Danielle Cain (a “queer punk rock traveller”) is looking for answers regarding her friend’s death, which leads her to Freedom, Iowa — a squatter town that professes to be a utopia. However, something’s wrong in down, and it’s not just the heartless animal life wandering around as though they aren’t really dead. I freaking love The Lamb Will Slaughter the Lion — which I grabbed off the shelf because of its amazing title and strange eerie cover. It’s strange and surprising, while offering a variety of interesting, believable characters. I just sort of clutched it to my chest when it was over, wanting so much more of these people and this world.
Another great read over the course of the month was Nalo Hopkinson’s collection of stories, Falling in Love with Hominids. fantastic collection of stories from Hopkinson, showing the depth and range in her skill as a writer. The stories in this collection are strange, beautiful, and often unsettling. The opening story, “The Easthound,” begins with kids playing word games against an apocalyptic backdrop (a sweetspot for me). Beginning with this playful banter, the story grows more and more tense as we learn what the source of the apocalypse is. Meanwhile, “Emily Breakfast,” presents a lovely domestic normalcy, involving picking homegrown spinach, tending to the chickens — although it’s a normalcy that includes cats with wings and other animal deviations. “Blushing” is a completely terrifying Bluebeard retelling. And there are many more tales in this collection that are equally worth exploring.
As I already mentioned, I adored Freshwater by Akwaeke Emezi, which is a stunning book of gods and bodies and fractured minds. The writing is stunning, and I highly recommend picking up this book. I’m planning to read everything I can from this author from here on out.
Another great read was Binti: The Night Masquerade by Nnedi Okorafor. This is a powerful conclusion to the trilogy, which had me crying in front of strangers on several occasions. The trilogy has been imaginative and moving from start to finish. I love Binti as a character in every way and she grows more and more strong and interesting with each book. I’m sad that the series has ended, because I could always read more Binti.
I also did a reread of Stephen King’s Wizard and Glass, the fourth book in The Dark Tower series — which I already wrote over 2,000 words on, but I’ll just say that it was fun to return to the story of Roland’s youth and I’m excited to pick up the next book in the series (new territory for me).
Planning to hopefully be more on top of sharing these in a timely manner this year (haha). So, here’s my month in books, movies, and television.
I did not finish reading a single book in the month of January — although I’m almost done with Wizard and Glass, the fourth book in Stephen King’s Dark Tower series. It’s a been a fun reread of this rather long book and I’m looking forward to putting together my thoughts on it (and returning the book to the library, because it’s quite a bit overdue at this point.
The other book I’ve been working on is Falling in Love with Hominids, a short story collection by Nalo Hopkinson. I love her work and am enjoying the stories I’ve read so far.
I also have several poetry books that I’m in the middle of, books in which I’ve read a poem here and a poem there, but haven’t read through completely.
Books Finished Last Month: 0
Total Books for the Year: 0
Still in Progress at the End of the Month: Wizard and Glass by Stephen King and Falling in Love with Hominids by Nalo Hopkinson
Guillermo del Toro is my favorite director and The Shape of Water is a gorgeous addition to his filmography — a stunning and strange dark fairytale about a mute women who falls in love with a creature from the deep, who has been captured by a government organization for testing. Del Toro and his team have the ability to conceive such beautiful monstrous creatures for the screen, the design stunning, the personality showing through. I loved this movie. However, I want to point to “I Belong Where the People Are,” an essay by Elsa Sjunneson-Henry, in which she examines how the movie portrays disability. It’s a beautiful, well thought out essay on an important subject.
Hi, all. Hope you’ve had a good November. Here’s my month in books, movies, and television.
Tipping the Velvet presents the life and times of Nancy Astly, an oyster girl, who falls in love with male impersonator Kitty Butler. After forming a friendship with Kitty, she follows her into the theaters of London, where she works as a dresser (helping Kitty with costumes) before becoming a performer herself. This beautifully told story is a sensual exploration of love and the ability of gender roles. Waters is a master of historical fiction and I loved this almost as much as I loved Fingersmith.
Fell a whole month behind and still moving slow, but here we go — presenting my last two months in books, movies, and television.
The Stone Sky is a powerful conclusion to N.K. Jemisin’s Broken Earth trilogy. Essun has grown into immense power and is determined to end the seasons (times in which the world tears itself apart), while her daughter, Nassun, with her own power and burdened by the memories of cruelty enacted on her and other orogenes, sets out to destroy the world for good. The character walk through an apocalyptic landscape of ash and cold, a world coming undone, each marching to their own destiny — and in the end a beautiful conclusion full of heartbreak, forgiveness, and ultimately love. The Broken Earth trilogy is brilliant from start to finish — one of my favorite reading experiences in recent years.
The Bloody Chamber and Other Stories by Angela Carter is a well loved collection, especially the title story “The Bloody Chamber.” People have been telling me about it for years — and now that I’ve read it, I totally understand why so many people love it. The story follows the Bluebeard fairy tale closely: a girl marries a rich man, who gives her the keys to the house telling her that she can open all the doors but one — a test she fails to nearly disastrous results. Carter takes the myth and brings it into the modern world (1970s, when it was first published) and provides more depth to the main character, giving her a history and motivation for the choices she makes. It presents servants that have personalities and her mother, who has fought in revolutions and can advice her over the telephone. The resulting story is at the same time grittily real and subtly magical.
One of my pet peeves about fairy tale retellings is that they often loose the magic when they are modernized. But all of the stories in Carter’s collection present similarly gritty and unsettling takes on old fairy tales, while not loosing that original weirdness and magic. It’s a fantastic collection.