Book Review: Burn Baby Burn by Meg Medina

New York is a terrifying place in the summer of 1977  with incidents of arson, a massive blackout, and a serial killer known as Son of Sam shooting young women. As if this is not enough, seventeen-year-old Nora Lopez also has to deal with her out of control brother, her mom who may loose her job at any moment, and a landlord who continues to hassle them about the rent. With all this going on, its seems almost too much to have to deal with falling for the hot guy who started working at the grocery store, as well.

The heat and anxiety of living in 1977 New York comes through clearly in Burn Baby Burn. I could practically feel the heat baking through the cement and the growing tension surrounding the ongoing murders created a constant underlying anxiety, which must have been present for so many people at the time.

But for all the dangers out on the streets, the biggest dangers in Burn Baby Burn are the ones that are closest to home. Nora’s situation at home is clearly abusive, but it can take a lot of break out of the secrecy and suffering and shame that such a situation creates. Medina does an excellent job balancing the frustrations and fears of being a teenager in a hostile world, while also imbuing the story with a sense of young joy and hope. Nora has a lot to deal with, but all of her problems are real relatable problems and there is little to no angst for angst sake. She’s a believable character, one I could easily relate to and sympathize with. Nora’s relationships wither her family and friends are well handled, each with their own layers of complexity.

My inner critic is harassing me

What I’m Reading

I’m still reading Burn Baby Burn by Meg Medina. The story is focused on the coming of age journey of the main character, dealing with a mess up family, deciding what to do with yourself after high school, and falling in love. But it’s also marked with the constant fear of being made the target of a serial killer (Son of Sam).

What I’m Writing

Words and I did not get along so well last week.

This is in part because the day job has not eased up on me as much as I expected it, too. I will pass this hurdle soon enough, I hope. Oh, how I hope.

This is also because I’ve been trying to write more thorough book reviews for “professional” publication on various websites. When I’m writing reviews for my blog, then the process is no problemo. But as soon as I decide to write a review for submission, my inner critic clamps down and strangles the words out of me. The process of working through the block has been causing me to fall behind on both my writing AND my reading, which it so, so frustrating.

I’ve been trying to think about the book review process differently by imagining the book reviews as being only for myself or my blog in order to shake the inner critic off. Sometimes this works, sometimes it doesn’t. Sometimes I just give up and post it on my blog, like I did with The Ballad of Black Tom, just to get it done and posted.

However, despite all these frustrations, I managed to send out several submissions of poetry, so at least I felt productive in some way.

Accepted! Yellow Chair Review has accepted my poem, “A Letter from Eve to Barbie,” for their forthcoming Issue #6!

Goal for the Week:

  • Finish one story and/or one poem draft.
  • Submit something.

Linky Goodness

“In “Formation,” black women’s bodies are literally choreographed into lines and borders that permit them to physically be both inside and outside of a multitude of vantage points. And what that choreography reveals is the embodiment of a particular kind of 21st Century black feminist freedom in the United States of America; one that is ambitious, spiritual, decisive, sexual, capitalist, loving and communal,” writes Naila Keleta-Mae in her piece GET WHAT’S MINE: “FORMATION” CHANGES THE WAY WE LISTEN TO BEYONCE FOREVER.

Ursula Le Guin Gives Insightful Writing Advice in Her Free Online Workshop.

It’s Women in Horror Month, and Carina Bissett presents some excellent examples of women writing the weird.

Book Review: The Ballad of Black Tom by Victor LaValle

The Ballad of Black Tom is a fitting tribute to H.P. Lovecraft. It’s a novella that draws up the doom-ridden horror of the elder gods, while also addressing the unsettling prejudice of Lovecraft’s writing. “I grew up worshipping the guy so this issue felt quite personal to me,” explained Victor LaValle. “I wanted to write a story set in the Lovecraftian universe that didn’t gloss over the uglier implications of his worldview.”

The story centers around Tommy Tester, a young black man in 1920s Harlem. In order to avoid the hard life his father led as a laborer, Tommy turns to hustling in order to make his living. He has learned to disguise himself, donning a suit, a guitar case, and a shuffling step to mask himself against the watchful eyes white folks and the cops, who might see him as threatening otherwise. He knows how to put on a bit of theater and draw in a certain subset of clientele. But after he delivers an occult tome (with a page conveniently missing) to a reclusive sorceress in Queens, he earns her wrath, which brings destruction down on him and leads him into awakening powers best left sleeping.

Racism serves as an ever present backdrop, a constant shadow laid across the vivid descriptions of Harlem and other regions of New York that make their appearance. This racism takes several forms, both subtle and overt, from the cops who hassle him and steal his money to the patronizing rich white man who promises “salvation” for the downtrodden. Some of these moments are eerily familiar to current events. This is an intricate part of what makes this story so horrifying. If the world is so hateful, then how can ancient, powerful, and indifferent beings be any worse? Thus, Tom’s descent into darkness is frightening, blood soaked, and to a certain extent understandable.

The Ballad of Black Tom is fast read and a brilliant horror story.

Book Review: The Arrival by Shaun Tan

In a dark city, overshadowed by darkness, a man embraces his wife and daughter and then boards a steamship for another country, where he hopes to create a new life for his family. After going through a long process of immigration, he finds himself in a city he finds himself is bright and beautiful and strange.

Although he doesn’t understand the local language, he fumbles his way into a room for rent and then seeks employment. Along his journey into shaping a new life for himself and his family, he meets other people from other countries who have migrated to this city as well. Each has their own stories, their own reasons for leaving home and making a new life for themselves.

One of the amazing things about this book is how it tells a moving, heartfelt story entirely in images. There are no words, just gorgeous art. The art is softly penciled and sepia toned. It manages to be both realistic and fantastical at the same time, elaborately bringing to life a strange world that also feels familiar.

A beautiful book.

Art from The Arrival by Shaun Tan

Season of the Crow

Last Friday, I witnessed a bit of magic in the form of poetry and music at the Octopus Literary Salon (which is fast becoming a favorite place of mine). Hosted Richard Loranger, the Crow Show featured an amazing array of diverse voices, including musical guest the Lake Lady Ukulele Project and poets Corrina Bain, Kelly Klein, Brennan DeFrisco, Tureeda Mikell, Annelyse Gelman, and Laura Jew. I took photos throughout the night, but they were on my phone and turned out horrible.)

It was a tough week last week and I almost opted out of the event. But I was able to rally my energy when Friday rolled around, and I was so grateful to have been able to be present that night. Some moments are perfect at the time in which they occur, something about the combined energy of the people in a room and the energy of the performers — which is difficult to describe to anyone else after the fact. All I can say is that it was a wonderful night and I highly recommend tracking down the work of each of these performers, if you can.

What I’m Reading

I’m still loving the short story collection Get in Trouble by Kelly Link. The most recent story I read, “The Lesson,” was a heartbreaking and beautiful tale about a gay married couple anxious about the health of the surrogate mother bearing their child. It’s also about a wedding, a strange tropical island, and wish making. It’s gorgeous.

What I’m Writing

Somehow I started working on a brand new story draft last week, rather than trying finish the almost-done story I meant to work on. Apparently I’m distractible. Although jumping into new and shiny things instead of finishing existing things has been a habit I’ve been trying to avoid. However, the new (-ish, because I had previously tossed out an old draft) story is geared toward a specific market with a specific deadline, so all will be hunky dory if I can stick to that deadline.

Meanwhile, the day job is somewhat overwhelming this week, leaving me little mental capacity to handle the two book reviews and two short stories I really should be working on. I’m trying not to beat myself up, if I find myself exhausted at the end of the day.

So, this week, I’m going to give myself a break on all that, with a gentle nudge to try to get some work done, but it’s okay if I don’t.

Goal for the Week:

  • Survive.

Linky Goodness

Daniel José Older with 12 Fundamentals Of Writing “The Other” (And The Self).

A loving tribute to Tori Amos’ Boys for Pele presented by Gina Abelkop.

Frida Kahlo on How Love Amplifies Beauty: I love Diego so much I cannot be an objective speculator of him or his life… I cannot speak of Diego as my husband because that term, when applied to him, is an absurdity. He never has been, nor will he ever be, anybody’s husband. I also cannot speak of him as my lover because to me, he transcends by far the domain of sex. And if I attempt to speak of him purely, as a soul, I shall only end up by painting my own emotions.

“I love it when you post pictures of yourself… They give me a little window into your life,” writes The Bell Jar in her post on selfies.