Just in time for the Halloween season. I Am Not Your Final Girl is a collection of horror-themed poetry draws on the female characters of horror cinema — the survivors, victims, villains, and monsters — who prowl through dark worlds, facing oppression, persecution, violence, and death. In her introduction, Claire C. Holland notes, “I draw strength from the many strong women around me, both real and fictional.” The women in this collection channel their pain and rage into a galvanizing force. They fight. They claim power over their own bodies. They take their power back. They do not relent.
“I have known monsters and I have known men. I have stood in their long shadows, propped them up with my own two hands, reached for their inscrutable faces in the dark. They are harder to set apart than you know. — “Clarice,” The Silence of the Lambs (1991)
As a horror fan, I know many of the characters and movies referenced, and it’s fascinating to peer in at them from the unique perspective of these Holland’s words. That said, there just as many that I haven’t seen and a few I had not hear of — but not knowing the direct reference in each case did not stop me from enjoying the poem for its own sake, the words drawing me in. And now I have a list of movies that I need to seek out and watch.
“Separate yourself, like sliding wire through clay. Divide your organs – heart, lungs, tongue, and brain. You think you need them all? You’d be shocked what a woman can live without. We’re like roaches, we thrive” — from “Shideh,” Under the Shadow (2016)
I read I Am Not Your Final Girl from top to bottom with delight. Although the subject is focused on horror, the collection doesn’t come off as a downer. Instead, it presents a sense of fierce hope in the act of resistance, in rising up, in fighting back.
Footnote: I won a copy of this book in some sort of contest — Instagram or Twitter or something, where precisely has completely swooshed out of my head (it’s gone and I don’t expect to get it back). Whatever or wherever the contest was held, I am grateful to have received a copy of his collection, because I loved reading it.
Fell a whole month behind and still moving slow, but here we go — presenting my last two months in books, movies, and television.
The Stone Sky is a powerful conclusion to N.K. Jemisin’s Broken Earth trilogy. Essun has grown into immense power and is determined to end the seasons (times in which the world tears itself apart), while her daughter, Nassun, with her own power and burdened by the memories of cruelty enacted on her and other orogenes, sets out to destroy the world for good. The character walk through an apocalyptic landscape of ash and cold, a world coming undone, each marching to their own destiny — and in the end a beautiful conclusion full of heartbreak, forgiveness, and ultimately love. The Broken Earth trilogy is brilliant from start to finish — one of my favorite reading experiences in recent years.
The Bloody Chamber and Other Stories by Angela Carter is a well loved collection, especially the title story “The Bloody Chamber.” People have been telling me about it for years — and now that I’ve read it, I totally understand why so many people love it. The story follows the Bluebeard fairy tale closely: a girl marries a rich man, who gives her the keys to the house telling her that she can open all the doors but one — a test she fails to nearly disastrous results. Carter takes the myth and brings it into the modern world (1970s, when it was first published) and provides more depth to the main character, giving her a history and motivation for the choices she makes. It presents servants that have personalities and her mother, who has fought in revolutions and can advice her over the telephone. The resulting story is at the same time grittily real and subtly magical.
One of my pet peeves about fairy tale retellings is that they often loose the magic when they are modernized. But all of the stories in Carter’s collection present similarly gritty and unsettling takes on old fairy tales, while not loosing that original weirdness and magic. It’s a fantastic collection.
It’s been a great month. One of the highlights this month was the All Womyn’s Showcase (write up here), which I not only attended but also participated in. I love attending live events (even if they sometimes exhaust me) and I keep telling myself that I want to see more of them.
Super Mutant Magic Academy by Jillian Tamaki is such a wonderfully strange graphic novel. For most of the book, each page represents a single vignette, a tiny story about one or more of the characters from the Academy. At the beginning the vignettes jumped between so many different characters, it was difficult to keep track of who was who and what was going on, which made it a little hard to get into. But, as I continued reading and the characters began to repeat, I recognized a main set of characters I could connect and resonate with, allowing me to settle into the odd and beautiful stories at this strange school which features an array of mutants and magic and science.
Some of the vignettes are anchored in ordinary teenage angst (like crushes and school dances and friendship) that makes them easy to relate to, while others are simply, delightfully bizarre (such as the everlasting boy, who throughout the book experiences a variety of deaths and rebirths and eternities). There’s a lot of wit and wisdom present (sometimes beyond what I would expect from a typical teenager, though these are not typical teenagers). Taken as a whole, Super Mutant Magic Academy is really a fabulous book, which doesn’t allow itself to be anchored by any single storyline, but lets itself fall into the chaos of teenage-dom with all its weird wisdom and foolish obsessions.
The definitive Frankenstein monster, the monster all other Frankenstein’s are compared to. Although the some of the opening sequences are a bit awkward, this movie comes alive (pun intended) when the monster does. Karloff is wonderful as the monster and I completely understand why his performance was lauded. With great use of shadows and some creative film moments, this is a classic film worth seeing.
2. Bride of Frankenstein (1935)
Another great film from director James Whale. The movie is a bit stranger than the first Frankenstein, mixing a set of weird characters with humor and fantastic camera work to bring some interesting contemplative moments to the monster. Although the monster is responsible for a number of deaths, some are understandable after the horrors he’s endured, and the sense of his loneliness and longing for kindness are clear.
My main disappointment is that the Bride of the title gets so little screen time. In the few minutes she’s on screen, she presents a fascinating figure, twitching like a bird with fascination at the world. She’s amazing and I wish she had to be and do more.
3. Darling (2015)
Darling was a strange one, an intense story of a young woman taking on a care taking job and slowly going insane. The reasoning for this transition and whether she had mental health problems to begin with is not clear.
The story is set up in chapters with the start of each one featuring the young woman staring ahead like a portrait. I’m not sure these chapter cards are necessary, as the lend a feeling of unreality to the story.
Shot in black and white, the film mixes long shots of beautiful cinematography with jumps of fragments short frames, jarring the seemingly calm sequences with something hidden behind the scenes. This happens fairly consistently throughout the movie, to the point that it almost becomes numbing and looses the effect it’s going for.
Darling is interesting, bloody, strange, and mostly well done.
4. What We Do in the Shadows (2014)
Fun and mostly funny mockumentary about four vampires living as flat mates in New Zealand. Each vampire is from a different era and part of the humor is how each of them sees the modern world. They are also all awkward, failing to have that suave beautiful grace presented in most vampire movies. Not all of the jokes were laugh out loud funny, but there were a few golden moments. Plus, the characters were all likeable enough that I was willing to go on this bizarre little journey with them.
5. Purple Rain (1984)
I watched Purple Rain for the first time and I’m wondering how the hell I’ve never seen this before.
Prince on stage represents the golden moments of this movie. He’s a level of fabulous and HOT that cannot be contained.
Sure, the plot is thin as fishnet tights and the acting is sometimes laughable, but it’s also freaking fantastic for being the ’80s rock movie it is.
(I don’t have the mental capacity for full reviews this week, so here are some short thoughts.)
1. Glengary Glen Ross (1992)
About five minutes into watching this, I thought, This feels like a David Mamet play. That would probably be because it was written by David Mamet. The story is as simple as a day in the life of shady real estate salesmen, but the crisp and snappy dialog and brilliant acting make this incredibly dark and tense.
This fairly standard haunted house movie set in the early ’80s features a family trying to start over, a suspiciously creepy small town, and a violent ghosts. The opening sequences are unsettling with sparse images of a snowed in landscape, which building to a conclusion full of bloodplatter. Just what I wanted to see.
1. Le Gouffre (short film, 2015) 2. Amer (2009) 3. Pariah (2011) 4. Carrie (2014) 5. Fifty Shades of Grey (2015) 6. Belle (2014) 7. Birdman (2014) 8. Boyhood (2014) 9. The Theory of Everything (2014) 10. The Imitation Game (2014) 11. American Sniper (2014) 12. Guess Who’s Coming to Dinner (1967) 13. Near Dark (1987) 14. Kiss of the Damned (2012)
As a fan of horror (and someone who hopes to write it), I’m stoked that Women in Horror Month exists to promote women in the genre, from filmmakers to artists to novelists. In that vein, here are a five women writers of horror or horror influenced fiction, whose work I’ve loved.
“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within.” – from The Haunting of Hill House
The Haunting of Hill House is one of the best ghost stories I’ve ever read. The way the characters bond together and simultaneously become hostile to one another in the face of the horrors of the house is quite compelling. The story is creepy and weird and nothing is every quite resolved.
She’s also well known for the short story, “The Lottery,” which is often taught in high school English classes and for good reason. It’s frightening in a dystopian sort of way. I need to get around to reading more of her short stories sometime.
“Our story opens where countless stories have ended in the last twenty-six years: with an idiot — in this case, my brother, Shaun — deciding it would be a good idea to go out and poke a zombie with a stick to see what happens.”— from Feed
Mira Grant is the dark alias of fantasy writer, Seanan McGuire. As Grant, her novels delve into the scientific thrillers with lots of death and mayhem, causing them to overlap with horror.
Her Newsflesh trilogy explores a post-apocalyptic world filled with zombies, in which humanity has clutched a fragile foothold of society. Overlapping the constant threat of being chewed up by or turning into the infected, are dark governmental conspiracies.
I’ve also read Parasite, the start of her Parasitology series, which is thus far proving to be fantastic as well.
Caitlin R. Kiernan
“Hauntings are memes, especially pernicious thought contagions, social contagions that need no viral or bacterial host and are transmitted in a thousand different ways. A book, a poem, a song, a bedtime story, a grandmother’s suicide, the choreography of a dance, a few frames of film, a diagnosis of schizophrenia, a deadly tumble from a horse, a faded photograph, or a story you tell your daughter.” ― from The Drowning Girl
The Drowning Girl tends toward psychological horror, explorations of the psyche more than physical danger. That is certainly the case with The Drowning Girl, in which is told from the point of view of a schizophrenic young woman named India. I almost wouldn’t consider this horror, although there are hauntings and werewolves and mermaids that play their parts and some of the elements are deeply unsettling. The Drowning Girl was a favorite read for me.
Kiernan’s work has been listed on several horror lists and her novels certainly play with the genre.
“The rustling peaked, became a chitinous clicking, and Morrow fought hard to stay still while the whole wheel-scarred road suddenly swarmed with insects — not locusts, but ants the size of bull-mice, their jaws yawning open. Neatly avoiding both Chess and Rook’s boots, they broke in a denuding wave over the corpses, paring them boneward in a mere matter of moments.” – from A Book of Tongues
I was introduced to Files’ writing with the Hexslinger series, a re-imagining of the Wild West in which a violent and dangerous preacher turned sorcerer and some of his fellow outlaws is drawn into a deadly game with the gods. These novels take you uncomfortable and visceral places. Not just gore (though if you like that, there’s plenty), but also in terms of sex, psychology, and emotion.
Writing this reminds me that I still need to buy and read A Tree of Bones. Also, I was excited to learn that her new short story collection, We Will All Go Down Together, was recently be released in late 2014.
“You have to salvage what you can, even if you’re the one who buried it in the first place.” – from “The Wrong Grave”
“The Wrong Grave,” featured in Link’s Pretty Monsters: Stories is wonderfully creepy and strange, involving a boy who goes grave robbing in order to recover the drafts of poetry he left in the casket of a friend — only the discover it’s wrong grave and the dead girl inside is rather annoyed to be disturbed.
While many of the stories in Pretty Monsters are more fantasy than horror (and this collection is more YA), she definitely has a knack for darker fantasy as well. Her collection of adult stories, Get in Trouble, is also supposed to have some horror stories.
It’s been a weird year for movies for me, as I didn’t go to the theaters much like I normally do. In fact I’ve only seen a few 2014 movies. This may also be a contributing factor as to why our of the 49 movies I’ve seen this year, I outright hated nine of them (high for me), just wasn’t into a dozen more, and liked but didn’t love many others — so, I had a hard time coming up with a top ten and, in the process, of trying to form my list, I realized there were only five that I really loved this year.
The Top Five
1. Guardians of the Galaxy (2014) – It’s the group of antagonists become friends become chosen family trope that really gets me here. Plus fun action space story and oodles of fantastic music.
2. Safety Not Guaranteed (2012) – I love subtly speculative indie films and this one hit all the right notes of heart and humor.
3. The Host / Gwoemul (2006) – Intense, funny, and hiding tons of social commentary, this was a fantastic movie.
4. Planet of the Apes (1968) – While the special effects and movie makeup don’t hold up to modern standards, the story is still powerful, complex, and compelling.
5. Her (2013) — I thought the concept of this movie was strange when I first heard about it, and I didn’t expect to like it as much as I did and I appreciated it even more after seeing it a second time around.
1. The Drowning Girl by Caitlin R. Kiernan 2. Among Others by Jo Walton 3. Red Shirts by Jihn Scalzi 4. The Chaos by Nalo Hopkinson 5. Contact by Carl Sagan 6. The City & The City by China Mielville 7. House of Leaves by Mark Z. Danielewski 8. Fangirl by Rainbow Rowell 9. Fingersmith by Sarah Waters 10. Who Fears Death by Nnedi Okorafor