What I’m Reading
I’m still reading Burn Baby Burn by Meg Medina. The story is focused on the coming of age journey of the main character, dealing with a mess up family, deciding what to do with yourself after high school, and falling in love. But it’s also marked with the constant fear of being made the target of a serial killer (Son of Sam).
What I’m Writing
Words and I did not get along so well last week.
This is in part because the day job has not eased up on me as much as I expected it, too. I will pass this hurdle soon enough, I hope. Oh, how I hope.
This is also because I’ve been trying to write more thorough book reviews for “professional” publication on various websites. When I’m writing reviews for my blog, then the process is no problemo. But as soon as I decide to write a review for submission, my inner critic clamps down and strangles the words out of me. The process of working through the block has been causing me to fall behind on both my writing AND my reading, which it so, so frustrating.
I’ve been trying to think about the book review process differently by imagining the book reviews as being only for myself or my blog in order to shake the inner critic off. Sometimes this works, sometimes it doesn’t. Sometimes I just give up and post it on my blog, like I did with The Ballad of Black Tom, just to get it done and posted.
However, despite all these frustrations, I managed to send out several submissions of poetry, so at least I felt productive in some way.
Accepted! Yellow Chair Review has accepted my poem, “A Letter from Eve to Barbie,” for their forthcoming Issue #6!
Goal for the Week:
- Finish one story and/or one poem draft.
- Submit something.
“In “Formation,” black women’s bodies are literally choreographed into lines and borders that permit them to physically be both inside and outside of a multitude of vantage points. And what that choreography reveals is the embodiment of a particular kind of 21st Century black feminist freedom in the United States of America; one that is ambitious, spiritual, decisive, sexual, capitalist, loving and communal,” writes Naila Keleta-Mae in her piece GET WHAT’S MINE: “FORMATION” CHANGES THE WAY WE LISTEN TO BEYONCE FOREVER.
Ursula Le Guin Gives Insightful Writing Advice in Her Free Online Workshop.
It’s Women in Horror Month, and Carina Bissett presents some excellent examples of women writing the weird.