Nov 15 2013

Three Things I Would Like to See in More Novels

Book of love

As a reader, I can’t help noticing patterns that emerge in the stories I read. Sometimes these stories are spot on, and sometimes I find myself longing for different kinds of stories than what I see on the pages. Here are a few tropes or plots points I would like see occur in more books.*

1. Books That Start with the Characters Already in a Romantic Relationship

So many stories, from romance novels to YA fantasy, begin with two strangers meeting for the first time, having instant attraction, and ultimately finding their way to love. These stories are great, and I enjoy them just as much as the next person.

But these stories seem to stem from the idea the Falling-in-Love aspect is the only interesting or challenging part of a relationship. If our two heroes can just get past these hurdles, then they’ll realize it’s True Love and they’ll be guaranteed their happily ever after.

The reality is that relationships are hard work. It involves day-to-day acts of compassion, understanding, and compromise in order to stay in love.

Staying-in-Love has the potential to be just as compelling and romantic a trope as Falling-in-Love, and would be great to see more stories begin with characters already in a relationship, which they have to hold on to through the storm.

2. Non-Romantic Relationships

Again this is me not so much turning away from romance, but wanting an addendum to it. Many stories, particularly in YA books, focus on the love story to the end that other relationships fade to the background. Sometimes that happens, a person falls in love and is so wrapped up in the feeling, they can’t make the other valuable relationships with friends and family fit in.

But I think life tends to be more multilayered than that and with all the levels of relationships and love — mothers, fathers, siblings, best friends, cousins, etc. — there is a lot of room for emotional complexity. I’m not saying ditch the romance (though I kind of am with my book), but alongside falling in love, lets have some of the other kinds of relationships, too.

3. Quiet Moments

Roger Ebert talked about quiet moments in an interview he did with Hayao Miyazaki:

I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

“We have a word for that in Japanese,” Miyazaki said. “It’s called ma. Emptiness. It’s there intentionally.”

Is that like the “pillow words” that separate phrases in Japanese poetry?

“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness. But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.

Reading this, I thought about how many stories just power through to the ending in one action sequence after another without allowing that space to breathe and feel something.

Placing a quiet, still moment into a story seems easier in a movie, because it’s a visual form. But I think it’s possible to achieve in books, too, and I would like to see more stories, normally rife with action allow a space for the reader to feel about the characters before plunging in again.

What are tropes, plots, ideas that you would like to see appear in more novels?

*And, as I long to see these things, I find myself drawn to writing them in order to fulfill that desire.

 * * *

Since this is supposed to be a Friday Five post, here are two more unrelated Things you may be interested in checking out:

1. An awesome blog post analyzes the concept of the “Man Card”, which basically a way of metaphorically and jokingly measuring a person’s manliness:

“The Man Card concept specifically, however, is insulting to men and women in what it’s saying about our respective roles. Men are supposed be this way, not that way. Do these things, not those things. You’re not a man if you don’t fit society’s (or some section thereof’s) definition of one, and, unfortunately, people who joke this way are denigrating empathy, sympathy, respect for women, honesty, sensitivity, and responsibility. They’re saying real men prize getting their way over cooperating or compromising. Real men don’t care what their girlfriends or wives think. Real men do what they want.

This is dangerous.”

2. Check out Malinda Lo’s Guide to YA. Malinda Lo is the author of a great Cinderella retelling, called Ash, and she’s writing a multitude of posts YA novels, particularly those with lesbian, gay, bisexual, and transgender characters or issues. If you’re a writer at all interested in writing about GBLTQ characters or issues, then I highly recommend working your way through this reading list.


Nov 12 2013

Book Review: Dying is My Business by Nicholas Kaufmann

(Cover) Dying is My Business by Nicholas Kaufmann“Coming back from the dead feels less like a miracle than like waking up with the world’s most debilitating hangover.”

Dear Mr. Kaufmann,

First you invade my dream with creepy pictures. Now this.

I had plans, you know. I had things to do. But no, you had to provide me with the awesome that is Dying is My Business. Now my laundry remains unfolded. Stacks of papers and other detritus continue to clutter my shelves. All the words I planned to write remain unwritten. And I’m can’t seem to rub the glue from my eyes, as I try to recover from the hours of sleep I lost last night in the desperate need to finish reading.

I was absorbed by the story from page one, when Trent wakes from being shot and killed yet again with another dried out husk of a body nearby. The trade off for his return to life is that someone else must die.  As an apparent side effect of his condition, Trent has also lost all of his memories beyond one year before. He’s been taken in by Underwood, a twisted and violent crime boss, who exploits his abilities and sends him out to “collect” various things. Trent’s latest assignment to collect a mysterious box quickly leads him into a new understanding of the world, a world that includes magic, gargoyles, and a whole slew of things most people never knew existed.

Having an amnesiac main character can potentially be annoying, if not handled well. But Trent as a character is spot on. His loss of self and personal history has caused him to be cynical and fatalistic in understandable ways. He longs for the truth about his past without becoming tedious or whiny, and it’s easy to see how Underwood could have drawn him in by promising those truths. Trent is sometimes protagonist, sometimes antagonist, and sometimes both. He carries a great level of guilt for the lives he’s taken and the crimes he’s committed, making for a conflicted and fascinating character.

Now, can I just take a moment express my love for Bethany? This diminutive, spright-like young woman with a passion for the rules, a troubled past, and vest full of charms that will lay you on your ass has won my heart. She is hard edged, intelligent, honest, and kind. She is, in a phrase, many kinds of awesome.

And then there is poor, poor Thompson Thornton (Whoops. Knew I was getting it wrong). My heart is all asunder from his hopeful bravery and ability to crack jokes in the face of his tragedy.

I have love for all the characters really, even the nasty ones. Underwood and his cronies are cruel and unsettling in the most delightful ways. The Black Knight is destructive, powerful, and greedy for power. I shiver at the thought of ever meeting anyone of them in a dark alley.

Last night, I could not stop reading. I turned page after page, ignoring the episodes of Big Bang Theory my roommate turned on and loosing — as I mentioned — much sleep. I continued reading even as my friend began to turn of all the lights in the house, leaving only a single lamp behind my head to illuminate the pages.

Upon finally reaching the end, I began to flail. “No!” I cried, waking my roommate from her deep slumber. “Why?! Why is it over? I need more book! Why isn’t there more book?!”

You’re ending gave me chills, and I find myself awash with feels, saddened and maddened that it’s over. How can it be over, when I want so much to keep reading, to know what happens next, to know the fates of the characters I’ve come to love?

Why would you do this to me, Mr. Kaufmann? What am I supposed to do with my life now?

This had better be the beginning of a series with the second book to come in the near future. Because if I do not have the sequel soon, I will be forced find a way to flay you in a manner that would make Underwood grin.

Sincerely, you’re humble reader,

Andrea

PS. Giveaway! —> Those moved to book-lust by my review/letter, may be interested to know that LazyDay.CA has three copies of Dying Is My Business they’re offering as part of a free giveaway, which ends December 1. (Found via Mr. Kaufmann’s website: www.nicholaskaufmann.com.)

 


Nov 3 2013

Books Completed in October

1. In Search of Captain Zero: A Surfer’s Road Trip Beyond the End of the Road, by Allan Weisbecker (***1/2)
2. Zone One (audio book), by Colson Whitehead (****)
3. Under the Tuscan Sun, by Frances Mayes (****)
4. Day Watch, by Sergei Lukyanenko (***1/2)
5. Alice in Wonderland: A Color Primer, by Jennifer Adams, art by Alison Oliver (*****)
6. The War of the Worlds, by HG Wells (***1/2)
7. A Stir of Echoes, by Richard Matheson (****)
8. The Eye Book, by Dr. Seuss (writing as Theo LeSieg) (****)
9. American Elsewhere, by Robert Jackson Bennett (*****)

REVIEWS: Continue reading


Oct 7 2013

Books Completed in September

1. The Casual Vacancy, by J.K. Rowling (****)
2. Burnout, written by Rebecca Donner, illustrated by Inaki Miranda (**1/2)
3. The Outcast Oracle, by Laury A Egan (****)
4. The Ocean at the End of the Lane, by Neil Gaiman (*****)
5. Sister Slam and the Poetic Motormouth Road Trip, by Linda Oatman High (***1/2)
6. Memento Mori, by Murial Spark (****)
7. Parable of the Sower, by Octavia E Butler (*****)
8. Parable of the Talents, by Octavia E Butler (****)
9. Shadow, by Suzy Lee (*****)

Reviews are behind the cut.

Continue reading


Sep 9 2013

Review: The Ocean at the End of the Lane, by Neil Gaiman

Neil Gaiman is a long favorite of mine. I’ve read almost all of his bibliography, so I was thrilled to learn this novel was coming out.

The story revolves around a man who returns to where he grew up and begins to remember a series of terrifying events when he was a child. As a seven year old, he made friends with Lettie, the youngest member of the Hempstocks who live at the end of the lane. When a border within his home commits suicide, it sets of a series of strange events and unleashes frightening creatures.

This story didn’t disappoint me one bit. It’s interesting that this has been described as an adult novel, since its so clearly from the young boy’s POV and Gaiman captures that youth, wonder, and fear perfectly. The boy is fully realized and made me remember my own youth. I saw one reviewer describe the sex scene as awkward, but it wasn’t. It was sex from a child’s perspective, which makes it seem strange and undefinable at the same time. The scene was well executed and showed the character’s youth even more as the rent seemed unimportant to him.

I especially loved the Hempstocks and how they are portrayed. The three women are so clearly more than what they appear and have latent power. They are loving and warm and fascinating characters. I would love to see them turn up in more stories.

Gaiman also has a way of making magic seem matter of fact, just another part of the natural order, which I LOVE. It’s one of my favorite things about his writing in general. That, along with his invention of creepy creatures that are dark and terrifying and yet somehow sympathetic, too. Ursula was evil and wicked and cruel and yet I pitied her in the end.

Fantastic book. I really, really enjoyed it.