Jun 26 2014

Review: Fangirl by Rainbow Rowell

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44. [Fangirl] (audio book), by Rainbow Rowell (*****)
Category: Part Four – Just Because

Prepare for caplocks and lots of squee.

Cath and her twin sister Wren have loved Simon Snow since they were kids and avidly lived in the fandom, reading, discussing, and writing fanfic. But when go to college, they head for college, Wren wants her own life and to leave all that behind. Facing a new school with new social rules by herself, Cath retreats further into the fanfic worlds she’s created and that she refuses to leave behind.

I love, love, LOVE this book. Normally I only listen to audio books in the morning on my way to work, because after work I’m too mentally tired to pay attention. But with Fangirl, I couldn’t stop listening, using every available moment in the car that I could to keep listening.

(I should note here that if you don’t get fandom, then it will probably be hard to relate to this book, since it’s a vital element to the story.)
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Jun 24 2014

Poetry Review: Hum by Jamaal May

Hum by Jamaal May

Hum by Jamaal May
Publisher: Alice James Books
Date Published: November 2013

Description: “In May’s debut collection, poems buzz and purr like a well-oiled chassis. Grit, trial, and song thrum through tight syntax and deft prosody. From the resilient pulse of an abandoned machine to the sinuous lament of origami animals, here is the ever-changing hum that vibrates through us all, connecting one mind to the next.”

I admit to being drawn to this collection because of the gorgeous cover and its steampunk robot with a birdcage head, which immediately sparked my imagination. The physical book itself is also beautiful, with a lovely typeset. A smattering of dark pages, each for a “phobia” poem (such as Athazagoraphobia: Fear of Being Ignored”), appear throughout the book, starting out black at first then lightening toward softer grays. It’s an interesting way to highlight a set of associated poems and there’s a subtle effect to reading words with white text on a dark page that suits the “phobia” poems. For example, reading “Athazagoraphobia: Fear of Being Ignored” on one of the rare black pages in the books creates an interesting contrast between text and the physical page.

Hum is dedicated to “to the inner lives of Detroiters.” When I think of Detroit these days, I picture photo essays that show the city in seemingly apocalyptic states of decay. May’s poems reflect this state of everyday apocalypse. “Still Life” presents a “Boy with roof shingles / duct taped to shins and forearms / threading barbed wire through pant loops” as well as other trash can armor in the face of what seems to be a wasteland. While in “The Girl Who Builds Rockets from Bricks,” a girl wanders in “the caverns of deserted houses,” performing “her excavation for spare parts: // shards of whiskey bottle, matches, / anthills erupting from concrete // seams, the discarded husk / of a beetle.”

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Jun 10 2014

Books Completed in May

1. Red Hood’s Revenge, by Jim C. Hines
2. The Snow Queen’s Shadow, by Jim C. Hines
4. Practicing Disaster by Jessie Carty
5. Wormwood by G.P. Taylor
6. Boxers by Gene Luen Yang
7. Saints by Gene Luen Yang
8. Friends with Boys by Faith Erin Hicks

Still in progress at the end of the month: The Arabian Nights: Tales of 1001 Nights, Volume 2.

REVIEWS (behind the cut):

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May 22 2014

Review: Friends with Boys by Faith Erin Hicks

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I don’t even know how to talk about this book with out flailing with joy.

I love the characters. After years of homeschooling, Maggie is starting public school and finds herself lost and lonely in a crowd of people. I could feel that to the core. She has three brothers, each of whom is unique to themselves and make up part of her big family. It’s great to see them fight and laugh and be an imperfect, trying to be happy family. (Can I just say how great it is to see a main character who has relationships with her family?) Maggie also makes two friends, a punk-style brother and sister duo, both of whom are wonderful characters.

I love the art. It captures the unique personalities of the characters and expresses their emotions so well, often without needing dialog over-layering it. It’s just really beautiful.

I love the geekery. These characters have things they love and it’s clear they really, really love them. It fills me joy to see characters flailing with glee over something they love (much as I’m flailing over this book).

I love the story. It’s really funny and sweet, and it made me happy cry by the end.

Friends with Boys is practically perfect in every way and I will definitely be reading more by Faith Erin Hicks.

Some sample pages (taken with my phone):

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May 14 2014

Poetry Review: Practicing Disaster by Jessie Carty

Practicing Disaster by Jessie Carty

Practicing Disaster by Jessie Carty
Publisher: Aldrich Books
Date Published: April 2014

“You wish you had coined the word zaftig;
that you were OK with abdomens
that hung over bikini bottoms.”
— from “Zaftig Profiling”

Practicing Disaster is collection of narrative poetry presenting  an exploration of ordinary lives. These are people you could meet on the street, from the a sixteen-year-old hotel maid to a short order cook to any number of strangers you might meet on the street. For example, in “Eating at Work,” an employee travels further and further afield in search of lunchtime solitude. While in “Some Basic Consumer Math,” the owners of a Chinese restaurant tailor their food for their most loyal customers, all from the retirement home nearby, making their Sa-Cha chicken “about as mild as the contents / of a store bought spaghetti sauce.”

Some of the prose poems, in which thought condenses into thought, are among my favorites. They allow a free flow feel of the poem, different from the lined sister poems. In “I was 36″, the narrator describes her first experience getting a pedicure, remembering the same sloughing off of her grandmother’s feet. In that youthful remembering is the memory of childhood discovery and the “lesson in not going through other people’s personal affects”, and just as one can “flake off the dead skin” there is the feeling of flaking off the past.

“The Patient” also explores time passing, like the dropping of green beans into a bucket or the beeping of machines: “The doctor uses the word / aphasia / I focus on the center— / a phase / a moment.” The disjointed, jigsaw pattern of the words on the page (which I couldn’t possibly replicate here) matched the disjointed experience of a patient in the hospital, as well as the way the past jumps forward and seems to collide and become a part of the present.

In the titular poem, a women plays with the idea of disaster on her commute, imagining “overpasses from her car could spill like ink in blotchy slow motion,” and how she might shape catastrophe to set herself free. Knowing the trapped feeling of the commute, I can sympathize with the narrator, have even practiced a few of my own disasters.

Many of these poems reflect similar kinds of personal experience, even if they are outside us (as though we are people watching at a corner cafe). As a reader, there a sense of Yes, me, too; I’ve felt the same. Reading “Zaftig Profiling” (quoted at the top), I also wished I had coined the word zaftig, that I could, as mentioned later in the poem, laugh loudly in mixed company.

At first glance, what’s revealed in these poems could be described as mundane, bits of ordinary lives normally passed over or cast away as unimportant. The narrative voice of these poems, likewise, is straightforward, seemingly plain. However, this initial impression is deceiving. I’ve read through this collection twice now and have made new discoveries on each read, subtleties of voice and thought I hadn’t noticed the first go around. There are layers of humor, breaths of poignancy, beautiful discoveries.

Edited to Add: I should probably note that I received a free review copy from the author.