“Stone Clutched to Chest,” a collaborative poem by Laura Madeline Wiseman and I, has been published in the issue 41.2 of Star*Line. This print issue can be acquired at the Science Fiction and Fantasy Poetry Association ( SFPA) website.
Our poem, “Stone Clutched to Chest” looks at the Beowulf epic from the point of view of Grendel’s mother — and is one of the many poems re-examining myth, folklore, and pop culture stories that will be published in Every Girl Becomes the Wolf, which is forthcoming from Finishing Line Press. Maybe check it out, watch the trailer, or preorder a copy?.
NonBinary Review #16: The Little Prince is now available for $1.99! “In 1943, French aristocrat, author, journalist and aviator Antoine Marie Jean-Baptiste Roger, comte de Saint-Exupéry, wrote The Little Prince, one of the most translated, most widely-read books in the world. Much of Saint-Exupéry’s life, including the death of his younger brother at the age of 15 and his marriage to Salvadoran artist and writer Consuelo Suncin, was woven into this tale of innocence, adventure and loss unlike anything else written before or since. In this issue, two dozen authors and artists explore this beloved tale that has haunted readers for over 75 years.” And isn’t the cover art by MANDEM gorgeous!
There are a couple of days left to giveaway some books as part of the Big Poetry Giveaway 2018 — or check it out to see all the books you could nab (link is also in the sidebar).
Other Good Things for National Poetry Month
“Science describes accurately from outside, poetry describes accurately from inside. Science explicates, poetry implicates. Both celebrate what they describe,” noted Ursual K. Le Guinn on the intersections between science and poetry. “We need the languages of both science and poetry to save us from merely stockpiling endless “information” that fails to inform our ignorance or our irresponsibility.”
Just about all the 2016 in review posts I’ve read so far have begun the same way: 2016 sucked, but there were some good things, too. I feel everyone on that sentiment.
If I look back — past the overwhelming days, past the stress — there have been some great moments, a few of which, I’m happy to share here.
The Publishing Game
I sent out a total of 32 submissions in 2016 — including poetry, fiction, and chapbooks — with a total of six acceptances, one finalist placement for a chapbook, 20 rejections, and five still under consideration.
My first collection of poetry, a chapbook titled Pantheon, was accepted for publication this year by ELJ Publications and is scheduled to come out in August 2017. I couldn’t be more excited. The cover art is currently being developed and I’m sure there will be other developments as we get closer to the publication date.
Several of my solo and collaborative poems cowritten with Laura Madeline Wiseman have appeared in or are forthcoming in several anthologies, including: The World Retold(The Writers’ Guild of Iowa State University, March 2016); Red Sky, an anthology on the global epidemic of violence against women (Sable Books, September 2016); Write Like You’re Alive 2016 (Zoetic Press, September 2016); and Undead: A Poetry Anthology of Ghouls, Ghosts, and More! (Apex, forthcoming in 2017).
Slink Chunk Press published “The Shadows Flight,” a flash fiction piece. It’s the first piece of fiction that I’ve ever published and I’m grateful to the editors for sharing it with the world.
What I Wrote in 2016
I left the novel on the sideline last year, focussing instead on smaller work like poems and short stories — trying to get drafts completed and edited and sent out into the world. Although I felt a bit lacking in productivity toward the end of 2016, I have to admit that it’s been a fairly productive year. I’m pretty sure I came close to doubling the number of submissions I sent out, which means an increased amount of words were written to enable that.
The bulk of my writing was completed while participating in three writing challenges — for ELJ Write Now, I wrote 30 poems in the 30 days of April as a series of Our Lady poems praising pop culture characters, which became the basis for the soon-to-be-published Pantheon; Zoetic Press’ Write Like Your Alive challenge in the month of July drove me to complete another 23 poem drafts (of varying quality); and finally, The POEMING 2016 in October was a found poetry challenge in which poets were each assigned one novel by Stephen King and were required to create one found or erasure poem per day for all 31 days. I usually sign myself up for a month-long challenge at some point every year for the past few years and rarely complete them. So, I surprised myself by signing up for not just one challenge, but three and completing each one.
I also participated in a Short Film Scriptwriting Challenge through MMtB. Although my script was not one of the ones selected to be produced that night, it was an great experience that provided me with some contacts of people working on indy films in the Bay Area and reminded me how much I want to work on films.
More writing and editing and writing and editing happened throughout 2016, I’m sure, although I can’t remember it at the moment. Nevertheless, I feel confident about the work I’ve done and am feeling good as I move in to 2017, ready to accomplish even more. Maybe even move back toward working on the novel again.
I’ll put together another post on my writing goals for the year in a later post.
Travel in 2016
Most of my travel has been within the U.S. on a variety of work trips. Nashville was a delight — I loved the music and the history and food (oh, my goodness the food). I also ended up in parts of Ohio, Kentucky, and Alabama for a day or two at a time.
Closer to home was a weekend in Yosemite National Park. It was frigidly cold and so, so beautiful, worth every shiver and layer of shirt, sweater, sweater, coat, scarf, gloves, and hat that I had to put on.
I also made it out of Dusseldorf, Germany for a week (also for work). It’s a trip I’ve made several times before, made delightful by the fact that my brother joined me. We walked through the Christmas Market, tasted spiced wine, and rode the ferris wheel. So much fun.
Running in 2016
I’ve been continually trying to progress in my running — although like most of my goals, it sort of dropped off toward the last few months of 2016. I haven’t accomplished my goal of running a Half Marathon yet, but I did run the She is Beautiful 10K again, which is always a delight. Nevertheless, I have made progress — because despite skipping running for weeks at a time sometime, I can come back and get back into the groove fairly quickly. Apparently, I’ve been consistent enough for my muscles to remember, so that I don’t feel as though I’m starting from scratch each time I restart.
How was 2016 for you? I’d love to hear about some of your good things.
Oh, my. I’ve yet again skipped a week of my weekly updates, which makes them more bi-weekly for the month of June. The goings on are going on — mostly a lot of trying to get writing done and then binge watching television to recover from the trying to get writing done.
“A Gathering of Baba Yagas,” a poem cowritten by Laura Madeline Wiseman and I, is now up at Strange Horizons! This was the first poem Madeline and I wrote together and I’m thrilled to see it published.
There is some other GIANT news, but I’m not 100% sure that it’s okay to share it yet, so I’m just going to tease you about it for the time being.
What I’m Reading
I haven’t been doing much reading lately. Or rather, I have, but not as much for the shear pleasure of it. So it’s a joy to begin All the Birds in the Sky by Charlie Jane Anders. The story of a naturalistic witch and a young mad scientist is charming. This is exactly the kind of book to get me back into the reading mood and I can’t wait to see where it leads.
What I’m Writing
Last week was primarily spent in finalizing and then submitting my Our Lady chapbook for publication. The collection, called Pantheon, is done and off and out of my hands and I’m going to say no more about that.
Since send that off, I’ve polished up The Things I Own, another chapbook which was a finalist in the Dirty Chaps Contest. With some tweaking — pulling out a couple of poems — and putting in of a couple of others, I’m hoping it will find a home elsewhere.
Coming up next is the Write Like Your Alive, a 31/31 project being hosted by Zoetic Press. Signups for the project are open until June 30th, with the opportunity to be published, if you complete at least 20 days. Let me know if you join, as I will definitely be participating (because why not drown myself in more challenges and projects) and would love to be able to share the journey.
Goals for the Week:
Prep for Write Like You’re Alive and then write like I’m alive
“All of the goals I had set for myself in my twenties had come and gone. As a result I had simply shut down. For some reason it felt easier and more comfortable to resign myself as a failure than to risk actual failure,” writes Kate Maruyama in On Saying Yes: Fight the Fear.
I came to the realization halfway through writing this post that today Tuesday, not Monday. This is because I spent my Monday helping my mom clear out and transfer belongings from one storage shed to another in a grueling twelve hour period resembling the interminable curse of Greek gods. If we hadn’t been laughing so hard at the absurdity of the situation, I’m sure we would have been miserable. But we were laughing and we accomplished a hell of a lot and my mom rewarded my efforts with beer, so all was well.
In other weekend news, I SAW FLOGGING MOLLY at the Hardly Strictly Bluegrass festival and they were —in what was no surprise to me — amazing. They played all my favorite songs and introduced me to new favorites. I danced my ass off that night and sang my throat out and it was worth the next day’s pain. We also saw The Brothers Comatose and Gillian Welch play and they were both wonderful, as well.
What I’m Reading
I’m still working onCelestial Inventories by Steve Rasnic Tem, which continues to astound me with its ability to present stories, ranging from deeply moving to incredibly disturbing.
Most of my focus has been on finishing an initial draft of a Sleeping Beauty story for the Brainery Workshop I started last week. I have the main outline and a good sense of how I want to approach it, but since it has some science fiction elements I’m not sure how much explaining I should do up front. I suppose I should just get the draft
Laura Madeline Wiseman and I have finished up a number of collaborative poems, which need to be sent out. At which point, we need to get started on some new ones.
Goals for the Week: Finish workshop draft before class. Submit some collaborative poetry and get started on some others.
Brainery Workshop – Science Fiction Fairy Tales – Week One
The first meeting of the workshop, which is run by the amazing Jilly Dreadful, was introductory, introducing us to our fellow writers and to how the workshop will work. My fellow writers (most of whom I met, although there was a switch in students at the last minute) are all amazing as far as I can tell from the small piece of writing they all shared and from their comments during the meeting. This makes me even more excited to see how things will go.
Our assignment for the week is as I noted above, a Sleeping Beauty story, which can incorporate some of the sleep science in various articles Jilly assigned.
Justine Larbalestier notes Our Heroes Are Fallible And So Are We — “We do not write in a vacuum. We write about the real world while living in the real world. That’s true whether we are writing about zombies or vampires or high school or genocide or butterflies or all five. Our words have effects on other people.”
Afrofuturism Rising by Ytasha L. Womack — “While Afrofuturism is viewed as a tool of empowerment for people of color, the dual aesthetic and philosophy at large serves to provide answers for a gaping hole in the story of humanity. Afrofuturism values intuition, feminine aspects of humanity, and nature. Afrofuturism views the future, past, and present as one. Afrofuturism provides a platform to explore time and memory in the context of human life.“
I’m thrilled to point out that NonBinary Review#6, 1001 Arabian Nights has been launched into the digital universe!
It includes poetry, fiction, essays, and art by over 30 contributors. I’ve been reading through a few of these pieces — like Cetoria Tomberlin’s “1,001 Songs”, Jaz Sufi’s “Preface”, and Carina Bissett’s “A Houri’s Hymnody” — and each one has given me chills, so far.
The issue also includes my essay, “Beyond Shahrazad: Feminist Portrayals of Women in The Arabian Nights,” which represents the first time I’ve written an essay since college.
NonBinary Review is available for free on the Lithomobilius app (available only on the iPad and iPhone for the moment, but will eventually be made available to other devices).
Writing is an incredibly vulnerable act. You put piece of yourself, however fictional, down on paper — sometimes something deeply personal — and offer it to the world to be judged and sometimes its hard to distinguish between the art and yourself.
In Writing Begins with Forgiveness, Daniel José Older writes, “Here’s what stops more people from writing than anything else: shame. That creeping, nagging sense of ‘should be,’ ‘should have been,’ and ‘if only I had…’ Shame lives in the body, it clenches our muscles when we sit at the keyboard, takes up valuable mental space with useless, repetitive conversations.”
Older is specifically talking about the “write everyday” advice that has created a feeling of shame in many writers (I’ve been known to be one), causing a feeling of paralysis. However, this sense of shame and inadequacy also applies in other ways, from comparing ourselves to others and feeling like an outsider (as I found myself doing on Friday at the latest Glowing with the Moon open mic) to judging our words too harshly and not believing in the value of our own work (as I also found myself doing despite positive feedback I’ve received lately). Many writers I know have experienced imposter syndrome, the feeling that their work is actually stupid and uninteresting and someday soon everyone is going to find out.
It’s not always easy to disentangle the layers of self-doubt and shame that come as part of the writing process, but Older’s lesson of approaching writing with a sense of self-forgiveness is a good place to start. It’s something I aim to work on as I continue to submit my work and attend events in the coming months.
What I’m Reading
I’m enjoying Less Than Hero by S.G. Browne, which is about a man professional guinea pig for pharmaceutical testing and his friends, who through some strange combination of meds develop the ability to project their medical side effects onto other people. It’s kind of a superpower. Mostly fun so far, but I’m not loving it as much as I’ve loved other books by Browne (such as Breathers and Fated). However, I expect it will turn out to be a fantastic read by the end.
What I’m Writing
On Sunday, Allie Marini and I ambushed Lise Quintana into an impromptu writing session, which resulted in some butt-in-seats hard work all around. My personal progress involved a couple of poem drafts completed on the Twelve Dancing Princesses manuscript and a couple of submissions sent out.
Submitted! Two poems send out to two separate markets.
Rejected: Another rejection from a publisher for the Sincerely Yours chapbook, which means it definitely needs to be reconsidered in terms of organization and length.
Goal(s) for this week: Finish another poem or two for Twelve Dancing Princesses. Submit something.
Matthew Salesses writes on Moral Craft: Issues of Plot and Prejudice — “Prejudiced writing is a moral concern and a craft concern, so I’m going to treat it as both. I should also admit that my concern comes from noticing a (mostly good) trend of white authors wanting to reflect the diversity of the real world by writing more characters of color.”
This is (not) a Laughing Matter by Lindsey Hall – “Humor, I believe, is as effective a tool and as difficult a form of expression as anything else. Ultimately, humans seek pleasure, and writers hope to entertain, to arouse and sustain a reader’s interest. We have stories of suffering that must be told, and humor is a viable conduit. Comedy helps readers connect with characters; comedy helps readers swallow uncomfortable or painful truths.”
My reading of American Psycho by Bret Easton Ellis and all reading for that matter has been put on hold, as all my available free time is devoted to researching and writing my 1001 nights essay.
What I’m Writing
The 1001 Nights essay is DONE! It’s done! Bang the drums! Toot the horns! The project consumed most of my free time over the last week and a half, with skimming of the 1001 Nights to note all the representations of women in the stories (a huge project), researching what other critics have had to say, and have been drafting the editing the essay — all of which turned out to be much more work than I thought it would be (which should not have been a surprise). But it’s done and submitted and I hope the editors like it. Regardless, I enjoyed the life consuming process and I’m glad I did it.
Now I just need to learn to channel two-thirds of that same energy into future projects, so that I can continue to get sh!t done.
I’m thrilled to announce that my poem, “Eve and Pandora,” has been published in Issue 4 of NonBinaryReview, Bulfinch’s Mythology: The Age of Fable. The issue is available for free — you just need to download the Lithomobilus app to your iPhone or iPad (the publisher is currently working on a compatible version for Android users.)
* * *
In other news, I’m a wee behind on my Short Story Month challenge and a number of other thing, as well. But, hey, it’s my birthday week and my days have been jam packed with activities, from climbing over rocks and getting bruised and battered at the Yuba River to pampering myself with a facial and a new haircut.
Last night also was great, a joyful evening of words and song at Cito.FAME.Us, where Lorenz Dumuk made us feel things with his poetry and Q&A performed some amazing, moving, and beautiful new songs. Always a delight.
So, I keep putting off posting other things, because I need to post about my Mexico trip and haven’t got around to it yet. It was fantastic, by the way, right up until I wanted to leave the country, arrived at the airport, and discovered that my flight no longer existed.
I ended up stuck and exhausted and frustrated, but a new flight was eventually found (which required me to stay the night in Guadalajara) and I made my way home, even if it was a whole day later.
The result has been me getting sick (sniffles and coughing) and right at the time when my day job is particularly swamped, leaving me not wanting to go anywhere near a computer at the end of the day. So, I’ve mostly just been recovering when I get home.
But since I went to the mailbox this morning and discovered a delightful surprise, I just had to post that my contributor’s copy of The 2013 Rhysling Anthology arrived!
So, even though I’m still sick and still recovering, I’m also filled with squee and find myself wanting to prance about the room, preforming somersaults!
I’m pleased and honored to announce that three of my poems have been included in Issue Thirteen, along with work from many fantastic writers who have been previously published in the online journal. For joy!
Other than this announcement there’s not much to announce (though isn’t that enough), as I was entirely non-production last week (with the last minute exception of scouring my bathroom, because gross). In the scope of this procrastination, I managed to miss two contest deadlines that I had been planning to submit to.
*sigh* Oh, well. Onward!
That which must be accomplished in the coming week: – Finish Chapter Four of Under the Midday Moon – Submit something (poetry, fiction, whatever) – Edit Letter Box poetry chapbook and find a place to submit it – Workout at least three days with two workouts being running training (0/3) – Do three yoga workouts, three sun salutations min. (0/3) – Practice my Spanish – Make Progress on Organization (do one or more of the following): — Sort paperwork out by year for filing and set up system for the current year — Organize craft supplies — Shred papers and dispose of them — Find a minimum of ten items (big or small) that can be gotten rid of and get rid of them — Take box of items to donate to Goodwill