Poet Spotlight: Holly Lyn Walrath on hybrid writing and the idea of femininity

Holy Lyn Walrath

Holly Lyn Walrath’s poetry and short fiction has appeared in Strange Horizons, Fireside Fiction, Luna Station Quarterly, Liminality, and elsewhere. Her chapbook of words and images, Glimmerglass Girl, will be published by Finishing Line Press in 2018. She holds a B.A. in English from The University of Texas and a Master’s in Creative Writing from the University of Denver. She is a freelance editor and host of The Weird Circular, an e-newsletter for writers containing submission calls and writing prompts. ​Find her on Twitter @HollyLynWalrath or on Instagram @Holly__Lyn. (Bio from author’s website.)

You recently published your first collection of poetry, Glimmerglass Girl. Tell us about the project and how it came into being.

Glimmerglass Girl by Holy Lyn WalrathSome time ago I realized I’d written a lot of poems centered on the idea of femininity. It made sense to me to compile them into a collection. Many were poems I loved but that weren’t getting a lot of attention publication-wise. I think the most surprising thing about putting the collection together was that those poems (which at the time seemed like failures to me) suddenly made sense as a part of a collective whole. They spoke to each other in a new way. So that was my process, finding the pieces that I loved and wanted to contrast with each other to create new meaning.

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Poet Spotlight: Joanna C. Valente on spirituality and the drive to communicate

Joanna Valente

Joanna C. Valente is a ghost who lives in Brooklyn, New York. Joanna is the author of five poetry collections — Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (The Operating System, 2017), Xenos (Agape Editions, 2016), and Sexting Ghosts (Unknown Press, 2018). They are the editor of A Shadow Map: Writing By Survivors of Sexual Assault (CCM, 2017), and received a MFA in writing at Sarah Lawrence College. They are the founder of Yes, Poetry, as well as the senior managing editor for Luna Luna Magazine and an editor for Civil Coping Mechanisms. Joanna also currently teaches courses at Brooklyn Poets. (Bio from Joanna’s website.)

How did you get started as a writer? What keeps you writing?

I started writing as a child, around age 11. I always made art, always had a strange, ferocious drive to communicate and make something that spoke to others. That made us all feel less alone. I think that still rings true today. I write because I want to understand myself and others, and connect to the world in a more fulfilling way. I think all art is political, the personal is political and especially in such a contentious time, where we need to shed light on inequalities in order to really create a truly better world, making art that sheds light on different perspectives is important to me.
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