming in 2017).

Slink Chunk Press published “The Shadows Flight,” a flash fiction piece. It’s the first piece of fiction that I’ve ever published and I’m grateful to the editors for sharing it with the world.

What I Wrote in 2016

I left the novel on the sideline last year, focussing instead on smaller work like poems and short stories — trying to get drafts completed and edited and sent out into the world. Although I felt a bit lacking in productivity toward the end of 2016, I have to admit that it’s been a fairly productive year. I’m pretty sure I came close to doubling the number of submissions I sent out, which means an increased amount of words were written to enable that.

The bulk of my writing was completed while participating in three writing challenges — for ELJ Write Now, I wrote 30 poems in the 30 days of April as a series of Our Lady poems praising pop culture characters, which became the basis for the soon-to-be-published Pantheon; Zoetic Press’ Write Like Your Alive challenge in the month of July drove me to complete another 23 poem drafts (of varying quality); and finally, The POEMING 2016 in October was a found poetry challenge in which poets were each assigned one novel by Stephen King and were required to create one found or erasure poem per day for all 31 days. I usually sign myself up for a month-long challenge at some point every year for the past few years and rarely complete them. So, I surprised myself by signing up for not just one challenge, but three and completing each one.

I also participated in a Short Film Scriptwriting Challenge through MMtB. Although my script was not one of the ones selected to be produced that night, it was an great experience that provided me with some contacts of people working on indy films in the Bay Area and reminded me how much I want to work on films.

More writing and editing and writing and editing happened throughout 2016, I’m sure, although I can’t remember it at the moment. Nevertheless, I feel confident about the work I’ve done and am feeling good as I move in to 2017, ready to accomplish even more. Maybe even move back toward working on the novel again.

I’ll put together another post on my writing goals for the year in a later post.

Travel in 2016

Most of my travel has been within the U.S. on a variety of work trips. Nashville was a delight — I loved the music and the history and food (oh, my goodness the food). I also ended up in parts of Ohio, Kentucky, and Alabama for a day or two at a time.

Closer to home was a weekend in Yosemite National Park. It was frigidly cold and so, so beautiful, worth every shiver and layer of shirt, sweater, sweater, coat, scarf, gloves, and hat that I had to put on.

Yosemite as seen from Tunnel View lookout.
Yosemite as seen from Tunnel View lookout.

I also made it out of Dusseldorf, Germany for a week (also for work). It’s a trip I’ve made several times before, made delightful by the fact that my brother joined me. We walked through the Christmas Market, tasted spiced wine, and rode the ferris wheel. So much fun.

Running in 2016

I’ve been continually trying to progress in my running — although like most of my goals, it sort of dropped off toward the last few months of 2016. I haven’t accomplished my goal of running a Half Marathon yet, but I did run the She is Beautiful 10K again, which is always a delight.  Nevertheless, I have made progress  — because despite skipping running for weeks at a time sometime, I can come back and get back into the groove fairly quickly. Apparently, I’ve been consistent enough for my muscles to remember, so that I don’t feel as though I’m starting from scratch each time I restart.

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How was 2016 for you? I’d love to hear about some of your good things.

Home again from Tennessee

Nashville, Tennessee is a pretty cool town. Beyond the neon lights of the entertainment strip, where every bar has live music pouring out country and rock tunes, there are plenty of sights of explore and some fabulous places to eat (my mother and I visited Biscuit Love twice, because the Bonuts, OMG, they are so good). Despite my falling ill halfway through the week, my mom and I managed to have a great time, hanging out in the city and exploring the countryside. A little longer write up on the trip will come in the next day or two, because I have thoughts. But for now…

What I’m Reading

I’m doing a reread of Bloodchild and Other Stories by Octavia E. Butler, as she will be the Honorary Ghost at FOGcon 2016. I’m relearning all over again how amazing she is at telling complex and interesting short stories. If you want a short form introduction to Butler’s writing, this is a great way to go. Several of these stories — “Bloodchild,” “Speech Sounds,” and “The Evening and the Morning and the Night” — were nominated for awards, such as the Hugo and Nebula.

What I’m Writing

In the week prior to my Tennessee trip, I hunkered down and finished a new draft of a my short story, “A Dream of This Life,” which is about dream selling and addiction. Response to the story has been good so far, although it still needs some tweaking. For the moment, however, I’m just going to let it sit for a little while so that I can come back to it fresh.

I also pulled together a set of poems and got them sent off.

Goal for the Week:

  • Finish one story and/or one poem draft.
  • Submit something.

Linky Goodness

Allie Marini writes on the Fallacy of the ‘Serious Writer’ in her an ongoing series of essays on reading fees over at Rhizomatic Ideas.

Kelli Russell Agodon on how women writers can become more successful: Submit Like A Man.

“As literary writers, when writing about our individual traumas, we’re still called upon to use the elements of our craft in a way that strives to move beyond the individual story, and instead, capture something universal, or offer something educational,” writes Kelly Sundberg in her essay, Can Confessional Writing be Literary?

My inner critic is harassing me

What I’m Reading

I’m still reading Burn Baby Burn by Meg Medina. The story is focused on the coming of age journey of the main character, dealing with a mess up family, deciding what to do with yourself after high school, and falling in love. But it’s also marked with the constant fear of being made the target of a serial killer (Son of Sam).

What I’m Writing

Words and I did not get along so well last week.

This is in part because the day job has not eased up on me as much as I expected it, too. I will pass this hurdle soon enough, I hope. Oh, how I hope.

This is also because I’ve been trying to write more thorough book reviews for “professional” publication on various websites. When I’m writing reviews for my blog, then the process is no problemo. But as soon as I decide to write a review for submission, my inner critic clamps down and strangles the words out of me. The process of working through the block has been causing me to fall behind on both my writing AND my reading, which it so, so frustrating.

I’ve been trying to think about the book review process differently by imagining the book reviews as being only for myself or my blog in order to shake the inner critic off. Sometimes this works, sometimes it doesn’t. Sometimes I just give up and post it on my blog, like I did with The Ballad of Black Tom, just to get it done and posted.

However, despite all these frustrations, I managed to send out several submissions of poetry, so at least I felt productive in some way.

Accepted! Yellow Chair Review has accepted my poem, “A Letter from Eve to Barbie,” for their forthcoming Issue #6!

Goal for the Week:

  • Finish one story and/or one poem draft.
  • Submit something.

Linky Goodness

“In “Formation,” black women’s bodies are literally choreographed into lines and borders that permit them to physically be both inside and outside of a multitude of vantage points. And what that choreography reveals is the embodiment of a particular kind of 21st Century black feminist freedom in the United States of America; one that is ambitious, spiritual, decisive, sexual, capitalist, loving and communal,” writes Naila Keleta-Mae in her piece GET WHAT’S MINE: “FORMATION” CHANGES THE WAY WE LISTEN TO BEYONCE FOREVER.

Ursula Le Guin Gives Insightful Writing Advice in Her Free Online Workshop.

It’s Women in Horror Month, and Carina Bissett presents some excellent examples of women writing the weird.