1. Jonathan Strange & Mr. Norrell (mini-series, 2015)
2. Big Hero Six (2016)
3. Home (2015)
1. Jonathan Strange & Mr. Norrell (mini-series, 2015)
Note: This post involves minor spoilers.
A significant portion of Andy Weir’s The Martian centers around a lone astronaut using his wits to survive in impossible circumstances.
During a massive sandstorm and an evacuation of the mars expedition team, astronaut Mark Watney is hit by a radio dish and presumed dead. But he wakes on Mars alone, still alive in a hostile environment. The only way to survive is to use scientific knowledge and engineering skills to make an uninhabitable world inhabitable for four years when the next Mars mission is set to return.
Space and travel to other planets are incredibly dangerous for human being. There are thousands of ways for a person to die, from severe cold to lack of atmosphere to the wrong oxygen/nitrogen/carbon dioxide mixture in a space suit. A small error in judgment, one tiny unconsidered element of physics (like a single flawed bolt or a piece of overstretched fabric) can mean catastrophe and death. This epically fun book makes this danger brutally clear.
1. Ex Machina (2015)
2. American Mary (2012)
3. Kingsman: The Secret Service (2015)
4. It Follows (2014)
1. Farewell, My Queen (2012)
2. Jurassic World (2015)
3. Hotel Transylvania (2012)
4. Mad Max: Fury Road (2015)
5. The Fourth Kind (2009)
6. Hellraiser (1987)
My weekend was taken up in part by considerable time watching big screen adventures — Jurassic World and Mad Max: Fury Road — both of which were fantastic fun and, as a side note, both using a number of mechanical effects over CGI.
Fury Road was my favorite of the two as a long time fan of the Mad Max series. The movie is essentially a single long car chase seen across the apocalyptic wasteland, featuring a spectacular spectacle of mayhem. What hold the movie together are the assortment of badass characters both good and evil, the carefully choreographed stunts and action sequences, and gorgeously haunting cinematography.
Other people have already spoken about how awesome the women are in Fury Road — “Mad Max” Is A Feminist Playbook For Surviving Dystopia and Beyond Furiosa: The Unsung Heroines of ‘Mad Max: Fury Road’ — so, I won’t expand on that.
Instead, I’d like to say that Mad Max is as hard core as he’s ever been. Although he spends the start of the movie as a captive, Tom Hardy portrays a sense of barely contained violence and rage. War Boy (or one of the others) describes him as a feral, and it’s an accurate description. As in previous Mad Max films (Road Warrior and Thunder Dome), Max starts out with a single selfish goal of obtaining only his own survival, perfectly willing to leave others behind to their fate. It’s only after circumstances force him to team up that he eventually begins to fight for a bigger cause.
Jurassic World provided almost the same feeling of wonder and thrill of the first Jurassic Park. The tone and pacing were just what I’d hoped they would be. It didn’t matter that the plot was full of holes or that most of the characters were caricatures. I loved seeing the dinosaurs again (even if they don’t fit the profile according to more modern science) — I loved seeing the ambling brachiosaurus and the stampeding gallimimus and the terrifying intelligence of the velociraptors.
The only thing that really bothered me was was the main chick’s shoes. Her character was already annoying to me anyway, just so clearly arrogant and financially motivated with little time for her nephews, that my friend and I were kind of hoping she’d get chomped on by one of the dinos. On top of that, she decided to go tromping through the jungle and running from giant dinosaurs in ridiculous spiked heels — an act not just impractical but impossible, since the heels would be sinking into the mud the entire time or she would have broken an ankle and died. If she had taken just 30 seconds to switch out for flats, I would have liked her character so much better.
What I’m Reading
Although beautifully written, Atonement by Ian McEwan, is really dragging for me. I suspect that part of my disinterest is due to have seen the movie and having hated the ending. I was told that you have to read the book to understand why it’s a great love story; I’m still skeptical.
I’m also in the process of reading and reviewing Drink, a collection of poems by Laura Madeline Wiseman. In the meantime, you might want to check out this interview with Laura.
What I’m Writing
My social activities took up a lot of my time this week and the rest of my free time was consumed with procrastinating activities (my turn off the screens plan hasn’t quite been implemented yet), so just little fragments of writing happened this week. So, I need to kick into gear this week.
Goal(s) for this week: Write! Edit! Submit!
Nada. I’m still at a grand total of 3/20 for the month’s Submission Bonanza. Can I manage to send out another 17 submissions before the month is over and make my goal? Yes! Sure! Maybe. We’ll see. Eep!
I think I’m going to have to set a personal challenge to try to do each of these 8 Things Every Person Should Do Before 8 A.M.
Also, this lengthy post, Not a Tea Party, a Confederate Party, provides an important look at the history and development of how the conservative party works today.
“The enduring Confederate influence on American politics goes far beyond a few rhetorical tropes. The essence of the Confederate worldview is that the democratic process cannot legitimately change the established social order, and so all forms of legal and illegal resistance are justified when it tries.
That worldview is alive and well. During last fall’s government shutdown and threatened debt-ceiling crisis, historian Garry Wills wrote about our present-day Tea Partiers: “The presiding spirit of this neo-secessionism is a resistance to majority rule.”
The Confederate sees a divinely ordained way things are supposed to be, and defends it at all costs. No process, no matter how orderly or democratic, can justify fundamental change.”