Hi, lovelies. Here’s my month in books, movies, and television.
Books
In Nothing But the Rain by Naomi Salman, a small town is isolated from the rest of the world after it’s discovered that coming into contact with water begins to erase a person’s memories. By keeping a journal and tracking her actions, Laverne struggles to hold onto herself and survive in a world in which overexposure to water can wash away a person’s ability to even function and feed themselves.
This is a melancholy read, focusing on solitude in the wake of a quiet apocalypse, questioning whether it’s better to sit back and accept the fate or struggle forward into a new future (and what that might cost).
Melanie Gillman’s Other Ever Afters: New Queer Fairy Tales is a lovely collection of graphic stories, in which mermaids, princesses, knights, barmaids, and old women take center stage. These tales come from a place of kindness and compassion, showing alternative means of ways to get to a happily every after.
In addition, the stories are presented with pastel infused artwork that brings an extra layer of beauty and softness to the tales. I really enjoyed this collection.
T. Kingfisher never fails to craft books with darkly beautiful concepts that terrifying me, while simultaneously making me love the characters and feel for their journey. Her new book, A House with Good Bones, is no exception.
M Archive: After the End of the World by Alexis Pauline Gumbs is a stunning collection of poetry. Inspired by M. Jacqui Alexander’s Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory, and the Sacred, a transnational black feminist text, Gumbs envisions humanity at the end of the world. While there is struggle, this is not the typical depiction of humanity as viciously and violently struggling for survival, but a vision of humanity as transformational. As the environment and world shifts (due to human causes), humanity takes to the dirt, sky, fire, and sea, creating new communities and ways of being. It’s a beautiful, compelling and hopeful depiction.
So, I was apparently so excited about reading Gideon the Ninth by Tamsyn Muir that I accidentally bought it twice … at the same bookstore … within just a two week time period. I mean, the blurb on the cover describes it as “Lesbian necromancers explore a haunted gothic palace in space” — which was a string of words I didn’t know I wanted until reading this book.
I grabbed How to Sell a Haunted House by Grady Hendrix as I was heading through the airport on my way out of town. Based on my past experience with Hendrix’s work, I expected a fast-paced, fun horror read — which is exactly what I got. What I didn’t expect was find myself wanting to cry within the first few chapters — but I got that, too.
When I purchased Eric LaRocca’s Things Have Gotten Worse Since We Last Spoke and Other Misfortunes, the cashier paused to tell me, “This one’s messed up.” Having now read the three stories in this horror collection, I can heartedly agree with the cashier’s sentiments.
In The Daughter of Doctor Moreau, Silvia Moreno-Garcia provides a retelling of the classic H.G. Wells tale, The Island of Doctor Moreau, bringing the story to the Yucatán peninsula in Mexico. Dr. Moreau and his daughter, Carlota, live in an isolated and remote estate, where the doctor performs experiments to blend human and animal into intelligent hybrid creations. Other than the hybrids, the only other companion that Carlota has known is the alcoholic overseer, Montgomery Laughton, who is escaping the ghosts of his past by finding sanctuary at the estate.
Andrea Gibson’s Lord of the Butterflies is a gorgeous collection of poetry that explores gender, mental health, American culture, love, and relationships with wisdom and compassion. Her work is lyrical and moving, and this will likely be a collection that I’ll return to again and again when I need something uplifting.
Writing for Games: Theory & Practice by Hannah Nicklin is a fantastic book for anyone interested in delving into writing stories and developing narratives for games. She provides a solid theory for storytelling and story structures and how these basic elements fit into the development of games. I love that Nicklin also thinks about the various ways in which people learn by including case studies, and a practical workbook with exercises designed to allow the reader to apply the knowledge they gleaned.
Brom’s Slewfoot is from the start just a pretty book to look at — the cover and illustrations within (all done by Brom) being gorgeous images of the fantastical. The story itself is also richly told. Abitha is a spirited young Englishwoman balking against the constraints of the Puritan society, where she is expected to be a demure wife and do as she is told. When her husband suddenly dies under uncanny circumstances, she is left alone and without his protection. However, something else lurks in the woods, something dangerous and unsettling and beautiful — and it may be the key to either her freedom or her damnation.
15 Ways to Stay Alive by Daphne Gottlieb uses a mixture of found and original poetry to explore “broken hearts, scattered dreams, postpunk politics.” With gritty and vivid imagery, these poems explore survival and healing on both a personal and communal level.